Genshin Impact: I wrote the plot into a novel to spoil the future

Communication in Teyvat is not very advanced. Everyone knows that Fontaine is beautiful, but for most people, this is the first time they have seen Fontaine on the big screen.

This scene is simply the best promotional video for Fontaine's culture and tourism, instantly inspiring many people to travel to Fontaine.

Sumeru and Liyue are both worth a good look; they're so close and so beautiful. Let's go to 'Hebei' this weekend.

The Fontainebleau region in the north has been so beautifully managed; the water god must be a very capable deity! I'm even more excited now!

It has to be said that Funina's public image is still very 'perfect', and the further away a country is from her, the more perfect she seems.

The audience was eager to see this 'perfect goddess,' and so were the travelers.

In the movie, Yingmei travels to the port of Fontainebleau in her small boat. It has to be said that compared with the large ships sailing next to her, the traveler's boat looks like a toy boat.

But a toy boat is still a boat. The traveler successfully sailed to the port of Fontainebleau and, after disembarking, planned to ask someone about the water god. Just then, two people were chatting nearby.

Antoine: "...To be honest, his ending was too tragic. He was essentially a pretty good guy."

[Vina: "Yes, it's surprising that it's like this as his 'farewell.' I thought he would struggle a little longer for the sake of his family..."]

"Unfortunately, the 'twist' I expected didn't happen, but his story was still quite moving."

The story is tragic, the protagonist is essentially a good person who stops struggling for the sake of his family, and there are no dramatic twists or turns. If you didn't know better, you might think they were talking about the case of Kares (Navia's father).

Aside from the timing being off, all the other descriptions are indeed correct.

The keywords "ending," "curtain call," "twist," and "story" all made people think that the two of them had just finished watching a play.

The traveler and Paimon thought so too, but little did they know that what they were talking about was not a play, but a real trial case.

Tragic ending, a good person, for the sake of family, hoping for a turning point—are these really descriptions used to depict real cases? Doesn't this trivialize a serious matter?

Their attitude surprised people from other countries. Is trying cases such a trivial matter? Is it right to trivialize suffering?

This attitude is one thing for criminals, but what about the victims? Do they think their suffering and tragedy are just a laughing stock for others?

People from other countries think there's something wrong with the Fontainebleau people, but the Fontainebleau people don't see anything wrong with it.

Many stories are adapted from real events, even prophetic books; they simply skipped the adaptation step.

As long as the story is engaging enough, isn't that enough? Why be so serious?

The reason why the people of Fontainebleau behave this way is mainly due to the indulgence they have received from Villette and the Cardinal of the Decree.

With this double guarantee, the people of Fontainebleau felt that there were no wrongful convictions in their country, so they might as well pay more attention to the stories behind these cases.

Ultimately, it's because they've been too well protected, to the point of being numb to danger, believing that even if there is danger, Vilette and the water god can definitely protect them.

There is also a sense of 'group identity'. Everything in Fontaine is closely related to 'trial'. Those who cannot become members of the court will choose to join through 'discussion'.

Participating in discussions about the case makes them feel like they are also involved in the 'trial,' thereby gaining recognition of their 'social identity.'

In short, these are wonders that are hard to replicate in other countries.

Compared to the trial scene in Fontaine, the scene of Abedo's trial in Mondstadt in the future is more in line with everyone's impression of 'trial'.

However, none of these are the key points. After all, travelers are just traveling and don't want to care about other people's preferences.

More than the interests of the Fontainebleau people, she was concerned about how to meet the water god.

The people of Fontainebleau commented: "Want to see the Water Goddess? She's at the opera house every day!"

However, it would be difficult to arrange a one-on-one meeting, as the schedule of this big star, Funina, is very full.

Is her schedule packed? In Fontainebleau, everyone's eyes couldn't help but turn to Funina.

Is he very busy? Why do I always see this person at every book of prophecy session? He's much more diligent than the others.

Especially for workaholics like Keqing and Qin, they might miss the first show.

As for Funina, I encountered her so frequently that she was just as often as the joking and laughing guy next to her; she was practically an unemployed bum.

