Superman, the Man of Steel, female, 6 years old!

Anna's film actually provides a new film production idea for major film companies after the emergence of superheroes, that is, to cooperate with real superheroes and then work together to develop the market in the post-superhero era.

Moreover, her current approach not only saved the entire film market, but she could also provide subsidies to those poor superheroes through the copyright of superheroes...

Yes, because of the inspiration from a novel Anna read in her previous life, the real superhero movie she is currently working on has copyright fees for the superheroes themselves.

Chapter 037: Not Just for Movies

Although Anna was very stingy when she paid for the "Iron Man" she is currently working on, even the lunch boxes and mineral water were bought on credit from her mother's mainland hotel.

However, the actual shooting effects and the cost of the big scenes were much more extravagant than the first Marvel movie in her previous life. And she was also much more generous with the money that should be spent.

For example, for the Iron Man movie, she would pay Tony one-tenth of the total revenue as copyright fees. This is one-tenth of the revenue from all channels, including box office, home video, TV broadcasts, theme parks, and various peripherals.

If her plan succeeds, then in the Marvel world, just one-tenth of the total revenue of the first "Iron Man" across all channels may be as much as hundreds of millions of dollars.

Of course, Tony, the rich man, doesn't care about the hundreds of millions of dollars in copyright fees... In the future, if he casually lights a Mark-brand firework in the sky, the money he wastes will not be this much.

However, in order to set an example for future superheroes to follow, Anna still advised him to include a clause on copyright fees when signing the film cooperation agreement.

After all, if the big dog owner doesn't want the money from the beginning, then when Anna develops poor superheroes like Spider-Man or The Defenders in the future, some people may not want the copyright fee for the sake of face.

After all, not everyone in this world is a money-grubber like Wade Wilson and Anna...

And if these real superheroes refuse to pay copyright fees for the sake of maintaining confidentiality or prestige, and if eventually all superhero images gradually become free images...

So these people fight for their lives in the front, but in the back they will become tools for the black-hearted capitalists to make money. Those big movie companies and black-hearted capitalists will not be grateful to them at all, but will only use these free superhero images as a tool to make money and smear them at will in the market.

What Anna is doing now, in addition to making money for herself and using some of the profits to subsidize certain superheroes who need to support their families, her biggest goal is actually to protect the interests of all superheroes.

Another thing is that, as a "superhero", like the protagonist in the novel in the previous life, he controls the copyright of all superheroes in the Marvel world and has the dominant right in commercial operations.

The copyright company of superheroes can not only protect the images of superheroes from being abused and smeared, but also obtain legal benefits and due compensation for them.

Furthermore, in special circumstances, this platform can also become a platform for superheroes to collaborate and communicate with each other. Everyone can send tasks to each other on it, and even for a superhero like her, the platform will be very useful to her in the future. For example, when there are many things that need to be kept secret but Superhero himself doesn't need to be there, she can use this platform to entrust nearby superheroes to help her...

When major events occur, such a communication platform can quickly gather the superpowers of the Earth. After cooperating with certain enlightened government departments (referring to those infiltrated by Lorraine's mother), this platform can even become a semi-official organization similar to DC's "Hall of Justice".

This semi-official organization, which will become the largest superhero organization on Earth in Marvel, was initially started and germinated from the "Iron Man" movie successfully operated by Anna.

So don’t think that Anna is just working hard to make movies now, but in fact she is not just making movies.

……

Anna, this little brat, is now in such a state of mind because of all the things that happened because of a movie. She has no idea what her future plans are, and she's going to set up the Marvel company that specializes in superhero copyrights...

Of course, Stark is not clear about these things now. Even after the new Mark armor is completed in the underground laboratory, he is still confused about how to investigate the truth of his kidnapping in Afghanistan.

And Tony is still wondering why Anna, this stingy little brat, insists on making him accept the one-tenth of the all-channel copyright fee.

After all, for a young man who even had to buy the lunch boxes, drinks and mineral water for the crew on credit from his mother's hotel, it was a bit unreasonable to be so generous.

