The Eye of the Yuan Dynasty

Chapter 3 New World

The world is full of miracles, it just depends on whether you are curious or not.

Li Feimeng discovered a miracle.

When wiping the Buddha statue, Li Feimeng had already noticed that there was a thick layer of dust behind the Buddha statue's ears where it could be pressed, indicating that no one had opened the door for a long time.

The air in the cave has no smell of corruption, indicating that there may be an exit or vent in the cave, and it should be a place where people can live.

However, the former owner of the garden had such an underground tunnel, why did the whole family die?

Either people died in the cave, or the cave caused a fatal disaster.

Li Feimeng found a lantern, ready to go in and have a look.

He faced the cave first, raised his right hand, rolled up his sleeves, and looked at the watch-sized compass on his wrist. The pointer was pointing to the cave, which was an entrance facing true north.

The miniature compass was given to him by Hu Yao. Hu Yao's master was a Taoist priest. From him, Li Feimeng learned how to locate the direction of the compass and calculate the season.

Li Feimeng observed from the hole that there is a sunken card slot behind the door frame. Press the ear bone of the Buddha statue, and the latch on the door will spring out of the slot, and the door will open.

To get out of the hole, pull the latch to open the door.

If you don't want people to open the door from the outside, just press the movable stone bar on the door latch into the door frame, and the door latch will not bounce.This is a very simple mechanical design.

There is a small wooden board behind the door that can be pushed open, and there are two small holes where you can see everything in the room. The position of the small holes happens to be the eyes of the Buddha statue!

Since leaving Luliang, Li Feimeng's height has not changed at all for more than a month. He needs to stand on his toes to reach his eyes.

Whether it's because the growth has slowed down or because I left the Void Courtyard, I can't be sure for the time being, I will try to go back to the Void Courtyard every day in the future.

Li Feimeng locked the stone door from the cave, and walked inside step by step holding the lantern.

When the lantern was not moving, the light swayed slightly. Following the direction of the light, it was found that air was coming in and out through small holes on the wall.

Going forward for a few meters, the road starts to turn right, forward, and downward. After turning twice, the passage becomes straight. the way.

Li Feimeng illuminated the stone wall with a lantern, looking up and down.

The stone wall is very smooth, and there are tiny gaps on the wall, forming the shape of a door, and a Li Gua () is engraved on the right side of the door.

Touch the stone hexagram with your hand, feel that the hexagram can be pressed, try to press the yin line in the middle of the Li hexagram (), the yin line sinks into the wall, and a yang line pops up, suddenly there is a bang, and a huge stone more than ten meters behind suddenly falls .

Li Feimeng was shocked, the distance of more than ten meters was impossible for the current masters to escape, but Li Feimeng's lightness kung fu could not be measured by common sense, and he crossed more than ten meters in just one step, and came to the falling stone gate. The cat's body just got out from under the falling stone door.

However, at the moment when the lantern was extinguished, Li Feimeng saw that the way back was also blocked by a stone gate, and two stone gates fell down at the same time. Li Feimeng only noticed the first stone gate, but did not guard against the second one. Shimen.

If he knew that two stone doors were falling at the same time, he might be able to escape with his monstrous and quick light kung fu.

However, is there any stone gate behind?

The lantern had already been extinguished, and Li Feimeng didn't have time to catch her breath. There was a sound of brushing from the walls on both sides, and there was a dense sensation of acupuncture all over her body. This was the feeling of a sharp weapon hitting her body, not an arrow, but an iron spear on the wall stab out.

This kind of indiscriminate spear piercing all over the body, no one can survive in this narrow space.

But Li Feimeng was not an ordinary person. He remained motionless, with true energy gushing out from the pores of his body, and forcibly twisted all the iron spears that were piercing him, and the iron spears passed by.

The body of the spear was cold, and it retracted as soon as it was stabbed, and the passage was still quiet, as if nothing had happened.

Li Feimeng picked up the lantern and lit it, only to see holes in the wall, where the spear tips could be seen faintly, and even the iron spears bent by Li Feimeng's true energy all retracted into the holes.

Li Feimeng felt the void courtyard with his vertical eyes, and a passage leading to the void courtyard opened in front of him, but he didn't go in, but closed the void passage, and continued to check the wall, unless it was a last resort, he didn't need to use this Means to save lives.

The two stone doors at the front and back suddenly fell down, indicating that the stone wall in front is probably also a stone door, and the hexagram on the side of the door should be the password to open the door. If you press the wrong position, it will trigger the mechanism.

There is a Kan hexagram () engraved on the right side of the door in front of him. Li Feimeng remembered that when he came in earlier, there was clearly a Kun hexagram () on the door frame.

The middle line is reversed, does it mean that pressing the middle line will open the Taoist door?

I pressed the middle line of the door of Li Gua ( ) before, and it became Chun Yang Gua Qian Gua ( ), which triggered the mechanism, and the door behind was closed, so the hexagram image also changed.

Whatever it is, give it a try, or escape into the void courtyard at worst.

As soon as he said it, Li Feimeng pressed the yin line in the middle of the Kun hexagram (), and the yin line turned into a yang line. There was a cacophony, and the stone gate rose little by little. It seemed that he had guessed right.

Li Feimeng walked into the stone gate, turned around and looked at the right side of the stone gate, and sure enough there was a hexagram Kun ().

Li Feimeng pressed the Yin line in the middle, Kun hexagram ( ) became Kan hexagram ( ), and the stone gate fell down again, but there was no trigger in this room.