At this moment, Funina was sitting elegantly in her seat with a slight smile on her face, looking quite comfortable.

However, this ease was all an act. In order to read the prophecy book, she had finished all the tasks she needed to handle ahead of time, leaving her exhausted.

Her schedule was not only full, it was overflowing. In order to make enough time, she didn't even take a break between meetings with others.

Adding to the tension of potentially being exposed at any moment, Fu Ningna's heart was pounding. She didn't know if it was from nervousness or from staying up late, but she was already overworked.

But it's okay, she won't die from overwork, because she still has a 'curse' on her body.

Funina's professionalism was too high. Even though her heart was churning, she remained calm and composed on the surface, even wearing a smile.

In the past, when she read prophetic books, she would not hide her emotions, because her emotions when 'playing the role of a god' were naturally outward and exaggerated.

But now, the tension of being 'about to be exposed' has made her dare not relax at all. She has become much more reserved and seems more reliable.

Chapter 858 Linnie and Lynette

Then, a nervous little Fufu saw what her people were saying about her:

["Although her speech and behavior are sometimes a bit exaggerated, she's still very 'likable'."]

"Likable"—this is the first time anyone has ever seen a deity described with such a word.

I always feel that when I hear this word, it's mostly used to describe animals...

Even when describing Yun Jin, who is also a celebrity, people would choose more solemn words and would not use such 'frivolous' language.

If a Liyue resident said, "You mean the Geo Archon?", it would be quite endearing.

After saying this, countless Liyue people will criticize him for disrespecting the Emperor.

This shows that the attitudes and reverence that people from the two countries have for deities are completely different.

Paimon said, "Hmm... wait, I think I'm starting to understand. The Water God in Fontaine must be like a 'big star,' right?"

Antoine replied, "That doesn't seem wrong...or rather, it's like a 'mascot'?"

"A... mascot, you know." Funina's ahoge (cowlick) looked a little wilted.

Summer's story was indeed a prophecy! It turns out I'm a mascot just like Idia, now I've become the little mascot, the Water King.

Anyway, speaking ill of the water god won't get you punished, so what do you think?

Not to mention them, even Vilette said, "So what?"

The traveler offered this conclusion: "The people of Fontainebleau seem to have a great fondness for the water god... but also seem to lack a certain reverence..."

After chatting with the people of Fontainebleau, the traveler's gaze fell upon a cat-like girl on the beach.

The girl had been standing on the beach for a long time, and I wondered what she was doing. Could she be thinking of jumping into the sea?

Lynette in the story was probably thinking: The fish has finally taken the bait.

The enthusiastic traveler and Paimon approached without hesitation and said: Don't jump, the sea is too cold.

The level of social interaction was simply outrageous; the traveler quickly learned the girl's name—Linette.

The perspective is from the side and rear. From this angle, Lynette's profile is adorable with her chubby little face and a star pattern on her plump cheeks.

Traveler: Hey, you're a pretty good-looking girl.

The traveler's conversation was very successful; he easily opened the girl's heart, and they became extremely engrossed in the chat.

Viewers couldn't help but sigh, "If I had the social skills of a traveler, would I still have trouble finding a partner?"

It's just a bit strange, is this social skill the Traveler's or Paimon's?

What viewers don't know is that Lynette actually targeted the traveler from the very beginning, and you don't need any social skills to strike up a conversation with her.

In other words, the traveler is the prey.

Lynette had no intention of jumping into the sea. She said she was just reminiscing about the past, when this place wasn't submerged by the sea and there was a small mound where she and her brother often played.

Who is his brother? He is none other than the famous magician, Linni, who is standing behind the traveler at this moment.

"A familiar face," Linnie greeted. "Is this Lynette's new friend?"

Another brother. The traveler has found quite a few brothers along the way, but unfortunately they all belong to other people.

She had seen many siblings reunite and love each other, but unfortunately, she was the only one who hadn't.

Linni's appearance amused D'Artagnan, who said he had never seen a traveler before.

The Traveler's photo had already spread within the Fools' Clan, and the House of Hearths was a specialist in intelligence gathering; how could they not have seen the Traveler? This was already a staged event.

"How cunning," D'Artagnan said with a smirk as he looked at Arecino.

