A talented girl wears a silly dress and marries a general to become a koi

Liu Junhui obtained two copies of the official transfer documents for the building and signed them himself.

Then, Liu Junhui took a bus to the nearby post office and sent the letter by double registered mail to Wang Husu who lived in the beautiful country.

After Wang Husu received two signed copies of the transfer documents, he sent one copy back to Liu Junhui, and the matter was settled.

After the settlement, the building became the property of Liu Junhui Group.

Wang Yaru is the general manager of a cultural communication company. She is afraid that her authority is for management, not for the ownership of this or that building.

After Liu Junhui sent out the documents, she was not worried about any complications on Wang Husu's side.

Through this face-to-face negotiation, Liu Junhui already knew that Dun Wang Husu was an upright and kind old painter.

Wang Husu also had high hopes for Liu Junhui. Although they had only met once, they had become close friends regardless of age difference.

After Liu Junhui completed the mail procedures at the post office, she immediately took a taxi to the building on the commercial street.

Yang Tianyi parked the car, Liu Junhui got out, and took out a bunch of keys to the building that Xia Wenli had handed over from her small bag.

Liu Junhui walked to the front door of the building, held the largest key in his right hand, and opened the rusty iron lock.

The key can be inserted, but it can no longer be turned.

It has been hanging on the door for nearly twenty years. It has been exposed to wind, sun and rain, and the inside of the big iron lock has rusted.

However, Yang Tianyi has this ability.

He stood on tiptoe and twisted the key somehow, opening the big iron lock.

In fact, using the key to open the big iron lock is just a superficial phenomenon for Yang Tianyi.

Liu Junhui and Yang Tianyi entered the building.

This is a four-story building.

It was not obvious from the outside, but Liu Junhui understood after going inside.

No wonder, this small building has gone through more than a hundred years of wind and rain and still looks very solid.

It used the strongest and most durable material of the time: glutinous rice mortar.

In ancient times, there were no modern steel bars and cement, but buildings built with glutinous rice mortar were definitely not inferior to those with steel bars and cement.

Glutinous rice mortar, as the name suggests, is a wonderful adhesive made by mixing glutinous rice and lime paste in the optimal proportion.

Of course, building a building with glutinous rice mortar is labor-intensive and time-consuming.

First, a large amount of glutinous rice must be cooked in a large iron pot, pounded into a paste, and then mixed with lime slurry.

This process invented by the ancients produces a very strong adhesion.

Glutinous rice mortar is much stronger than lime mortar. Buildings built with glutinous rice mortar can stand for hundreds of years without collapsing.

You know, glutinous rice was very expensive in ancient times, and ordinary people were reluctant to use it to build houses.

Liu Junhui knew that this small building must have been built by a wealthy man at that time, so a large amount of glutinous rice was used.

This small building not only used the most expensive wall materials at the time, but also the doors and windows were all made of the highest density wood.

Some of the gates are actually made of diamond wood and red altar wood.

Seeing the materials used in this small building, Liu Junhui felt that Wang Husu’s bid was not high, but on the contrary, it was low.

Next, Liu Junhui searched for the thousands of ancient calligraphy and paintings.

This is Liu Junhui's main purpose for coming to this small building today.

At that time, Wang Husu did not say on which floor and on which wall the thousands of ancient calligraphy and paintings were hidden.

She just marked it in the freehand painting.

Liu Junhui took out the painting and searched for the clue according to the picture. This was the simplest and most convenient way.

Following the instructions on the painting, Liu Junhui turned on his perspective vision and found the location where thousands of ancient calligraphy and paintings were hidden in just a few seconds.

The place where thousands of ancient calligraphy and paintings are hidden is actually on the first floor, which is considered the most unlikely place by most people!

Moreover, it is located in the most conspicuous reception room on the first floor of this building!

In an instant, Liu Junhui looked at Wang Husu with new respect, as he had hidden thousands of ancient calligraphy and paintings.

Wang Husu, this old painter, is so scheming!

At this moment, Liu Junhui is on the third floor of the small building.

Liu Junhui and Yang Tianyi arrived at the first floor of the small building.

The layout of the first floor still maintains the layout that Wang Husu had before he went abroad.

The sofa, bar, wall decorations and calligraphy and paintings are all original.

Of course, it was all covered with a thick layer of dust.

Liu Junhui stood opposite the wall that hid thousands of ancient calligraphy and paintings.

Turn on the perspective vision and look closely into the wall mezzanine.

My goodness!

Thousands of ancient calligraphy and paintings, all in the form of scrolls, are neatly arranged, occupying an entire wall.

No wonder Liu Junhui's clone could clearly identify these thousands of ancient calligraphy and paintings. It turned out that Wang Husu had tied a label at one end of the scroll of each ancient calligraphy and painting.

The label clearly indicates the name of the ancient painter, the era, the original work, and the high imitation.

Liu Junhui roughly calculated that 70% of the works were authentic.

Even if they are high imitations, they are all high imitations from ancient times. The shortest one has a history of three hundred years.

Liu Junhui now doesn't understand why Wang Husu tied a label on the end of each scroll of ancient calligraphy and painting.

Liu Junhui still had a question in her mind. With Wang Husu's experience and vision, she should know that these thousands of ancient calligraphy and paintings have great potential for future appreciation.

Wang Husu actually sold these thousands of ancient calligraphy and paintings along with the small building to Liu Junhui for 8 million yuan.

Is it because Wang Husu is old and feels that he should keep it?

However, she has grandchildren, and she can let them inherit it.

Is Wang Husu short-sighted?

Probably not. If Wang Husu had been short-sighted, he wouldn't have risked his life to hide thousands of ancient calligraphy and paintings in the walls of a small building and then left the country on his own.

Is the Wang Husu family in urgent need of money?

This was the reason Wang Husu told Liu Junhui at the time for selling the small building, but Liu Junhui now feels that this is not the reason.

So, what exactly was the reason that prompted Wang Husu to sell the small building and thousands of ancient calligraphy and paintings for only 8 million yuan?

Liu Junhui has no clues to infer now, so she really doesn’t know.

Let's just leave it as a mystery.

Liu Junhui always puts aside things that cannot be inferred.

There is no need to waste time making baseless guesses.

You said, will Liu Junhui continue to hide these thousands of ancient calligraphy and paintings in the wall lattices, or put them into storage?

You are right.

No matter how safe the wall mezzanine of the small building is, it is not as solid as Liu Junhui's own space.

You all already know that Liu Junhui's ring space has a powerful automatic income function.

Even the gold and jewelry in the mountains can be collected.

However, Liu Junhui was worried that the precious calligraphy and paintings would be damaged when passing through the wall.

When Liu Junhui collected the gold and jewelry on the battlefield, there were some marks left by the hard rocks of the mountain.