Hogwarts and the Atypical Wizard

Sainz stayed in the Room of Requirement until 2:40 and had lunch there.

In response to his request, a window appeared directly on the wall, just like the food delivery window in a restaurant, leading directly to the back of the elf in the kitchen who left the deepest impression on him - Conte. When he asked questions, Conte showed great enthusiasm and excitement.

She said that as long as Sainz needed her, she would be available to serve him at any time, not only by feeding him delicious food, but also by cleaning, washing clothes and any other help he needed.

Before three o'clock, Sainz arrived at the Transfiguration classroom on the first floor on time.

Sure enough, there was no serious tabby cat squatting on the desk in the classroom.

In the previous movies, it was deliberately acted that way just to highlight Professor McGonagall's superb skills and dramatic effect. Animagus is a very advanced technique in Transfiguration and it is not meant to be shown off like this.

With Professor McGonagall's serious style, it was impossible to show off like that.

In the first scene, Dumbledore recognized Professor McGonagall's true Animagus form, and at one point she was surprised, "How did you recognize me?"

It can be seen that if he has not changed a few times or even not changed at all in front of the principal, how can he show it freely in front of the whole class.

Although Animagus is a very advanced magic, the animal it transforms into is just an ordinary creature. Once too many people know its true identity and it is targeted by someone with ulterior motives, it will be very dangerous.

When Professor McGonagall arrived in the classroom, she introduced herself, just like Professor Sprout, and then welcomed everyone to Hogwarts.

Calling the roll is, of course, a necessary procedure.

She pursed her lips and looked at everyone seriously.

"Transfiguration will be the most complex and dangerous magic of all the courses you will learn.

I need to warn you in advance that I will not allow or tolerate any mischievous behavior."

She emphasized again: "Anyone who acts naughty in my class, no matter who it is, I will ask him or her to leave immediately, and never, yes, never be allowed to come in again."

Her serious look and stern warning obviously frightened all the children except Sainz. Everyone sat upright with serious expressions.

Professor McGonagall nodded slightly in approval, and lightly tapped the desk with the delicate and elegant cedar wand in her hand. The desk immediately turned into a fat black pig, grunting as it ran back and forth among the students.

Then she waved her wand again, and the fat pig quickly ran back to the podium and turned back into a desk.

Everyone, including Sainz, was deeply impressed by her superb skills. Ordinary little wizards marveled at the wonder of magic, while wizards like Sainz, who had some knowledge of Transfiguration, could more deeply appreciate her attainments in Transfiguration.

Then Professor McGonagall began to explain the principles of Transfiguration, and everyone had to take a lot of difficult notes that they didn't understand at all.

All the theories have actually been explained in the "Beginner's Guide to Transfiguration".

Although it is not stated explicitly, to sum it up, it is the "three D" principle.

The so-called "three D" principle is three words whose first letter is "D": goal, determination, and calmness.

(destination, determination, deliberation)

This was also discussed in the original track, and is the principle of Apparition.

Sainz thought the same when he was preparing for the class before school started. Professor McGonagall didn't say this explicitly when she was explaining it, but this was the meaning behind it.

When performing Transfiguration on an object, you must first have a good understanding of the object it is going to become and have a clear image in your mind. ——Target.

When performing Transfiguration, one must have sufficient desire and a strong desire for the object of transformation to become what one wishes it to be. ——Determination.

Finally, although you must have a strong desire when performing Transfiguration, you cannot make a wish mechanically. You must not only have the transformed image in your mind, but also the process of the object from the initial image to the final image. Although the process does not need to be detailed to every step, it must be smooth and there must be no unnecessary other thoughts or products. - Calm

Sainz thought divergently, "Transfiguration is like this, Apparition is like this, and by extension, are all spells like this?"

He reflected on the spells he had learned and they all seemed to be like this.

Just concentrate on listening in class and think about other questions after class.

He couldn't help but think, "When I was in school, the teachers I met every day would be absolute masters in various industries in the society.

Now they can patiently explain any problem to students, but when these students enter the society, if they want to find someone of the same level to ask questions, by then, without high tuition fees, no one will pay attention to you..."

………………

There is no specific spell for Transfiguration. If you have to say it, there is only one spell: Veravento - Rapid Transfiguration.

The language is not important, the three Ds in your mind are the key.

Of course, the existence of spells is necessary, especially in the early stages.

It is like a key that can help young wizards quickly enter the state described by a certain spell, so that they can achieve their desired goals more accurately.

To use an analogy, if you want to pull a mouse out of a hole, you can just grab its tail and pull it out without making any noise, but if you shout, "Come out!" while pulling it,

It seems, as if, it will be a little more powerful.

In fact, the spell itself is indeed more powerful than random talk, which may be related to people's subconscious worship of language.

That's still a bit far off, and it's not the topic that Sainz, who has just been exposed to the magical world for less than two months, should focus on right now.

After everyone had heard clearly, Professor McGonagall waved her wand and said, "Okay, now everyone has a match on their desk."

After she finished speaking, everyone realized that a match had appeared on everyone's table at some point.

Of course, Sainz noticed Mag's gentle wave of the wand. He guessed that the matches were not conjured up, but were probably created using a summoning spell or some similar method.

"This week's task is to turn the match into a needle. Now, everyone pick up your wands and tap them gently, Vera Wentuo."

"Veravento!" x25

"Oh! Look, Mr. Autumn has finished." Professor McGonagall quickly walked to Saensch, picked up the needle on the table and looked at it carefully.

"Very good, five points for Hufflepuff!"

Her serious expression during the class finally showed a rare smile, "Mr. Autumn, tell me, is this your first time to perform Transfiguration?"

"No, it's not, professor," Sainz told the truth.

"I was actually practicing before school started, you know, I come from Muggles.

I had never been exposed to magic before I received the acceptance letter, so I practiced before school started.

You know, I thought the other students had already mastered a lot of magic, and I didn't want to fall too far behind them, Professor."

Professor McGonagall's expression became even more serious than before.

"Oh, my silly child, you don't know that all the little wizards are not allowed to touch wands before they enter school.

You simply don't understand how dangerous it is to teach yourself magic."

She pursed her lips and moved them a few times, but didn't say anything else.

“Everyone, magic is very dangerous, I want everyone to be careful about this.

There was once a man who made a mistake in pronouncing a syllable while chanting a mantra, and he found himself lying on the floor with a cow standing on his chest.