Inspired by the comments section last time, Gong Jianan discovered that quite a few people had watched Yu Jiang's movies.

There is no need to say much about those two commercial films. Other art films can also be found online, and even those that were banned in the country have received many comments.

Since there are fans who know Yu Jiang through her role, there must be fans who only like her role but have not had the chance to get to know her.

These are potential traffic, how can she miss such an opportunity?

So, she worked as fast as she could to make a mashup of Yu Jiang's character.

This mashup is simply beautiful to a certain degree, and few movie actors can achieve such a result.

The beauty does not lie in how superb Gong Jianan's editing skills are, but in how diverse the roles played by Yu Jiang are.

From the sixteen-year-old "Green Plum", Peng Yidong appears to be cold-blooded and fearless, but in fact he has many concerns in his heart and buries his love deeply.

By the age of eighteen, she was able to play two roles in "He Qiqi", perfectly interpreting the personalities of two different characters, He Wei and Qi Yuling.

The movie "The Silkworm Will Die Only When It Has Spun All Its Silk" tells the story of a deformed teacher-student love affair. Tian Weiwei, played by Yu Jiang, falls madly and passionately in love with his teacher, but when he fails to get his love, he destroys the teacher's life with his own hands.

In "No Flowers in the Dust", he humbly loves an unattainable lover, and when he is loved, he treats him like his own lover, and he looks down on the purest love from others.

In "Black, White and Grey", a policewoman who is determined to eradicate the underworld forces is gradually assimilated after going undercover, and goes from light to darkness. Her inner struggle and ultimate fall are perfectly interpreted.

The Republic of China singer in the semi-commercial film "Hidden Fragrance" was able to handle the dangerous silent intelligence war with ease. After being exposed, she resolutely went to the front line, but finally lost her life in party strife.

The most regrettable one is "The Secret in the Banyan Tree", which was banned in China. The daughter of a chemist played by her was deceived and led astray, and her heroic death was very impressive.

The terminally ill patient in "Angel Loves You" has a kind of broken despair that reaches the ultimate beauty in Yu Jiang's interpretation.

In "Red and White", the man who wears mourning clothes and drinks poisoned wine on his lover's wedding day expresses the despair of being unable to cross the class line, and it is also a silent cry against injustice by dying to express his determination.

The village woman Liu Sisi in "The General and the Beauty Returns" waited for her lover eagerly after sending him to the battlefield. She eventually went mad after more than eight years of mental torture and finally froze to death under a willow tree at the entrance of the village.

Excluding "Turmoil", which has no footage allowed to appear in China, there are a total of ten films and eleven characters.

Although these eleven characters are all played by Yu Jiang, each character is completely different.

The rich have the former noble ladies, the poor have the poor country women; the warriors who care about their country, the policewomen who have failed to stand firm;

He Wei, who has a free soul, Qi Yuling, who shrinks in the framework; Peng Yidong, who is confused and timid, and Tian Weiwei, who is enthusiastic and bold;

Some people with terminal illnesses live towards death, while others are proud enough to sacrifice their lives to express their feelings; some people speak when they shouldn't and live a miserable life, while others die stubbornly and unjustly when they should turn back.

These characters are all alive. They are both Yu Jiang and not Yu Jiang.

It was Yu Jiang who borrowed their souls to appear on the screen, and only Yu Jiang's performance could make them come alive.

How shocking would it be to edit these eleven characters together?

If it weren’t for Yu Jiang’s beautiful and recognizable face, no one would have imagined that an actor’s expressions and demeanor could be so varied, right?

Since entering the industry, Yu Jiang has never acted in a TV series, nor has he played a supporting role for anyone. These eleven roles are the reason.

Her abilities are there for all to see. Even if there are people in the industry who want to monetize their traffic, they will never invite her to play a supporting role.

On the one hand, the traffic stars can't suppress her, but on the other hand, and more importantly, even the most conscienceless filmmakers can't bear to pull such an actor off the altar.

Of course, a pure businessman like Chen Wenbin may not have such a bottom line.

Gong Jianan posted the video on Duyan’s account as soon as he finished editing it. The next step was to get Yu Jiang’s cooperation.

At this time, Yu Jiang was studying the script in his study.

She has this problem. She always reads the script over and over again before the filming officially starts. She wants to memorize not only her own lines, but also the lines of the entire crew.

Gong Jianan knocked on the study door, poked his head in and smiled, "Hey, Jiang Jiang, can I discuss something with you?"

Yu Jiang put the script away, looked at her helplessly and said, "You broke my incense sticks?"

"No! I don't even dare to go to your room now!" Gong Jianan rolled his eyes and came up with an idea, pretending to be pitiful, "You don't love me anymore, you actually wronged me!"

When performing in front of a movie queen, one has to consider one's own abilities. Gong Jianan's current performance is too obvious.

"Baby, why don't you take a script? You're good-looking and you love acting, so it's definitely no problem for you to act in an idol drama."

This trick didn't work, so Gong Jianan quickly changed his strategy, "Well, that's just because I've been around you and learned from you."

Yu Jiang resisted the urge to roll his eyes and pursed his lips, "Thank you, if you have anything to say, please say it!"

"Okay! Now, there's this matter..." Gong Jianan quickly stated his request.

She just wanted Yu Jiang to call Director Gu in person. Now that the market favors traffic, Director Gu has been forced to change his principles.

In the past, he liked to choose actors with a blank sheet of paper that fit the role, and he would direct the performances himself, and the sense of accomplishment after completing the work was also different.

The current situation forces him to do so. Making movies is notoriously expensive, and now he has to choose some traffic appropriately for investment.

Gong Jianan meant to let Yu Jiang talk to Director Gu to see if he could give her a favor and find some traffic to forward this one-eyed video.

This was the kind of thing that Yu Jiang couldn't bear the most. "Oh! How can I have the nerve to bother others all the time?!"

"What's there to be embarrassed about?" Gong Jianan put his hands on his hips and began to reason, "He's your guide on the road of acting, half a master! Isn't he no different from your own family?"

After being nagged for a long time, Yu Jiang couldn't stand it anymore. Between being nagged by her and bowing his head to beg for help, he chose the latter.

After all, the embarrassment will only last for a moment. If she nags me, she might remember it for the rest of her life and scold me every time she thinks of it.

In fact, Yu Jiang is more familiar with Director Gu’s wife. If she has to leave this person, she would rather leave him with Mrs. Gu.

It was my first time making a movie at that time and I didn’t know anything. Director Gu taught me professional things, and his wife took care of the two young leading actors in every possible way.

To this day, every year on Mrs. Gu’s birthday, Yu Jiang would send her a gift even if he really didn’t have time to visit.

Anyway, as long as Gong Jianan achieves his goal, Yu Jiang simply called Mrs. Gu.

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