Heiankyo love story

Fujiwara Takamichi was slightly taken aback by this sudden hug, and quickly understood what Xue Ji had encountered from this kind of behavior, and gently patted her on the back, and said softly: "If there is anything unhappy, Xue Ji Even Ji can tell me. Although I may not be able to help... But I will not watch my sister being wronged and remain indifferent."

"Brother is worrying too much, who can make me feel wronged."

Jiang Xue had already adjusted her mood, let go of her hand and took two steps back, smiling and raising her head.

Fujiwara Takamichi's ears were still red, but he still said seriously: "If you have any troubles or need help, Xue Ji can come to me at any time."

Jiang Xue has always been able to make progress, and asked with a smile: "Even when my brother is busy with his duties?"

"Anytime is fine." Fujiwara Takamichi said solemnly, "For me, there is no higher priority than Xue Ji."

Jiang Xue smiled contentedly and nodded, "Okay."

She also made up her mind that the next time she went to see King Ma Cang Ye, whether he would meet or not, it would be the last attempt—hmph, it's not like she couldn't catch up with other people!There are so many people who like her!snort!

Fujiwara Takamichi quietly observed Jiang Xue's face, and felt a little relieved when she saw that she no longer had the gloomy look she had at the beginning, and sent her to the door, and gave Minamoto a few words of advice before leaving.

At this time, Jiang Xue was holding the huqin and thinking about the "last song", and here she played the prelude of "Nanke Yimeng" here with malice.

"Nanke Yimeng" and "A Pillow of Yellow Beam" are also repertoires in the nine chapters of music.

In the understanding of literati, the meanings of these two words are estimated to be very similar. However, in the score of Gaoshan Liushuiguan, the two pieces of music are completely different, not only the difference in tune, but the difference in tone.

Compared with the "sorrow" that belongs to "A Pillow of Yellow Liang", the song "Nanke Yimeng" belongs to "music". The technique can also be more willful and cheerful, unlike "A Pillow of Yellow Liang", which needs to interpret extremely complex emotions.

The allusions of the two idioms are also very similar. They both experienced extreme beauty in their dreams, but there were differences in the subsequent stories in word of mouth. , and the protagonist of Yizhenghuangliang finally came to a dead end because he could not forget the glory in his dream-and there are also legends in other places that the follow-up of Yizhenghuangliang is also a monk, but that is also the story of others-the story of Gaoshan Liushui The score created by the musicians will not change, and the tone of "A Pillow of Yellow Liang" will always be set at "sadness".

Fall and relief, despair and detachment - that's the difference between these two pieces.

Jiang Xue wanted to use this piece of music as her final test and also as her farewell. As for whether the other party could understand it or not—it didn't matter.

If someone can listen to the first musician's solo so many times, they should burn incense.

Three days later in the evening, Jiang Xue knocked on the door of Ma Cang's house when the sun was setting.

King Ma Cang Ye was stunned for a while after seeing Jiang Xue, and said doubtfully, "Xue Ji seems to be very happy today?"

"Yes." Jiang Xue felt relieved from the bottom of her heart, and entered the door with her huqin in her hand, "Excuse me, Mr. Ma Cang."

The first time she got used to shouting and almost forgot to change her mouth. The first sound of "Ye Wang" was out of her mouth, and she forced it back to "Ma Cang". At that time, Ma Cang Ye Wang's face was also very strange. It's not because people in Heianjing are very sensitive to what others call them.

King Ma Cang Ye moved sideways to clear the way, and closed the door after Jiang Xue entered. Seeing her extraordinarily brisk steps, he couldn't help frowning.

The voice in his heart was almost still, only the unstoppable cheerfulness permeated.

What happened a few days ago... She doesn't care at all?

Of course, Jiang Xue couldn't know what this awkward onmyoji was thinking, so she walked to the backyard familiarly, sat down on a stone bench in the yard, and watched the sunset glow, thinking that the time was just right.

"Ma Cang-kun, I'm sorry to bother you again. There is a piece of music that I really want you to listen to. If you don't object, I'll start?"

King Ma Cang Ye sat in the corridor, stretching out his hand to make a gesture of "please".

The doubts in his heart increased, because Xue Ji's voice was completely different from before.

Unlike the "I like you" that was so clear every time in the past few months that it seemed to be whispering in her ear, now there are only notes in her heart, and the meaning of parting that is almost overflowing.

Jiang Xue played on her own, "Nanke Yimeng" was too simple for her, she didn't need to think at all, and she didn't need to deliberately show off her skills, as long as she played it faithfully according to the score was enough.

To be precise, in the nine chapters of music, although "emotions, anger, sorrow, joy, fear, sorrow, and thought" are each divided into a chapter, it is also recognized in the music hall that the difficulty of the nine chapters is different, and "music" and "thinking" are both recognized. Simple, because these are the two emotions that ordinary people are most likely to touch.

For musicians in high mountains and flowing waters, the more deeply they have experienced the emotions, the easier it is to interpret, but it is difficult to taste the three flavors of great joy, great sorrow, anger and sorrow without corresponding experience.Even if it is the same "joy" and "sorrow", "bridal chamber wedding night" is different from "gold list title", "things are different" and "the country is broken".Because each musician's life experience is different, the emotions they have tasted are also different, and the artistic conception expressed in their music is also different, so there will be different personal styles. Some people see the big from the small, and some see the big from the big Bo small.

Jiang Xue is best at "sorrow", and her most proud pieces are all from the "sadness" chapter, but this does not mean that she has learned the other eight chapters poorly. "Nanke Yimeng", a story with both legendary gods and monsters and gorgeous fantasy, is a must for musicians. In the mountains and rivers, the first long piece that almost everyone will play is "Nanke Yimeng".

