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What is the difference between the narrative level where reality resides and the narrative level where a book resides?

What would it feel like to cross the narrative layer and pass through the boundary between reality and fiction?

What is virtual and what is real?

What difference will it make when virtual characters come into the real world, when things that do not exist become things that exist by definition?

Shangqing had thought about this question many times before, and had felt uneasy and hesitant.

After all, no matter how awesome he is, no matter how powerful he is.

But, after all, it is only in the book that it is so powerful that it is immeasurable.

As many readers have said, no matter how awesome you are in the books, you are still just a little brother in reality and you can’t use any power at all.

If Shangqing isn't worried at all, then something fishy is going on.

In the book, I started out as a weakling who was trembling with fear, and eventually grew up cautiously to be invincible and able to do whatever I wanted. But now you tell me that when I enter reality, I have to be timid and cautious again?

Then why should I go to reality? What the hell is wrong with my brain?

So, if in reality, can he still maintain the same level of cultivation, and can he still achieve this level and degree?

Furthermore, if he wants to enter reality and go to reality, can he really do it?

In other words, is the reality he is experiencing really reality?

Shangqing doesn’t know and cannot judge.

To him, all this was unknown.

Even if one senses that one can return to reality after attaining the mythical Daluo, this is only limited to returning to reality.

After returning to reality, Shang Qing naturally had no way of judging or determining whether the different narrative layers would affect his cultivation and strength.

These are completely different fields. The people in the book coming to the real world are undoubtedly two different concepts from those in the book. Who can be sure?

Even though Shangqing has deduced and evaluated many times, it can be determined that there is no impact.

However, in the final analysis, it has not been a real experience, and the anxiety brought about by the unknown is still there.

It has nothing to do with cultivation, realm or status, it is purely a different feeling brought about by the unknown.

Until...Shangqing truly entered reality!

Until Shangqing really came into the reality, all the confusions were finally answered!

In the process of crossing the narrative layer, Shangqing originally thought that there would be something fancy or scenes like passing through a thin film or some magical and mysterious scenes.

But in fact, this is not the case.

When Shangqing took a step, he crossed the narrative layer, passed the boundary between fiction and reality, and came directly into reality.

Feel?

There is no feeling at all, the main focus is speed and efficiency.

"My personhood is here. So-called space, time, and even higher-level narrative categories are all the same to me. There is no distance between them."

"So, even if we come to reality, there won't be any difference or impact. Our strength and everything else will remain the same."

“At the same time, as long as you take a step forward, you will reach reality.”

"It's like walking through a door. Naturally, there won't be any feeling. Only when I define it will there be that feeling of ascending and passing through the membrane."

"Otherwise, crossing narrative layers is essentially the intersection and crossing of two narrative layers, involving the very essence of narrative layers. How could there be any sensory concepts or logic?"

"The same goes for cultivation and strength, so even if you come to a different narrative level, it won't have any impact."

"After all, what I represent is the narrative layer."

"The differences in narrative layers are nothing more than different rules, different logic, different systems, and different extensions of the avenue."

“But all of this is governed and contained by the narrative layer, and what I represent is the narrative layer itself.”