Although it looks a little smaller overall, it appears much more exquisite.

Hu Xiaojun's team has also completed the sword forging.

This time, he forged a Tang sword.

Hu Xiaojun had other ideas for choosing to forge the Tang sword.

In the final analysis, it is actually very simple. The Tang sword is the ancestor of the Tachi.

That's it.

After learning that Hu Xiaojun had completed his creation, Yun Mu rushed to where their team was.

When he saw the work created by Hu Xiaojun, he immediately thought of keeping it for himself.

The scabbard's accessories are made of brass, while the body is made of wood with exquisite carvings on it.

When Yun Mu drew out the knife, a blinding white light suddenly flashed before his eyes.

Yun Mu hadn't even tested it yet, but the appearance of this Tang sword alone had already conquered him.

In ancient times, people used the phrase "blowing hair and breaking hair" to describe the sharpness of a weapon.

Later, during the testing phase of this Tang sword, Yun Mu witnessed with his own eyes what it meant to cut hair with a single blow.

You don't even need to blow dry; when the hair falls on the blade, it breaks into two pieces.

In addition to the above two teams.

There is also the Longquan Seal Ink Team headed by Lu Lei, who completed the production of the work.

According to the normal production process, the production of Longquan ink is measured in years.

Because the processing of several of the materials will take at least one year.

The reason why they were able to complete the production so quickly was actually because they were lucky.

They visited craftsmen who are still making Longquan ink.

Finally, I was lucky enough to buy the time-consuming materials that had already been processed.

This is how Longquan ink is produced so quickly.

Currently, only these three teams have completed their creations.

The remaining team that is already doing the finishing work and is about to complete the creation is the Suzhou embroidery team headed by Yao Jianping.

Because she invited a Suzhou embroidery master whose skills were almost the same as hers.

So the time is much faster.

There is also a filigree inlay team headed by He Qing.

She also invited some skilled craftsmen in this field to help.

In terms of production time alone, it’s not that long.

After all, there are so many people helping out and doing some miscellaneous preparatory work.

I don't know how much time this has saved.

The reason why their team did not complete the creation was before starting production.

They spent a long time just drawing the drawings.

After all, this is a team activity and they have to draw the production drawings.

This way you will know what kind of parts to prepare and how many to prepare.

After that, Song Jin's progress was relatively fast.

After some questioning.

Among the remaining teams, the slowest progress is in mortise and tenon joint technology.

Although their team has the largest number of people.

The number of people in their team alone is more than the total number of people in the other ten teams.

However, they are different from other teams in one respect.

The works of the other teams are supported by complete process flows.

However, Liu Wenhui's works do not have a complete process flow.

Their team created a scaled-down version of the Forbidden City, which is the pinnacle of ancient craftsmanship!

Many of these techniques have been lost, and their team needs to overcome technical difficulties while producing.

In addition, the Forbidden City is a huge building complex, and the number of parts that need to be produced is tens of thousands, or even hundreds of thousands.

Their team now has no idea when the project will be completed.

After understanding the situation, Yun Mu called Li Hang.

"How's the progress of the post-production team for 'A Millennium at Your Fingertips'?"

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