After dreaming of getting rich, I dressed up as a collapsed idol

"Xiao Lu, your last stage performance has become a hot topic."

Someone went to take the order. The five guests of the show and the director sat together. Si Hanyun, who had been holding her phone since getting on the car, was startled and said as soon as they sat down.

"Wow, we just finished here, and the heat has risen so quickly."

Li Yinan took out a tissue and wiped the entire table. Hearing this, he moved his stool and looked over.

Liu Qianya, who was sitting next to Si Hanyun, also turned to look over.

Seeing that everyone seemed very interested, the girl simply put her phone in the middle of the table.

What is displayed on the screen is the final stage slice.

Lu Qingfeng smiled and scalded the bowls and chopsticks with hot water, distributing them to the people while looking over curiously. He also wanted to know how he performed in the last game. After all, he did not play the violin, which he was best at.

After the host’s introduction, the stage name appears in the lower left corner of the live screen.

Blue and White Porcelain

Composer: Lu Qingfeng

Performed by: Lu Qingfeng, Yenching Chinese Orchestra, and Yenching No. 6 Middle School Children's Choir

The big screen behind the stage first played scenes from previous episodes, which was the scene when the four people went up the mountain to witness the firing of porcelain. Then the performers took their positions one by one.

It is a folk music band of about 20 people, playing traditional instruments such as guzheng, pipa, erhu, flute, yangqin, and sheng.

Finally, Lu Qingfeng appeared on the stage, wearing a moon-white Chinese-style long gown with a stand-up collar and buttons. On the gown was a black bamboo with upright branches and dense but not sparse leaves, which looked light, elegant, fresh and refined.

The young man walked onto the stage in steady steps, his handsome face with a bright smile, his body upright with slender limbs. As he walked, he was graceful, like a standing pine tree; his temperament was gentle, like a hidden jade.

It is a kind of literary character and also the accumulation of knowledge.

"So lovely."

Si Hanyun chuckled.

The girl had never concealed her affection for him.

"Haha, when this makeup look was finalized, I knew this stage would be a blast."

Xu Yan also laughed heartily.

The success of the program has benefited the entire production team, and as a director, this is his first project at CCTV and he has gained the most, so he is naturally happy.

The picture on the phone was still playing as Lu Qingfeng walked to the podium in front of the orchestra.

"I've been wanting to ask you before, when did you learn how to conduct?"

Li Yinan saw this scene and looked over.

Lu Qingfeng replied.

"For a while now, I've wanted to learn more systematically about the characteristics, rhythm, and collaboration of each section of a symphony orchestra."

"You want to compose a large-scale symphony?"

Liu Qianya also looked over.

Music creation is neither difficult nor easy. Without understanding music theory, any random piece you play can be called music. The difference lies in whether it sounds good or not. But a symphony is different.

This is a very grand musical genre, involving professional skills such as harmony, polyphony, form, and orchestration. It has a large and complex structure of four movements, and each movement needs to independently design emotional ups and downs, rhythmic changes and melodic development, while also ensuring the overall unity.

Therefore, the creative cycle is long, and it may take months or even years from conception to finalization.

That’s why symphony music is timeless, while pop music is time-sensitive.

"I want to try it."

Lu Qingfeng habitually laid the groundwork for subsequent developments.

While they were talking, the edamame and peanut beer arrived and everyone ate and chatted.

In the sliced ​​video, Lu Qingfeng started his performance as a conductor for the first time.

After a brief eye contact with the orchestra to confirm that all musicians were ready, he lowered and raised his baton and left hand at the same time, and the sound of the guzheng, the absolute protagonist in the prelude of "Blue and White Porcelain", rang out.

Crisp and melodious, the timbre of the guzheng carries a strong oriental flavor. The arrangement of the melody itself is also very restrained, without excessive use of guzheng techniques.

The invited guzheng player is also a master. His hands hook and wipe, and his skillful fingering creates a pure tone, like the clear sound of water drops falling into porcelain.

The prelude is composed entirely of the pentatonic scale of Gong, Shang, Jiao, Zheng and Yu, without any discordant tones. The pure oriental melody is rendered to the maximum through the Guzheng solo.

Even though they had experienced it once before, the other people at the table were still fascinated by it when they heard it again.

The entire prelude is composed of two parts that cycle once. The melody of the first section presents a circuitous downward trend. It does not fall directly, but winds and twists like a stream, with a hint of lingering desire to speak but not to, laying the implicit and restrained emotional tone of the song.

At the beginning of the second paragraph, Lu Qingfeng's conducting gestures became larger.

The guzheng is still the protagonist, but string music begins to enter with a very soft volume. The original song mainly uses the violin, but in Lu Qingfeng's adaptation, it becomes the erhu, with the addition of the flute, the dizi, the wooden fish, and the bell, making the music lines more soft and full of charm.

The long sustained sound of the string music forms a warm background sound field, just like the background color rendered in an ink painting, providing a support for the guzheng, and enhancing the three-dimensionality and thickness of the melody.

With a rhythm that is neither fast nor slow, every note of the guzheng is clearly audible, and every tiny pause in between creates a feeling of time slowing down.

The erhu and other instruments together create an airy feeling in the music. It is not as heavy as Western music, but light and moist, like a sudden rain over the water towns of the south of the Yangtze River.

With the guzheng as the bones, string instruments as the flesh, and the pentatonic scale as the soul, a rich and elegant Chinese style takes shape instantly.

Just as an introduction, this melody has been praised in the comment section below.

After the 22-second prelude ended, the children's chorus began under the direction of Lu Qingfeng.

"The blue and white strokes on the blank are thick and then light, and the peony on the bottle is just like your first makeup;

The lingering sandalwood fragrance penetrates through the window and I understand your thoughts clearly;

I put my brush halfway down here on the rice paper."

……

The extremely poetic lyrics, sung by the clear and pure voices of more than a dozen children, inject a different kind of vitality into the elegant classical artistic conception.

Instrumental ensemble, children's chorus.

This classic Chinese-style work from the previous life showed a different brilliance in Lu Qingfeng's hands.