While Jiang Xue was playing, she recalled the days when she was studying art. The initial clumsiness quickly disappeared under the guidance of her teacher Zhongli. Jiang Zhongli took her into the world of musicians and saw a new world. She has a master, a brother and sister from the same school, an opponent, and an enemy—it's like a dream that never wakes up, that is her Nanke Yimeng.

When the dream woke up, she chose to continue writing "Jiang Xue". She was much happier than the protagonist in Nankey Yimeng's story, because her music was the evidence that the dream existed. She woke up from the dream, but still There is a truth that can be held in the palm of your hand.

those happy times...

For the first time, she saw the shock and joy when the elder brother used the leaves as flutes to make the dead wood spring. She witnessed the grand occasion when the teacher Zhongli's song of birds singing in the empty mountain attracted a hundred birds to sing. After exchanging instruments with her classmates The constant performance, the fear and expectation of her first appearance on the fighting stage...

Looking back now, all the experiences have become happy memories that make her smile uncontrollably.

Will the one who got everything in Huai'anguo feel different from her in the dream?

No, she is luckier than that one.

Because she never lost in this beautiful dream—she was constantly moved by new ones, and never lost anything.

She was favored, trusted, respected, and admired by others. Those things she got filled up the incomplete parts of her past and made her a better person.In the end, she also said goodbye to everyone well.

She once deeply loved that world and the people there.

This feeling may not be as strong now, but it has been implanted in her blood, flowing through her body together with the bright red liquid.

——I once sincerely liked you.

——Nanke Yimeng, there will be a time to wake up.

This is a "farewell" that doesn't need to be said, and a "goodbye" that doesn't need to be said explicitly.

Good beginning and good ending, good gathering and good separation.

Jiang Xue can only comfort herself, probably this means that she and King Ma Cang Ye are only suitable to be friends, not lovers, and this kind of situation is not unheard of.

When she was in Aincrad, she and Kirito were both solo players with similar levels, so it was easy to meet each other at the same levels and good leveling spots, and no matter how you avoided them, they would become familiar to each other.Before Kirito and Asuna got acquainted, it was not that no one had joked about her and Kirito. Both she and Kirito refused any possibility of developing relationships other than friendship, so the rumors quickly disappeared. .This kind of tacit understanding is wonderful, but she just knows that she only regards Kirito as a comrade who can fight side by side and trust her life and death, and Kirito treats her the same way, so she was able to answer when Asuna came to ask her shyly So frank.

There's nothing wrong with just being friends, after all, friends can last a lifetime, and it's hard to say when you're in love.

The overall tone of the song "Nanke Yimeng" is completely based on the legend. When the protagonist of the dream was still in high spirits in Huaian Kingdom, the music was prosperous and lively. When the protagonist was frustrated, the music also fell down. When I woke up and found that Huai Anguo was just an ant hole under the locust tree, the music became brighter again.

After waking up from the dream, although I lost everything I had in the dream, it is extremely gratifying and congratulatory to see that fame, wealth and honor are all in vain.

According to legend, Han Zhongli used the method of entering a dream to enlighten Lu Dongbin, which made Lu Dongbin realize his epiphany.

Jiang Xue doesn't know if the song "Nanke Yimeng" can have such a skill in the hands of a musician with a heart of transcendence. She has only used this song as a lullaby so far-others may use "A Pillow of Yellow Liang" to Instead, she couldn't. If someone listened to "A Pillow of Yellow Liang" before going to bed, wouldn't she be beaten up when she woke up?

Jiang Xue calculated the time accurately. When the music ended, the sky just turned from bright to dark, the rays of the sun faded, and night began to rise.

She stood up holding the piano, bowed her knees to the onmyoji in front of her.

"Macang-kun, I have bothered you during this time, and I will never bother you again after dark."

King Ma Cang Ye was still savoring the music, when he heard this sentence suddenly, he was stunned for a while before answering: "I once said that the door of Ma Cang's house is open to Xue Ji at any time, and this promise is still valid."

Jiang Xue smiled, and said very self-aware: "I understand Ma Cang-jun's kindness, but it's not good to bother you all the time. It's getting late, I'm going back."

"I'll see you off." King Ma Cang Ye immediately stood up.

When he reached the door, Jiang Xue turned around and waved to King Ma Cang Ye.

"Just get here, and then..." She smiled when she saw the young man waiting by the bullock cart, exchanged a look with him, and then said to King Ma Cangye with a smile, "Brother will take me with you." Go home and don't worry."

Asakura Ye Wang seemed to have noticed that it was not only Minamoto Raihisa who was waiting outside, but also the second son of the Fujiwara family and the Shaocheng Fujiwara Takamichi of the Jibu Province. There was something obscure in his expression, but he was polite. He bowed to the other party politely, and then answered Jiang Xue's words.

"In this way, I can feel at ease. Xue Ji is careful all the way."

Jiang Xue nodded with a smile, and walked towards Fujiwara Takamichi without any burden, holding the other's outstretched hand.

"Why did brother come here?"

"I heard that Xue Ji was going out... I didn't feel at ease, so I came to pick you up."

Fujiwara Takamichi helped Jiang Xue into the car, took the huqin from her, and opened the curtain to signal her to go in.

Jiang Xue entered the carriage obediently, and Fujiwara Takamichi turned his head to look at Ma Cang Yewang. There was no tenderness and tolerance in his expression when he faced his sister just now, only business-like sternness, and even more sternness.

Ma Cang Ye Wang didn't need to listen to his heart to know why Fujiwara Takamichi put on such a face, turned around and closed the door with a smile.