Arecino ignored him. He was clearly acting himself, yet he called others cunning.

When it comes to acting skills, or rather, emotional intelligence, Linni is better than D'Artagnan, and quickly built a closer relationship with the traveler through simple conversation.

The way to get closer to them is very simple: just a few simple little complaints.

Linnie complained that Lynette didn't like to talk and that he was the one who did all the talking, which immediately made Paimon empathize.

Then, when the traveler complained that Paimon was stealing her lines, Lynette joined in, and their relationship grew much closer.

During the conversation, Linni shook hands with Yingmei, but when it came to Paimon, she patted him on the back. This gesture didn't attract anyone's attention; they thought it was some kind of Fontainebleau etiquette.

Only Sino noticed it, not because of his great disciplinary officer's sharp eyesight, but because he remembered the story of chasing the card thief last time. Wasn't this the "back pat" (card back) that he had been "dreaming of"?

Aside from the 'sharp-eyed' Grand Disciplinary Officer, even the people of Fontaine didn't notice Linni's action.

Because their focus was on the coastline; they wondered, "Wow, the coastline has risen so much!"

As residents of Fontainebleau, they did not actually feel the rise in the coastline.

In the game, Fontaineville and the port are not far apart, and there are ships that can take you there directly, but in reality, they are much farther apart, and many locals would never go to the port.

This has led to many Fontainebleau residents being completely unaware of how much the port's water level has risen; simply watching the news ultimately lacks a sense of reality and tension.

But now, after hearing what Linnie and Lynette said, they remembered Fontaine's prophecy and a sense of crisis arose in their hearts. Prophet, please tell us that the prophecy is false!

Whether the prophecy is true or false is hard to say, but at least Lynette and Linnie felt it was better to believe it than not, and prepared to distribute 'magic pockets' to those around them for use in case of trouble.

Distributing relief supplies was important, but Paimon did not forget the key aspect of this trip.

Paimon asked, "Speaking of which, we're on our way to the opera house to see the water god. If it's convenient, could you show us the way?"

When the keywords "seeing the gods," "leading the way," and "fire attribute" came up, everyone immediately thought of one person: Thomas.

It seems that whenever there's a scene where someone is asked to lead someone to meet a deity, everyone remembers Thomas. He's just too authoritative. Putting aside everything else, just tell me whether he actually met the deity or not.

Linni said, "Go see Lady Furina? Of course, of course. I was just about to go to the opera house myself, but I'll have to wait until I've finished what I'm doing here..."

Linni: I have a way to introduce you to the water god.

His 'recommendation' was, to say the least, just as bad as Thomas's.

But before that, we need to help Linni with a few small tasks, namely distributing the 'magic pockets'.

However, before the task of distributing the music could even begin, a powerful background music started playing. Special thanks to Wendy for her wonderful violin performance.

The guards stand in formation, and amidst the stirring violin music, the camera focuses on a pair of slender little feet.

The shoes are a dark blue-black color with cute blue bows tied on them, creating a striking visual effect when paired with white opera socks.

What you see from this angle is truly a viewpoint.

Chapter 859 Furina's First Appearance

Fufu was so nervous she almost stood up; her taut thigh and hip muscles made her sit several inches higher.

I'm here! I'm here! What should I do? What should I do? I mustn't let everyone down!

Funina was very nervous, and then she became even more nervous when she saw this inexplicable 'foot' shot. Why is she focusing so much on my shoes?

Luckily, I always clean my shoes before going out, otherwise what would I do if they were dirty!

The camera zoomed out the next moment, and now her feet were no longer visible. In fact, at this distance, it was almost impossible to see Funina clearly, let alone her feet.

All that can be seen is that she is standing in a very high place, and her every move exudes a sense of confidence that says, "I am very cool."

It can only be said that Furnessa's eyeliner was not for nothing; she rushed over from Fontainebleau as soon as the travelers arrived.

[Furina's voice rose: "Rich or poor, people with glasses or with nothing, raise your glasses! Those who have nothing, use your arms instead."]

As Funina speaks, the perspective shifts back and forth, from 'rich' to 'poor', with each change in tone following a description.