Collect supplies, seize aircraft carriers, and travel to the seventh and fifth

After deciding on the singer for the first song, we began preparing for the second song, "Mother in Candlelight." This song expresses deep love and gratitude for mothers. By depicting the image of a mother under candlelight, the song expresses the warmth, selflessness, and depth of maternal love. The song describes the mother doing daily chores such as sewing clothes and preparing food for her children under candlelight, showing the mother's diligence and kindness.

The sound of the piano rang out, and Mo'er frowned. The tune was wrong, and one of the notes was played wrong.

He walked over to the soldier who was playing the piano. When the gentleman saw Mo'er coming, he stopped and asked: "Teacher, did I play it wrong?" Mo'er nodded: "I played a wrong note and the tune I chose was wrong. I'll play it, you remember it."

Mo'er sat in front of the piano, raised his hand to test the sound first, and then his mother's piano music sounded in the candlelight, and other instruments also joined in the accompaniment. Everyone stared at Mo'er with wide eyes, he was really versatile!

Six female singers competed for this song. Moer played two and then gave the piano to the soldier. The soldier benefited greatly from the performance and thanked Moer for her guidance.

The last singer whose voice resembled Teacher Mao won the right to sing!

The third song is "Unforgettable Tonight"

A female singer with a full, penetrating voice and a fresh and bright tone took the lead!

The fourth song is "The East is Red". A female singer with a sweet voice, wide vocal range and clear pronunciation won the right to sing!

The fifth song, "Mother's Kiss," was also accompanied by the erhu. Moer took up the erhu and continued to play. Finally, a female singer with a beautiful, evocative voice, surpassed all other competitors and won the right to sing!

The last song was "Spring in the North." Several people made mistakes during the accompaniment. Moer first played it on the erhu alone, then on the guzheng alone. She also gave some guidance on the electronic organ. When the accompaniment sounded again, Moer nodded in satisfaction! At the same time, everyone, including the political commissar, was stunned by Moer. What a treasure girl! How can you know everything, and be so proficient in it? It's no exaggeration to call you a master!

The last singer whose voice resembled Teacher Jiang defeated all opponents and successfully advanced to win the right to sing!

The singers for all six songs had been confirmed. Mo'er was about to leave when the political commissar said, "Comrade Li Mo'er, I see you play the guzheng quite well. Could you please play a piece for us individually? I've loved the guzheng since I was a child, but I just don't have the talent." Before he could finish, Mo'er nodded in agreement. The crowd applauded.

Mo'er walked to the guzheng, sat down, thought for a while, raised his hand and pressed it on the guzheng, and played a song "Ten Sides of Ambush" powerfully.

"Ten Sides of Ambush" is a classic ancient Chinese song that has been passed down for a long time. It is magnificent and uplifting. The whole song can be divided into three parts: the preparation part before the decisive battle (including practice, selecting generals, arranging the battle array, etc.), the decisive battle part (this part shows the scene of sword flashes and blood shadows, with varied music and hurried beats. Mo Er's vivid and varied playing techniques make people feel as if they are on the battlefield, with blood boiling.

No one present had ever heard such a murderous guzheng piece. In their minds, the guzheng was melodious, like the slow dripping of raindrops, bringing peace of mind. They had never expected it to be so murderous! Everyone clenched their fists, not daring to breathe!

When the song ended, the whole audience was silent for about thirty seconds. It was not until Captain Ma came to his senses that he led the applause, and instantly the whole audience burst into thunderous applause!

Someone else suggested that since Teacher Moer plays the erhu so well, could she show him a piece?

Moer smiled shyly and nodded in agreement. She sat there, picked up the erhu, tuned it, and then closed her eyes. The horse racing song was performed by Moer to the fullest.

The melody is vibrant and lively, capturing the majestic spectacle of galloping horses across the vast grasslands. Mastering this piece requires immense expressive tension, a powerful ability to express, and a strong desire to perform. The neighing of the galloping horses, evoked by the erhu at the end, is the climax of the entire piece... until the music abruptly ends... evoking the grandeur of the Mongolian Naadam Festival...