I imagined some strange scenes without permission.

For example, at night, in bed, a young man still lay calmly on the bed, looking at the short-haired girl who was lying on top of him and unbuttoning her clothes with some doubt, asking something like "Is this okay?"

Then, the short-haired girl who had unbuttoned his shirt sat up on his waist again and unbuttoned her own clothes. With a pure face, she pretended to be silly and mumbled something like "Senior, if you feel uncomfortable and need relief, I can help you...is that okay?"

"..."

Wow wow wow wow wow wow!

There must be more pictures like this!

The female photographer, with her imagination running wild, could no longer control her emotions. She gasped for breath and used the camera to cover her face, which was gradually revealing a crazy expression.

The two people present who were unaware of the situation were shocked.

"Um... Is Aida-senpai also seasick?"

Ito Nishika still had an innocent expression, and gave him a look that showed some concern.

But it couldn't change her image in someone's eyes.

Okay, okay, you’re still pretending, little Ito.

I, Master Aida, have seen through it all!

Anyway...I get what you mean!

I don’t know what has been completed in my mind.

In short, Tetsuko Aida put down the camera again.

This time, his lips were turned downwards, showing a look of distress.

"No, it feels a bit strange for you two to be like this right now."

"how to say?"

"In my experience, if you keep doing this, the full-body photos you take won't turn out very well."

Then, as the two of them gradually began to look inquiring, Tetsuko Aida raised a finger with a smile.

"Let me teach you two poses."

All in all, keep going, Ito.

I'll also think of a solution for you -

Taking another look at the girl's expression, Tetsuko Aida smiled even more happily.

Chapter 38: Matchmaking is our duty

The ferry ride was actually quite unremarkable. It was only slightly interesting at the beginning.

The novelty of getting on board is divided into two parts.

The first was the labyrinthine exploration of the various cabins, but it was like unlocking achievements and map shadows in a game—once you've made a record, you don't want to touch it again. The second was running to the upper deck, gazing over the railing at the endless sea, and enjoying the refreshing sea breeze.

But after the novel experience is over, there is endless boring time.

Most people chose to sit in their seats and look at the endless blue horizon outside the window, half asleep and half awake as the day passed.

A small group of people were interested and kept running to the railing, chatting about the past in the sea breeze.

The ferry is not as good as a ship designed for sailing on the high seas. There are no restaurants, casinos, banquets or entertainment performances.

The main job of this kind of ship is to carry cargo, and by the way, it can also take people on board.

In other words, it is always good to find something to do during this boring time.

For example, now.

In order to gain some experience in this time that would otherwise have been wasted, Lin Sen began to learn model knowledge related to photography techniques.

In this matter, Tetsuko Aida is the one with the most experience and the most say.

“How can I use simple methods to show a sense of fit in front of the camera?”

With years of experience photographing people, I've come into contact with all kinds of people. Camera in hand, I've shot everything from press days, where headlights flood the scene from every angle, to well-lit modern homes and traditional wooden houses, through the streets and alleys, beside landmarks, and in front of towering mountains.

Well-known photographer Tetsuko Aida knows how to use distinctive symbols to highlight the characteristics of people:

“Clothing is an important element. People wearing the same color or style of clothing can easily show their connection in the picture.”

The female photographer licked her lips quietly as she spoke, then pointed without hesitation at the two people in front of her who looked at each other and then at her.

He gave the order in a firm tone:

"What I meant by all this is, take it off for me!"

"...what?"

"Now, I'm the boss. Please follow my instructions!"

Tetsuko Aida had already discovered that the only thing that was the same color between the two people in front of her was their inner garments.

As for the coats, which were of different colors, fabrics, and even design styles, they were probably added on the spur of the moment due to the cold summer climate in Aomori, the embarkation point.

This is not good.

Completely unrelated clothing will destroy the sense of harmony between the characters. And two uncoordinated characters standing close together will completely destroy the focus of the final photo. This is a taboo in portrait photography and it is also a knowledge that requires experience to understand.

Explaining it to the man and woman in front of me was considered gaining their approval.

So, the seemingly obedient girl took the lead in cooperating. She took off her thin windbreaker that was too long for her hips, curled it up in her arms, and then turned her head to look at the boy who seemed to be still hesitating.

After realizing that he hadn't moved, she actually stepped forward, pounced on him to unbutton his shirt, and then grabbed his sleeves and pulled them off.

The body of a young child!

The scene before her made Tetsuko Aida swallow her saliva.

Although both models are adults, they still have a hint of youthfulness.

As tempting as a half-ripe fragrant apple.

Kobayashi has a unique aura. His height is well above the national average, and judging by his slender yet sturdy figure, he must have been exercising regularly.

It should have given people a sunny feeling. However, the combination of his daily movements and postures, combined with his calm expression, gave him a sense of decadence, even world-weariness. These two feelings, like being at opposite ends of the spectrum, intertwined in an uncanny way.

In the contrast, it seems to stand out, out of place. Especially against the backdrop of the brightly lit sea behind it, it suddenly looks as vivid as if it is about to burst out of the camera.

