Post-shadow Development Plan

But the plot, while complicated, is not chaotic.

The director used the simplest lens language to clearly tell the audience the contradiction between each group of masters and opponents participating in the Holy Grail War.

More importantly, Kiryu Nanaya did not play tricks on the plot to discuss the philosophy of life with the audience, but told this fictional war story very seriously.

Perhaps in the eyes of professional film critics, such a commercial film has no soul, because it does not allow the audience to learn anything from it, nor does it reflect a very profound philosophy of life.

The theme of this kind of war is obviously the best subject to explore the complexity of good and evil in human nature, but FZ's content in this aspect is only a taste.

But just like the useless "Star Wars" that was criticized by film critics at the beginning, FZ's viewability far exceeds those so-called movies that explore the origin of human thought.

It can be said that it surpassed the Fsn released the year before last. As for whether it can surpass UBW, that is what the second half of the movie needs to do.

However, Ah Rong believes that FZ's box office will definitely not be worse than UBW's. Not to mention anything else, the special effects that are like showing off skills alone are worthy of a second review of the movie.

I just don’t know if the 3D version of movie tickets specially provided by IMAX will become the product that scalpers are looking forward to like “Goblin Slayer”.

In terms of movie content under special effects technology, the connection and transformation of FZ's plot can be said to be Zhang Youchi, and the rhythm control is very good.

Moreover, when promoting the plot, they also did an excellent job in shaping the characters of the group portraits.

Because it is the first half of the movie, a lot of the plot of more than two hours is paving the way for character relationships and shaping characters.

But when the audience is watching, not only will they not be misplaced, but they will be impressed by each character because of their vivid and vivid personalities.

The ruthless magician killer who loves his wife and daughter, his gentle artificial wife, and his cold assistant.

The taciturn priest who has not yet fallen into darkness, his somewhat self-righteous master, and the muscular old father.

A magician student who is often led by the nose by his own servants, an overly arrogant clock tower lecturer, etc.

Although these characters may not be liked by the audience, they will definitely be impressive.

Even the choice of servants this time is very interesting. Although their roles are more or less different, each of them has a wonderful performance in the plot with their special abilities.

Even if it is a pure villain, Caster, who is crazy only for the saint in his heart, although the tentacle monster he summons is disgusting, it is still unforgettable.

Not to mention it's easy to do, it takes a lot of storytelling to introduce 3+ people to an almost-knowledgeable audience in less than 20 hours.

This is something that is difficult for many literary films to do.

Usually a movie may be able to explain the protagonist clearly, and let the audience know one or two supporting characters by the way, but so many characters are indeed a very serious challenge.

Know that a movie is not a novel, you have enough time for readers to understand the meaning of the text.

At the same time, the movie is not a TV series, and one character can be introduced in one episode every week, leaving enough time for the audience to savor.

Let the audience receive the information for more than 2 hours without interruption, and also ensure that the audience will not be confused.

In Ms. Arong's view, Kiryu Nanaya has undoubtedly entered a stage of simplifying the complex in the field of directing.

"It's a pity, if only his acting skills can be as good as the director's level."

In Ms. Arong's opinion, the slight shortcoming of this movie is Kiritsugu played by Kiryu Nanaya.

Although I can feel the efforts of Kiryu Seven Nights performance, I can also fool the general audience.

But as a reporter who read countless films, Ms. Arong felt that he still had a lot of room for improvement.

"But this face is getting more and more attractive the more you look at it." Miss Arong looked at the back of a certain director in the front row, "I wonder if our director's fans will increase a lot after the movie is released?"

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pS: By the way, have you seen Miss Yuzao at the CP exhibition today?

Mi Jiang really thinks, isn’t it cold to wear so little in this weather?

Mi Jiang herself was wearing two sweaters and a down jacket. _(:з」∠)_

Chapter 455 Everything is ready

When the FZ subtitles fell, applause came from all directions like a tide.

Qiye stood up slowly, and thanked the people around who gave praise.

Movies are like playing the lottery, the investment is big and the risk is high.

There are too many factors that will affect whether a movie can be a super hit, and almost no one can guarantee it until the results are out.

Even if Qiye has tried its best to do its best, there is no guarantee what the box office will be.

If you want to say that North American audiences don't like this story, then go straight to the street.

The possibility of this happening is not out of the question.

However, judging from the audience's reaction at the preview, Qiye can confirm that the FZ film will definitely not hit the street.

Even if it can't be sold to the extent of last year's UBW, the problem of cost recovery should not be big.

Not to mention Qiye's cowardice, in fact, the goal of most movies before they are released is to preserve capital.

Big scenes and big productions can guarantee a certain degree of topicality, but how far this ship named FZ can go on the sea will depend on the efforts of all parties.

But there is no doubt that the quality of the ship itself is definitely the most important part.

The specific statistics of the screening will be available later, but Jiufeng Entertainment's observers scattered around the theater have already begun to record the words and deeds of everyone around them.

Whether it is a professional film critic, a theater representative, a media reporter, or even a very ordinary movie fan audience, the feedback of each of them is very important to Jiufeng.