Love Purification Agreement

Page 839

Therefore, authors (including me in the previous book) often take a very clever or tricky approach to circumvent this contradiction.

That is: focus on shaping a female protagonist for a period of time.

At the same time, the other female protagonists are placed off the stage, either offline for a short period of time or occasionally appearing on stage.

Of course, this also has its disadvantages, which have been mentioned before and I will not elaborate on them here.

As I said in the introduction, I took another approach of going on stage at the same time to avoid any character being left behind.

The advantage of this method is that it can avoid the disadvantages of the previous method, but the disadvantages or difficulties it produces are also beyond imagination.

When trying any new tool or method, no matter how well prepared you are before starting, there will often still be countless disasters during practice.

The first and biggest problem is that when this method is adopted, there are too many female protagonists.

In the prologue and the first volume, I created six heroines with very different personalities and different predicaments, which means that when they appear on stage together, they will squeeze each other's screen time.

On the one hand, the heroine who should have been standing in the center of the stage was squeezed out by the other heroines, making her portrayal unsmooth.

On the other hand, the heroine, who is a little marginalized at the moment, is labeled and stereotyped.

A stubborn person will be blocked in both ends.

Some readers may wonder and question this difficulty:

"Why are they squeezing each other's acting space?"

This question is actually not difficult to answer.

You may have heard that when you write a novel, the characters will come to life as you write.

The creators may not fully appreciate this statement, but I must emphasize that it is true.

And during the course of the story, these six heroines seemed to come alive.

The story you create to shape this character will inevitably conflict strongly with other characters' personalities, positions, modifiers, and other factors.

So, actually the image of a stage is not accurate, it is more like a huge water tank.

There is clear water in the water tank, and the six female protagonists are pigments of different colors thrown into it.

After putting it in, you often want one color to go to the center of the water, and then another or several pigments will be mixed together along the water flow.

In the end, some of the pigments got mixed with the main pigment, causing them to be thin in color where they were originally placed.

The color in the middle, which should occupy most of the space, is not bright and eye-catching enough because it is dyed with other colors.

Of course, some readers will ask,

"You're talking nonsense! Didn't you use the same method in the first volume? It was fine, why is it like this now?"

The problem is that in the prologue and the first volume, it is more about introducing and getting closer to the character than establishing the character.

At that time, the information and roles required for each character were not much, and it could only be considered shallow waters.

It's like when you just put the paint into a water tank. At that time, it has not yet started to spread over time and just stays quietly in a corner, so naturally this kind of contradiction will not arise.

As the plot deepens and enters the deep waters, their desires and predicaments become more and more exposed, and these problems will undoubtedly emerge.

Okay, this is a problem with the protagonist.

Secondly, I actually want to talk about some side quests.

That is, some content and foreshadowing about supporting characters.

In my opinion, the description of some supporting characters is necessary, but often their voices are required to be reduced when describing them.

In fact, I can fully understand the readers who spoke out, and I never blame readers who make suggestions and comments based on rational feelings.

After all, as I said in the previous question:

The main characters have already started fighting for their share of the stage, yet they are trying to squeeze in supporting roles. Are they thinking that there are too many roles?

I understand, so when I see readers' feedback, I can't help but feel hesitant.

For example, in the previous volume, I deleted a large number of scenes involving student union members, including all scenes involving teacher Lin Wanwan.

But in this way, a piece of the content of the previous volume is missing, making it incomplete.

I don’t know if you still remember that in the last scene of the previous volume, when Yan Huan declared himself the student union president, there was a flashback of the student members.

In fact, you only need to think about it to know that they were once bullied and marginalized figures in the school. It was with Yan Huan's help that they came out of the shadows and even joined the student union.

At that time, only their past was written, but after they were helped, their feedback and actions in dealing with bullying, as well as their new life in school should also be written.

In this way, the student union will appear more reasonable when handling bullying cases, and the school will not be filled with so many geniuses as it is now.

Then, in the last scene, it actually feeds back to the main character’s image, making the love relationship between Yan Huan and Sakuramiya Hitomi more vivid.

Don't forget, it was Yan Huan's help to these colleagues that made her fall in love with him.

Yan Huan's story line is already full of issues such as the modifier, and these side descriptions are most appropriately described by the supporting characters.

Therefore, in the long run, these side stories are actually meant to shape the protagonist, rather than being useless.

As for the rest, Luciana, the student council president of Suzy Academy who grew up with Hitomi Sakuramiya, will add to the image and predicament of Hitomi Sakuramiya in the next volume.

