Dotore from Genshin Impact is my teacher

Paimon: "So... this place is like a dream factory, and the Void is a dream harvester, is that a fair analogy?"

Nasita praised, "You're absolutely right. Being good at using metaphors is a very good habit, Paimon."

Sigrún has taught at the Iceland University of the Arts as a part-time lecturer since and was Dean of the Department of Fine Art from -. In – she held a research position at Reykjavík Art Museum focusing on the role of women in Icelandic art. She studied fine art at the Icelandic College of Arts and Crafts and at Pratt Institute, New York, and holds BA and MA degrees in art history and philosophy from the University of Iceland. Sigrún lives and works in Iceland.

Chen Xi looked at the "scholars": "You did this?"

The "scholar" immediately distanced himself from them: "I'm not taking the blame for this. It was those people from the Order of the Church who did it. I'm only responsible for your part; I have nothing to do with the rest."

Chen Xi: "That's right, you're always hanging out with me... If the experiment ends, will you still want me?"

The "scholar" admitted that he had considered leaving him after the experiment was over, but when asked by himself, he still wavered a little. Perhaps out of consideration for his feelings, he still answered: "...Of course I will keep you."

He never avoided eye contact when he lied; his eyes were always fixed on Chen Xi, without the slightest hint of guilt.

Chen Xi wrapped her arms around his neck, gave his earlobe a light peck, and then buried her head in his chest and rubbed against him a few times, behaving extremely intimately.

The scholar's sense of guilt increased by 1.

Sigrún has taught at the Iceland University of the Arts as a part-time lecturer since and was Dean of the Department of Fine Art from -. In – she held a research position at Reykjavík Art Museum focusing on the role of women in Icelandic art. She studied fine art at the Icelandic College of Arts and Crafts and at Pratt Institute, New York, and holds BA and MA degrees in art history and philosophy from the University of Iceland. Sigrún lives and works in Iceland.

Nasita asked the last question: "Alright, so the last question... who am I?"

Recalling the results of the alchemical divination, the person said that the "moon" was a divine revelation, and Narcida had also said that she was the "moon," therefore...

Kong answered with absolute certainty: "You are the Little Lucky Grass King."

Nasida: "I thought this was the hardest question, so I deliberately left it until the end."

Sigrún has taught at the Iceland University of the Arts as a part-time lecturer since and was Dean of the Department of Fine Art from -. In – she held a research position at Reykjavík Art Museum focusing on the role of women in Icelandic art. She studied fine art at the Icelandic College of Arts and Crafts and at Pratt Institute, New York, and holds BA and MA degrees in art history and philosophy from the University of Iceland. Sigrún lives and works in Iceland.

Chen Xi excitedly pointed at the screen: "See? She has admitted that she is the Little Lucky Grass King. The Heart of God is in her hands. Go and snatch it!"

The scholar declined, saying, "This doesn't seem to be within my scope of responsibility. It's his responsibility. I won't go; let him take it himself."

Chen Xi: "...So you've been focusing all your attention on me?"

Scholar: "Yes."

Chen Xi: "Once we return to Zhidong, I will ask Her Majesty the Empress to grant us a marriage."

"Scholar": "Okay, I'll do whatever you say."

……

Sigrún has taught at the Iceland University of the Arts as a part-time lecturer since and was Dean of the Department of Fine Art from -. In – she held a research position at Reykjavík Art Museum focusing on the role of women in Icelandic art. She studied fine art at the Icelandic College of Arts and Crafts and at Pratt Institute, New York, and holds BA and MA degrees in art history and philosophy from the University of Iceland. Sigrún lives and works in Iceland.

Paimon said it wasn't difficult at all; even she could guess it, after all, Narcida had so many special characteristics, it's just that she and Sora didn't want to expose Narcida.

Nasita had warned them from the beginning, and they had been inquiring about the Little Lucky Grass King everywhere, but they never expected to meet in this way.

Kong has many questions to ask Nasita, but now is not the time to ask.

Nasida said to let's get back to reality first, but she would be happy to answer any other questions about the "current situation".

I just want to know why I can't tell them the truth directly.

Nasita wasn't surprised he asked that question; they had asked it before, and Nasita's answer was that it might have a huge impact on them. Now that they knew the truth about dreams, it all made sense.

Nasita looked at them seriously and asked if they had ever heard the saying, "You can't wake a sleepwalker."

If one is not informed of their own dreams but is suddenly told by an outsider, their understanding and perception of reality and dreams will become irreversibly confused.

Nasita said she couldn't let them take such a risk, so she could only carefully control the degree of hints and clues, feeling bad about making them guess.

Kong shook her head to indicate that she didn't care, after all, she did it for their own good and had given them a lot of hints along the way.

Then he asked, "So how is it now so that people can't detect it?"

Nasita patiently explained, “First, the dream we're in is entirely based on reality. People have already experienced the Flower Goddess's birthday festival, so it's difficult for them to notice anything unusual about the dream. Second, you should be wondering why people don't have memories of their previous ‘reincarnations,’ right?”

Kong and Paimon nodded; they were indeed curious about that.

Nasita continued, “That’s because most dreams are unrememberable for humans, and besides, the dreams that originally belonged to us have been taken away by the void… So every time I wake up from a dream about the Flower Goddess’s birthday, I have no recollection of the same dream from before.”

"To humans," the Traveler has lived for tens of thousands of years and is unlikely to be an ordinary human. As for Paimon, a flying creature, the native inhabitants of Teyvat have never seen it before, and many of the people they have encountered have treated Paimon as a sprite or a pet.

Listening to Nasita's explanation, Paimon told her that Kong had also had a dream when he was in the Daocheng Forest, but when he woke up, he couldn't say what he had dreamed about.

Nasita explained that being blessed by the power of the grass element is equivalent to receiving the grass element's ability to grant dreams, which is why the "déjà vu" occurs. Meanwhile, the others are unaware that their dreams are being continuously taken away during the "cycle of the Flower Goddess's Birthday Festival."

……

-

Chen Xi: Why is the plot moving so slowly? Why can't it be sped up like a movie at 5x speed? I don't want to see this plot; it already wasted several hours of my time.

System: Actually, it can be adjusted to 5x speed... (You just don't know how to use it).

Chen Xi feigned surprise: Wow, the missing person has returned.

System: Could you please not use that tone?

Chen Xi: ...How do I adjust it?

System: Isn't it in the bottom right corner? You're currently at 1x speed. Click it again to see 5x speed, then click it.

Bottom right corner... Hey, found it.

The interface is similar to that of a mobile phone, making it even more convenient. With a tap of my finger, speeds from 0.5x to 5x were displayed, and then I tapped the 5x speed option.

The scenes in the dream changed rapidly...

They discovered that Dina Zede, who had been on the bed, had disappeared.

What disappeared was the true consciousness of Dina Zede; due to the excessive harvesting of dreams, her consciousness could no longer sustain itself.

"The other Dinazede" is similar to a "doll," but not entirely a doll. It is the original Dinazede. After her consciousness could no longer sustain itself and she could no longer "play" her "role" in the dream, he was born in the dream as a substitute, just like every blade of grass and tree in the dream, merely a component to construct the dream and keep it going.

The "doll" is completely unlike the original Dina Zede's personality.

Although Dina Zede is physically weak, she is incredibly calm and positive, living each remaining day to the fullest. She also has an infinite longing for the Flower Goddess's Birthday Festival. In contrast, this "puppet" is filled with negative emotions, is pessimistic, and has no aspirations for the future.

"Dolls" cannot fully reproduce human vitality; they are only used to fulfill "roles."