Travel to another world and continue to be a boxer

“Beep beep…”

Wind Weasel Reed was in a good mood because he got a chance to play.

When the black-haired young man stretched out his right palm, Reed would jump onto his left palm, then spin from his left palm to his right palm, and then back to his left palm, dancing in the air to entertain himself.

This is a corner of the palace's parade ground. Ye Kai and Cham are sitting on the grassy ground, chatting and playing.

However, there was a problem that bothered them.

Hunting animals are not born knowing how to hunt. Although instinct plays a part, it is mostly learned as they grow up.

So what about Warcraft? Ye Kai was thinking. It is very likely that his parents taught him magic while he was growing up.

So what should Reed do?

Obviously, Ye Kai had to teach him. How did the beast's parents teach their children magic? Most likely, through demonstration and instruction.

But Ye Kai and Reed's body structures are too different. Although the wind weasel is good at wind magic, Ye Kai can't spit out storms from his mouth like Reed.

He is not an acrobat. Even if he were an acrobat, he would not be able to do it.

"Although I must teach this child magic, I am not good at ordinary vocal magic."

"Really? Even though you said you're not good at it, monsters can't use voice magic, right?"

This is natural. Warcraft cannot speak.

"But I think what's being done is the same. The so-called vocalization is just a form of shouting, just a switch of consciousness. I think Warcraft may be doing the same thing in a different way."

“Maybe. So they’re also building structures in the brain?”

"Hmm. So, I have to teach him to build structures using the same steps as the sound magic, but how do I do it?"

The beautiful black-haired Cham finally understood what Ye Kai meant.

He was always beating around the bush. Chaim felt that her understanding had improved, but it looked like he had more to say in his head.

“Then, Cham can’t use simple vocal magic?” He knew that Cham was basically good at light magic, but seemed to mention it.

“Unfortunately, that’s impossible. I only have a mountain of magic basic texts in my head. I construct magic by combining them.”

"I see. Then your head must be quite full."

Ye Kai was right. Chamu's memory was filled with a large number of basic magic texts, and she pieced them together to form the composition of light magic.

Vocal magic users use the memory and reorganization of the brain's magic operation area to construct the composition, so they cannot directly construct the composition from imagination. This is because they have been trained to do so.

"Can I take a look? I want to take a look calmly."

Since there were no particular problems, he readily agreed.

"No problem. Well, I'm going to teach this kid wind magic, right?"

She has no attribute advantages or disadvantages. Because everything is contained in the basic grammar learned, her imagination is not affected.

At this point, light magic can be said to be excellent. However, as Cham said, its startup speed is much slower than other magic.

The reason is that the structure must be physically constructed. The time required to form the structure using light magic can be completed by a sound magician in a few tenths of the time. Her self-mockery about this unsuitability for actual combat may be justified.

In the air, Cham's fingers danced, a beauty that did not match her status as a swordsman. The light left a trail, and the structure was written into the space.

Finally, she opened her hands and injected magic power into the light. The amount of magic power also determines the power.

Magic that has been silent seems to be good at stealth as well, but it is said that this kind of magic is outdated. Indeed, there is a skill that can perform magic silently, so maybe there is no way.

“Squeak! Squeak!”

A whirlwind blew up on Cham's palm. Reed was very happy to see it. It might feel familiar with the magic that its mother used.

"Yeah, as expected." Ye Kai also expressed his understanding.

"I finally understand what you mean by ancient magic."

“…What does that mean?”

"that is……"

The vocal magic and basic theory are the same.

Proceed as follows:

First, a more solid imagination must be built. At this stage, the adaptability of the magical properties is determined according to the strength of the imagination.

Then, this imagination is transformed into language. This is called composition. Those who can transform stronger imagination into language more faithfully can become magicians.

Then the composition is transformed into magic pulses. This is the process of converting the language of imagination into a serial signal, that is, into a digital signal flowing on a line.

Magicians usually mathematize and express it, but in fact they are not mathematizing, but transmitting language.

In this process, since it is necessary to use the magical calculation area that is usually used for algorithms in the mind, people will feel as if they are performing calculations, so they will feel that it is mathematical.

The next step is release. Through the brain, through the nervous system, the pulse of magic is released into space.

A magic wand is usually used at this time to enhance the effect. Instead of releasing it directly into space, the magic pulse is written into the magic circuit of the magic stone, and then the pulse is converted into language. By injecting magic into it, the magic is ready to go.

In short, instead of directly engraving the language in space through magic pulses, it is better to convert the language on the crystal magic circuit of the magic stone. This can reduce distortion and reduce losses.

Then, the sound is made and the magic is performed. This is the process of inscribing the magic in the space as language.

As mentioned earlier, this is just a switch of consciousness, and has nothing to do with whether sound is needed. However, in order to prevent accidents, this training has become a common practice and has been widely spread.

“Do you understand?”

After finishing the explanation, Ye Kai asked.

"Light magic is just the language being inscribed directly into space. It is then converted into triggered actions through the infusion of magic power, but it is fundamentally the same. Magic is achieved through the same theory."

"I see."

Chaim, who understood this distinction, also understood his argument.

"So, the basis is light magic, and voice magic was created to shorten the time. Although the steps have increased, it is possible to shorten the time for complex magic, right?"

"Yes……"

(It's best not to teach this guy too much. He thinks too fast. He might get discovered.)

Chaim stuck out his tongue in his heart.

"But in this regard, isn't the Light Seal Magic that you are best at the fastest to activate?"

Ye Kai covered the corners of his mouth, as if trying to hide an awkward smile, but since that was said, he just went with the flow.

"That's right. Because magic is expressed by injecting magic power into the engraving that has been physically engraved. However, the magic cost of this method is not good. For short text engravings like living magic, the difference is not big, but for complex engravings like those used for combat, magic circles must be used."

“Indeed. Not only is it difficult to carry, but it’s also hard to start.”

The magic circle is depicted by the magic words used for engraving.

It takes a considerable amount of magic power to inject the necessary amount of magic power into the engraved loops that form concentric circles at the center of overlapping texts or are connected by a grid.

A magic circle can only perform one type of magic, and if the magic power cost is also very high, even if it is daily magic, it can be said that it is not very suitable for actual combat.

Therefore, it is generally believed that sound magicians with extremely high versatility, low magic cost and fast startup have become the mainstream.