This is a very rare lens sense. Those who possess this style, even if they are not handsome, give people a sense of superiority. Not to mention, Kobayashi is actually very good-looking, the kind that becomes more and more attractive.

This reminded Tetsuko Aida of a famous figure: Ryunosuke Akutagawa, a renowned Japanese writer. Surviving photographs reveal that this literary figure, whose given name was Niihara, also possessed this legendary talent for modeling, seemingly piercing the image.

For photographers, this kind of model is a dream come true.

But this also brings a concern. What kind of person can match this kind of character that is completely disconnected from the picture in a group photo?

After all, if you’re not careful, you might almost blend into the scenery behind you and become his background.

And Tetsuko Aida has the answer to this question.

Focusing her attention on the girl next to Kobayashi, the female photographer couldn't help but curl up the corners of her mouth.

Very simple.

While Kobayashi's camera style may sound grandiose, it's quite easy to summarize. Based on psychological theory, it can be summed up in four letters.

INTJ.

Commonly known as the "I of I." This legendary creature is incredibly rare, and you can tell at a glance that it's autistic.

Translated into human language, it is simpler, three words.

Unhappy.

Then, matching is very simple.

If he is unhappy, he has to be stupid!

If we make the popular language a little more theoretical and serious, we can conclude which type of partner is most suitable for such a temperament.

First and foremost, there must be an absolute sense of compatibility. Even if you don't look like him, you essentially share the same unique and transcendent temperament.

Then, be calm inside and warm outside, appear silly or extroverted on the surface, and be more passionate and gentle in temperament and actions. This will give people a unique sense of splicing.

Only in this way can one cleverly complement and integrate with another model, rather than blending into the background or becoming another unit that fragments the picture.

After all, two perfect squares placed together don't give people the feeling of perfect matching. Only two squares that are straight on three sides but crooked at the joints, but still fit perfectly, give people the feeling that they must be together.

And a girl with short hair is just the right match for him.

In the camera, Ito appears to be the weaker one, looking small and dull next to Kobayashi.

However, it can highlight some initiative in certain actions.

For example, in front of the camera, with the sea, sunshine and railings behind her, she turned around and took the initiative to hug him, tilting her head back. Behind her was the rising sun, but it seemed that only he was in her eyes——

Tetsuko Aida shouted in a strange, distorted voice:

"Very good, very good! Tighter and harder!"

This statement clearly left a certain male model feeling frustrated. He glared at the camera.

The little girl next to him did as he said physically, but she turned her head and subconsciously rested it on his shoulder, giving him a puzzled look.

“This one is great too!”

Afterwards, Tetsuko Aida, who was immersed in the filming, showed unquestionable majesty.

He began to correct the details of the two people's movements as if he was directing a professional model.

"The following is the frontal action. Ito, you come over, and Xiaolin, you put your arms around her shoulders. Xiaolin, don't change your expression, and Ito smile happily... That's right! Hehe~"

"Then, Ito stands in front of Kobayashi... Kobayashi, put your hands on Ito's shoulders... Great!"

"Okay, next, Kobayashi, put your arms around Ito's waist... What are you hesitating about? Take a picture! Do you know how hard it is to capture the right scene? Hurry up!"

During this action, some accidents happened.

The ticklish girl almost jumped up and down with a shy blush on her face.

However, this did not stop a certain photographer from pursuing higher quality work:

"Xiaolin, lower your head now and bury your nose in Ito's hair, hiding your facial expression. That's right! Wow! That's the cute expression, Ito!"

all in all.

After all the hassle, the photographer was satisfied, but the two models were nervous and stiff.

The only good news is that the film is filled with rich footage.

"If this were commercial photography, the price would be in the hundreds of thousands!"

"So should I thank you for your help, or blame you for getting too caught up in the drama and causing trouble, Ms. Aida?"

"You can also just neutralize it and pretend nothing happened!"

Tetsuko Aida was probably indeed a famous person with a wide circle of friends.

He led Lin Sen and Miss Ito down into the cabin, but did not let them return to the common cabin.

Instead, he took the two of them directly to the captain's room and patted the shoulder of Lao Gui, who was sitting on the side to rest.

"You are...Wow! Miss Aida."

"First Mate Saito just mentioned that you went upstairs to smoke. I heard that you and Reiko finally got married recently... Congratulations."

No matter where it is, human society is essentially based on human relationships.

It seemed like the female photographer, who seemed to be known to everyone, quickly got a vacant seat in the top sightseeing cabin and was easily upgraded.

"As for the suitcases, the flight attendants will bring them up shortly. Come chat with me, both of you."

——I can only say that Ms. Aida is so talented.

But what made Tetsuko Aida admire was that under such circumstances, both the young man and the girl remained calm and composed.

Just expressed gratitude clearly and kindly, and then maintained the peace that was always there during their time together.

The two of them are definitely suitable to be friends. They will not be shaken by some differences in status.

This is very rare.

Because only those who have a strong and fresh self in their hearts will not be shaken by external things to some extent.

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