After the divorce, I was tricked into a love show, and my ex-wife was anxious
Chapter 647 Concert
The big boss saw Taylor standing up and holding out his hand with a smile on his face.
He was stunned for a moment, glanced at Luo Zhi and the others out of the corner of his eye, and immediately understood.
Comrade Shen Yu has attracted another peach blossom.
After shaking hands with Taylor with a smile, he sat down in his seat with a smile this time.
As a beautiful ace host, Jenna naturally knew the identity of this old man.
So she understood in her heart,
The old man shook hands with Luo Zhi and others, but he did not stand up simply because they were Shen Yu's girlfriends.
But when he saw that there were six of them, he was the only one there, and he did not shake hands with the old man.
She felt very uncomfortable in her heart, and her eyes were full of envy and jealousy.
At the same time, she made up her mind.
You must find a suitable opportunity, like Taylor, to confirm your relationship with Shen Yu in one go.
It is best to make the matter a done deal, which is the safest way.
Just as Jenna was intoxicated with the success of her plan and her embarrassing daily life with Shen Yu,
Suddenly, the sound of footsteps on the stage interrupted her thoughts.
Looking up, I saw musicians wearing black suits and holding musical instruments entering from the back.
They came to their seats and sat down in an orderly manner. The only sound was footsteps.
After everyone is seated,
Shen Yu, also wearing a high-end black suit, slowly walked onto the stage.
He walked quietly to the front of the stage and saw the big leader sitting in the middle at first sight.
There was also a hint of excitement in his eyes.
The big boss also looked at Shen Yu with a smile on his face.
This was the first time they met.
Looking at this young comrade, he was very satisfied, looked confident and full of energy.
He is indeed a good son of China.
He smiled and nodded to Shen Yu, expressing his approval.
Shen Yu's pupils shrank suddenly, and he bowed deeply in the direction of the leader.
Then he slowly walked up to the podium, unfolded the music score, and picked up the baton on the table.
The moment Shen Yu picked up the baton, the entire concert hall seemed to be paused.
All the audience members were unanimous in their attention, focusing their gaze on Shen Yu, who was shining brightly under the spotlight.
The musicians on the stage were all focused on Shen Yu on the podium.
At this moment, in their eyes, Shen Yu was the only one left in the world.
Shen Yu raised his arms slightly, and all the performers' muscles tensed instantly, waiting for this decisive moment.
As Shen Yu's baton suddenly drew a beautiful arc in the air,
The first note of music suddenly blooms in the air,
The first movement of Symphony No. 104, a solemn banter, resounds throughout the concert hall.
The string section entered first. Under Shen Yu's guidance, the violin bows rubbed the strings in uniform order. The viola and cello followed closely behind, while the double bass set the tone with steady plucking.
The D minor introduction begins with an almost ritualistic solemnity, and the descending fifth motive played by the bass strings seems like a call from ancient times.
As Shen Yu's left palm slightly raised,
The flute and clarinet of the woodwind section then joined in, alternating with the strings, creating a solemn Baroque atmosphere.
Shen Yu's movements were sometimes as gentle as the breeze, and sometimes as strong as the waves.
Every movement and gesture interprets the breath and rhythm of the music.
The piece played by the group, with only a 26-bar prelude, is one of Haydn's most dramatic openings.
When all the audiences in the audience and the live studio were immersed in this Gothic dark hue,
The Allegro section suddenly breaks in with a bright D major key.
It was like a ray of sunlight suddenly penetrating through the church's stained window.
With the first violin and the second violin's light accompaniment, the theme of this section was played.
This seemingly simple folk dance melody,
If you take a closer look, you will find that it is actually an exquisite structure.
Christian Thomas and others closed their eyes and listened to the kaleidoscope-like melody with enjoyment.
At this moment, in their hearts, Shen Yu is like a musical alchemist.
The fragments of the theme are smelted in the crucible of tonal changes and fused into their own unique logical rigor.
The first movement is not very long, only eleven minutes.
But in just these short eleven minutes, all the top musicians from all over the country in the audience were impressed.
They believed that they could never compose such a symphony, and they looked at the rest of the people with the same sincerity as if they were looking at God.
Perhaps in their eyes, Shen Yu at this moment is the incarnation of God, the god of music.
The second movement is called the Poetics of Variations.
In this movement, Haydn's variation art reached its peak.
Focusing on a regular two-part theme, the music uses magician-like techniques to transmit this theme between different instruments.
Finally, it dissolves into a quiet dialogue between the clarinet and bassoon, like the aftermath of a philosophical discussion.
After hearing this, all the musicians in the audience suddenly understood.
The symphony composed by Shen Yu is undoubtedly at the world's top level.
Just the two movements mentioned above contain a lot of techniques that they can use.
Especially the technique of playing with variations has made them completely regarded as a classic.
I secretly decided that after the concert, I must study Shen Yu's music score carefully.
They have a strong sense that they will definitely gain a lot from it.
The third movement that follows is known as a folk carnival, which directly reflects the aesthetic concept of aristocratic form and common people's spirit.
Through the performance of music, the unbridled parody of court etiquette is combined with the rough vitality of folk dance.
The misplacement of the main section's emphasis creates a deliberate sense of inelegance, subverting the traditional boring aristocratic temperament of small steps.
It elevates folk elements to the level of art.
The fourth and final movement is known as the Flame of Reincarnation. The simple descending scale becomes a kaleidoscopic source of creativity in Haydn's hands.
The theme motive is refined in distantly related keys such as B minor, E minor, and A major, and even a diatonic progression appears in some places.
This bold harmonic language, which always obeys the overall structure, can be called a feast of tonal imagination.
At the end of the performance,
The theme is transformed into a fugue passage, with each part competing with the next, and finally ending in the splendor of the full orchestra.
As Shen Yu's baton suddenly paused in the air,
The orchestra immediately concluded with the strongest note, and the lingering sound echoed in the concert hall for a long time.
(ps: This chapter was too difficult to write. I looked up a lot of things about Haydn.)
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