Sakura Palace Mirror will be very important in helping to perfect Ye Shiyu's character when Yan Huan goes to Golden Lion Group for internship.

But do you think the branch line is really necessary?

Not at all.

It can still operate even if it is missing and will not affect the main line.

But in the end, maybe it will be a little less enjoyable?

Of course, I'm not listing the difficulties and hardships I've encountered in this story to complain to my readers, or to say, "Ah, I've been through so much hardship, and you still don't understand me?"

But I think that bringing existing problems to light and facing them can often boost confidence better than hiding them.

From the time I started writing my first book, I realized that writing is a wonderful puzzle. In addition to writing more, I also need to summarize more and try more, so that I can become better.

In addition, of course, because you are paying readers, explaining the situation to you is my responsibility to you, and I also hope that you can understand more clearly the stories and content you purchased.

So, based on the above two questions, I actually considered more ways to improve it.

In the next volume, the style will be more daily and humorous, and of course, there will be some small horror elements.

After all, the next heroine who is described in detail is not a person who likes fighting and killing.

The role of the student council will be increased, but it will not necessarily appear alone, but will be integrated into the scenes with the main characters.

Increase the roles of the female protagonists, criticize Ye Shiyu and Bai Yi by name, and make them break away from the stereotypes and labels as much as possible, and become more lovable and likeable.

Determined to take the "I want it all" path, Yan Huan takes over the lead in the story, teaming up with An Le, Tong Ying Ying, and Spencer to meet the challenge posed by the editor.

Well, that’s all I want to tell you at the end of this volume.

I'm going to take a day off today to sort out the outline for the next volume. Tonight I'll hold a vote in the group for the March extra, and I'll finish writing and upload it soon.

Tomorrow, we will enter the next volume, the story about Sakuramiya Hitomi.

Spring Semester: Chapter 10

Chapter 261 Beauty is in the eyes of the beholder

"Hey, hey, hey, Ava, did you really do that with Chen Jun the day before yesterday?"

"Yeah. Go to home plate. It was Chen who took the initiative. After all, we've been together for so long."

Tokyo, Haneda International Airport.

When young people of the same age get together, they are always chattering and have countless topics to talk about.

The boys gathered together to compare who could buy used Gundams cheaper in various places in Osaka and Tokyo.

The girls were smiling as they packed up the cosmetics they had bought at the duty-free shop, while also making fun of the terrible lunch.

In Class C, several more conservative girls blushed slightly, looking shyly and curiously at the brown-haired girl in front of them who had tasted the forbidden fruit, watching the blonde and blue-eyed girl share her experience.

"Boys really do think about that kind of thing."

"That's not the way to say it."

The girl held the water cup, lowered her head shyly, glanced around, and then said embarrassedly,

"Actually, I've been getting a bit too excited for this, and I've been thinking about our next date."

"Oh, it's so astringent~"

The other girls showed "implied" smiles, and then gently pinched their companions' waists.

However, he didn't expect that his companion was shy at the moment, and he loosened the cup in his hand, and it rolled to the ground.

"Gululu~"

The cup rolled along the ground for a while and was finally gently grasped by a bare hand.

Several girls looked over quickly and saw that the girl in front of them had a low Korean ponytail and a light green dress that covered her beautiful figure just right.

The girl named "Anle" smiled shyly, picked up the cup and handed it to them.

"Ahh, thank you."

"It's okay, just be careful."

In the past, this marginal figure in the class would have to lower his head and look away just by seeing others looking at her.

Not to mention reminding them kindly like this moment

Was it like this before Anle?

In front of Anle, several girls who looked like rookies took the cups of water in a daze and sat back in their original places.

But even after sitting back in his original place, he couldn't help but look back and secretly glance at Anle.

Watching her gently pull the ponytail behind her back onto her shoulders, watching her turn her head to look at the scenery outside, the sunlight looked at her smiling profile.

"No, is that right?"

However, her appearance was not only seen by several girls in the same class, but also by Ye Shiyu and Bai Yi who were waiting for the flight nearby.

They stood together, both shocked.

Looking at the contented and radiant Anle over there, it was like being hit by a flash bomb head-on.

Is this still peaceful?

Where is the damp female ghost with empty eyes who only knows how to play with tentacles?

How did it evolve into the Virgin Mary?

What the hell is so nourishing?!

"."

Bai Yi was so shocked that his jaw dropped, and Ye Shiyu

I'm speechless.

Except for talent and appearance, Ye Shiyu's values are higher than Bai Yi's, so the information obtained at a glance is more than Bai Yi's.