However, Anna would not explain why he had to accept the copyright fees, so Stark could only return to the basement to work with a question mark on his head.

Anna knew the truth about Tony's kidnapping and the subsequent developments, but because she wanted to make a lot of money for her own movie, she kept silent about it until there were any civilian casualties, right?

And when she was filming the "Iron Man" movie, she never gave anyone a complete script...

And Anna was just like Disney in her previous life, keeping the movie script secret to the point where... when she was filming a funeral, she made everyone think they were filming a wedding.

Anna emulated the exemplary leadership of Director Ludan, the master of compartmentalized management. Even Happy, the film's director, only received a few pages of the script given by the brat before filming. Furthermore, the filming sequence was shuffled, just like Hollywood. Without a clear timeline, no one on the crew had any idea what they were filming.

What's more, Anna's film will use a lot of real-life footage that she personally filmed and followed.

There will also be a lot of surveillance footage of Tony making the Mark armor in the basement. In the end, all we need to do is have Jarvis, the AI, change his face. What can be shown in the underground laboratory and what can't be put into the movie... all of this is the job of Tony, the film's technical consultant.

So the only shots Happy and the crew actually filmed were the Afghanistan scenes, some of the events leading up to their arrival, and some of Uncle Obadiah's script. After all, they wouldn't let a little kid like her walk around with a camera in front of them while the villains were working, right?

Since the crew's shots were so fragmented...it would be even more impossible to piece together a complete story from the 'scripts' she released.

So, although the plot of her movie is roughly the same as her previous life, except for the fact that she, a Kryptonian, did not do anything in Afghanistan, it is almost a carbon copy of the original movie...

However, until the final showdown, even Jarvis, who was helping her with post-production, didn't know what she was shooting.

And after Stark revealed his hand at the press conference, she could just use the excuse of adding those real things filmed and the surveillance footage into the movie, and then it would be completely explained why the movie script was so similar to reality.

In order to get more footage of Stark's villa in Malibu, Anna also persuaded Tony to install dozens of cameras around and inside the villa. Jarvis was responsible for all the normal shots, and all the machines were up to the level of IMAX cameras.

Of course, these cameras were installed with the intention of recording Tony's daily life and leaving valuable materials for his descendants to admire...so Anna didn't pay a penny for the machines and equipment. She could just come back and get the footage for free later.

She ordered 200 cameras from Tony. In addition to those for stunt shots and the crew's needs, the rest were secretly installed by her in various places above Stark Industries in the dead of night.

Places like Obadiah's office, the highway, and the Ark reactor are all key areas where Anna has placed cameras in the past few days.

Chapter 038 How are you going to solve the problem of freezing?

More than a week later, in Stark's underground laboratory.

With the sound of the mechanical arm drill rotating, Stark put on the latest Mark II prototype armor for the first time after he came back and updated the design.

Next to him were several sports cars whose roofs had been burned by the jets when he was practicing flying.

Tony grabbed the angular steel mask of Mark Armor from the table and put it on his head.

A few seconds later, his somewhat muffled voice came from the armored mask in the underground laboratory: "Jarvis, are you there?"

"Mr. Stark, please give your orders."

"Activate the helmet display!"

"Already activated."

"Import all the home environment settings..."

"Already transferred in..."

……

"Test completed, preparing for self-test after power off..."

After checking the software system and the external control system in a few minutes, Jarvis was ready to end today's experiment.

"Uh!~ First, help me check the weather and air traffic control situation in California. And start monitoring ground control information..."

"Sir, there is still a lot of calculation work to be done before the actual flight."

"Jarvis, my dad always said... do it first, talk later!"

"Ready, three, two, one..."

When the countdown was about to end, Tony Stark quickly put his feet together, opened his palms downwards, and made a standard preparatory movement.

boom! ~

The soles of the Mark II armor and the thrusters in Tony's open palms both spewed out a foot-long ion flame.

Just as Stark was staggering in the air and about to rush out, Anna's voice came from the corner of the basement.

"Tony!~ How are you going to solve the ice problem?"

"..."