There was a small hole in the door, and Li Feimeng leaned over to take a look. The small hole could see the passage inside the door.

It seems that the stone gate is safe when it is closed from the inside, but closing it from the outside will trigger the mechanism, or the hexagram has the password to close the mechanism, which is something Li Feimeng can't guess.

Trying to press the upper line, the iron spears on both sides of the passage inside the door thrust out and retracted with a swipe, and pressed the bottom line, there was no movement in the passage, but the hexagrams outside the door disappeared.

This makes it clear that there are three hexagrams for inside operations, one to open the door, one to close the door, and one to hide the hexagram switch for entering the door from outside the door; all operations outside the door except for opening the door and one line will trigger the mechanism.

Li Feimeng walked to the last stone gate that had just fallen, and there was a hexagram ( ) engraved on the side of the gate.

When I came in, the outside was engraved with Qian Gua (), and I pressed the bottom line decisively, and the door opened.

Try pressing the other two lines, the second line closes the door, and the first line hides the hexagram.

The hexagram outside the door has no mechanism except to open the door.

When I walked to the stone wall I met when I entered the tunnel for the first time, when I pressed the middle line of Li Gua ( ) for the first time, the mechanism was triggered, and I had to choose one of the remaining two lines.

This mechanism has no lethality against oneself, just press the top line, there is no mechanism, and the door opens.

Walking into the door, there is the same Li Gua () on the right side, press the middle line, and the liquid suddenly sprays out from the top of the passage before entering, and the fire suddenly appeared on the ground, and the whole passage turned into a sea of ​​flames, which lasted for more than a moment before it was extinguished.

Continuing to walk inside, a bright light suddenly appeared in front of it. It was a circular passage, and the light came out from the night pearls inlaid on the wall.

It should have penetrated tens of meters below the ground, to the east of Pianguan City.

There are several doors on the inner wall of the circular passage, and there are interconnected rooms with doors inside. There are simple stone locks to close the doors.

There are also many stone chambers with doors on the side of the circular passage, but all the stone chambers are empty, but very clean, with a spotless, unearthly feeling.

There is a night pearl hanging on the top of all the stone chambers, and there is a hand-held night pearl on the table in some stone chambers: the night pearl is fixed on the top of the iron rod, and there is a round bottom at the bottom of the iron rod, which can be placed flat on the table for illumination.

There was actually water in the room next door. The spring water with the thickness of the bowl flowed out from a height of more than one person, and poured into the round pool with a long and narrow sink below.

The pool is more than one meter high, but the water in the pool has just covered the bare feet. The water flows forward for about ten meters, and flows down through an iron leak at the bottom of the pool. There may be an underground river below.

There is another exit in the circular passage that continues to the east, where it is pitch black, and Li Feimeng walks there with a night pearl in his hand.

About 300 meters away, the cave was blocked by a stone wall again. This time, a Gen hexagram ( ) was engraved on the side of the door. Li Feimeng pressed the Yangyao door on the top and it opened. The mechanism here triggered poisonous smoke .

More than 30 meters ahead, there is another shock door (), there is no mechanism.

Going forward again, the tunnel goes up obliquely, and there is an upward stone ladder at the top of the end. At the top of the stone ladder is a huge stone slab placed horizontally, which may weigh tens of thousands of catties.

There are no hexagrams on this stone, only scratches like washboards.

Li Feimeng tried to push the stone slab upwards, but the slate did not move at all, and then pushed it sideways, but it still did not move.

Is this really the end of the tunnel?Then why build a stone staircase leading to this stone slab?

Obviously, this stone slab must be an exit, and I just don't know how to open it.

For the time being, we can only stop here, this is an underground hiding cave.

However, there are only five stone gates engraved with hexagram images in the entire tunnel, so should there be three more stone gates to fill up the eight hexagram images?

There is no food in the entire underground palace, and there are no traces of people living in it, nor is it a mausoleum. The underground palace built with so much effort has no treasures and no people living in it, which is very abnormal.

Li Feimeng hid the hexagrams of Wudaomen and returned to the circular passage with the night pearl.

After running for a long time, I was a little hungry. Let's have a meal first and arrange the maintenance of the garden. This place is so big that it is not possible to explore and play in a while.

Li Feimeng returned to the ground, had dinner in Pianguan City, and invited a few people to live in the garden directly to repair and clean the whole courtyard.

After arranging things, take a pile of dry food and fruits, lock the door from the inside, and enter the underground palace again.

I jumped into the pool to take a good bath, found a stone room to put down my things, and went back to the small empty courtyard to sleep and refresh myself, to clear up my thoughts, and then came back to thoroughly explore this underground palace.

The reason why he had to go underground and then return to the Void Courtyard was because he found that the same kind of primordial wave was used to open the Void Passage when entering and exiting the Void Courtyard.

Within the visible range of the void courtyard, he can generate primordial waves when he sees the destination, but in places that he cannot see in the small courtyard, primordial waves cannot be automatically generated.

Today, the void passage was opened again and again in the underground passage, which made him realize that he could return to the void courtyard anywhere outside.

This allows fixed-point teleportation outside the Void Courtyard. As long as he has opened the Void Passage from there, he will know the Yuanshen Wave used here, and with this Yuanshen Wave, he can return to the place where he came in.

But every time he opened a new channel, he had to memorize a Yuanshenbo. If he opened too many, how could he remember so many places?

And the newly opened place, if you don't open the passage, you can't see the outside at all, and the practical value is greatly reduced. Otherwise, how cool is it to open a map outside the knight's village?

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