After entering the city of Da Wan, the two of them strolled around. The colorful billboards formed a sharp contrast with the gray inland.

They found a beef ramen restaurant and ordered two bowls of beef ramen and a plate of braised beef in soy sauce. After eating and drinking, they continued their stroll and soon arrived at the gate of the National Palace Museum in Wanbei.

Old Man Wei said to Mo'er, "When Chiang Kai-shek fled to Da Wan, he took away hundreds of boxes of antiques and cultural relics. These are all valuable things left by our ancestors."

"So now that we're here, we can't leave these wonderful things to them. Let them take them, but we can't display them. If one day... uh, we have to return them! For now, just enjoy them on your own. If you put them on display, they'll accuse us of being thieves and stealing their antiques."

Mo'er nodded and said, "That's easy. We can do it when we go back tomorrow. We're still here, so let's not make Dawan Province panic. If they check our IDs, it will be bad. We might even have to run away!"

After a pause, she added, "But I've got two nice things I've set my eyes on. Let me change them for him first. I'll play with them for a couple of days. I don't think they'll find out."

With a thought, the jade cabbage and the meat-shaped stone in the tempered glass of the display moved into Mo'er's space. Mo'er kindly replaced the jade cabbage with a real cabbage of similar appearance. She didn't notice that there was a cabbage worm lying in the leaves.

She replaced the meat-shaped stone with a piece of real pork, and processed it to make it look real.

Just after she and Old Man Wei left, a mother and son came. The woman was in her thirties, wearing glasses, and was quite dignified and well-dressed. She came today mainly to study the Ru kiln porcelain vase.

Standing in front of the Ru kiln porcelain vase, he stared at the priceless vase through the glass.

Her four-year-old daughter was looking at the pork. After a while, she said, "Mom, look how fresh this pork is."

Without even looking up, the girl's mother said, "This is nature's masterpiece. It's a naturally formed meat-shaped stone. It's very rare."

After a while, the girl walked to the cabbage again and looked closely. She saw a cabbage worm on the juicy cabbage leaves, struggling to crawl out from the inside.

The girl seemed to have discovered a new world and shouted, "Mom, look, there's a bug here." Her mother shushed her and said, "Don't make any noise here, it's disturbing others."

The girl covered her mouth with her hands and repeated in a low voice, "Mom, look, there's a bug on this cabbage!"

The girl's mother still didn't look up. She had already looked at the Jade Cabbage at least ten times. She said, "That bug is called Zhong Si. Look for a locust, too."

After a pause, she continued, "The Jade Cabbage was a dowry gift to Concubine Jin, the concubine of Emperor Guangxu of the Qing Dynasty. It carries a very beautiful meaning. Cabbage symbolizes innocence, signifying the bride's purity. In traditional culture, the katydid represents many children and grandchildren. At the time, the imperial palace even had a special "Katydid Gate," expressing the hope that the royal family would have many children and grandchildren and that the emperor's reign would last forever. Locusts may symbolize a good harvest. Many of these meanings are expressed through homophony, metaphor, simile, and symbolism."

As soon as the girl's mother finished speaking, she saw the cabbage worm pooping. Then he called her mother again: "Mom, look, the worm is pooping."

His mother said, "The master who carved this jade cabbage was very skilled, so it's normal that he carved something like worm poop."

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