"what is the problem?"

Tony, who only wanted to fly out and have some fun, was a little confused about Anna's question.

“It’s just like the problem right now!”

call! ~

Suck!

spray!!!

Anna in the corner raised her head and blew a breath of freezing air at Tony who was flying in the air above the basement.

Then, in less than half a second, the surface of Mark II was covered with a layer of ice visible to the naked eye.

Tony's four thrusters flashed a few sparks and then stopped working.

Tony, who was pretending to be cool in mid-air just now, was like a stone...

Just BAM!!

Suddenly, he fell from a height of forty to fifty centimeters.

……

"At an altitude of 10,000 meters, the outside temperature is already -45 degrees Celsius. Don't tell me... your Mark II armor can't even fly 10,000 meters... Tony!"

Anna stood up from the corner of the basement and walked slowly over. She squatted down in front of Stark, who had fallen to the ground and frozen into a large block of ice. Then she knocked on the mask of Mark II with her hand, as if checking its quality.

"Uh!~Okay...I did forget about this thing."

He fell to the ground, and from inside the extinguished Mark Armor, the muffled voice of Stark could be heard. He had just been thinking about the thrill of flying, so how could he remember that ice would actually form at an altitude of 10,000 meters?

While talking, Stark stretched out his hand and tried to pry open the manual knob on the leg armor.

Unfortunately, the ice had turned into a lump and he couldn't break the ice layer outside the manual knob despite trying for a long time.

"Jarvis, open the armor flaps...quickly...get rid of the ice!"

After just a few attempts, Stark came up with another idea.

"Mr. Stark, the Mark II no longer has the energy to power up and activate its artificial intelligence clone...it cannot respond to your commands."

At this time, Jarvis's answer was also heard from the speakers in the basement. However, its answer was still of no help to Stark who was frozen in the ice.

Anna stood in front of the Mark II Ice Stone, holding Wonder Woman's small round shield in one hand, eager to try, and holding a stopwatch in the other...

Then he just looked at Stark lying on the ground...trying to bend down to remove the ice and turn the knob on the leg armor.

Unfortunately...

Even when the stopwatch in Anna's hand reached the last number, Stark, who was frozen stiff by the ice, did not break the ice shell outside the knob.

Then, seeing that Stark had not succeeded in escaping, Anna casually swung the small round shield in her hand and swung it down at the big ice block on the ground.

boom!

The ice shell outside Mark's armor was smashed into ice foam all over the basement by the high-speed vibration of the vibranium shield swung down by Anna.

“Pah!~…”

"Because you didn't get rid of the ice in the end...you fell to the ground and died! ~Tony."

Anna raised the stopwatch in her hand with a smug look on her face.

"You owe me your life now! ...Tony."

"Uh!~Okay!"

“…Huh~…Huh~…”

"What do you want me to pay you back with? Huh~..."

Stark finally sat up from the ground, opened his mask and breathed deeply in the ice foam. After being frozen just now, the ventilation system and life support system of the Mark armor stopped working, so he felt a little uncomfortable inside.

"What would it look like if I could build a car using your production line?"

"..."

"So the value of my life in your eyes is now equivalent to a car... Is that right?"

"Almost the same... My prototype is very expensive."

"Once you've fixed the freezing problem, we can go out and do some flying and filming."

The little brat Anna waved her hand nonchalantly and ran back to the corner of the underground laboratory.

On a small table there, with a little computing power allocated by Jarvis, Anna has been designing her little car for the past few days.

Now, on that small table, there was a projection of an extremely cool... pickup truck.

Well, Americans love pickup trucks.

And she, the spiritual redneck of this life, has always been a loyal fan of pickup trucks.

And to accommodate her six-year-old body, the dimensions and driving space of this car were scaled down from a standard pickup truck. She definitely wouldn't have the same problem as her mom's pickup truck, where her feet would be hanging in the air as soon as she jumped into the driver's seat and her hands couldn't reach the gearshift.

Now the image of her silver-white car, full of sci-fi colors and lines, was slowly rotating above the small table in the basement laboratory.