Male Succubus Apocalypse

Since the day he was born, Xiao Hei has had his own "Magic Cube" and his own "maze", or in other words, the Magic Cube is actually the entity of the "maze".

And Xiao Hei is not alone. He has compatriots and a group of "friends" who can also make "Magic Cubes". They are "predecessors" who were born in this world earlier than him and call themselves "architects".

Their natural duty is to constantly use the Rubik's Cube to change and reconstruct the "materials" from the "starry sky" - at that time, the "starry sky" was still colorful and endless, and those colors would materialize after a period of time, turning into incomplete components and coming to the "architects" - and then continue to expand the "maze".

At that time, the "mazes" were of various shapes and colors, each with its own unique colors, forming a "maze group", except for an "architect" who was older than the oldest. In the center of the maze group was the original "maze", which was truly closed and unknown. There was no "architect" inside, and it was impossible to construct a Rubik's Cube. It was a real "puzzle" palace.

Because it has no color, only white, and its appearance is a simple cube, like a component from the "starry sky". It is not open, and its interior is constantly changing and unknowable, so it is impossible to make a Rubik's Cube to control it.

Therefore, everyone collectively calls it the "pale mystery."

As long as architects continue to expand the "maze group" with the "pale mystery" as the core and reach a certain degree and scale, new architects will be born in a random special corner.

However, if the architects are lazy and do not replenish the "maze group" with the materials that "fall" from all directions of the "starry sky", then these materials will continue to fall until the existing "maze" is destroyed. Once the maze is destroyed, the corresponding architects born in it will also die.

Therefore, architects have been able to work in shifts day and night to catch materials from the "starry sky" and to expand the "maze" continuously. However, the more it expands, the more materials fall. In this regard, architects gradually discovered that the larger the "maze group", the greater its attraction.

But as more and more materials are available, more and more new "architects" are emerging. For these new architects, the maze is on the periphery, and they will be busy building larger mazes on their own. However, in order to prevent these new architects from arbitrarily changing the overall structure, which would lead to a series of problems such as disintegration.

The old "architects" will also be forced to participate in the expansion of the "maze group", over and over again, in an endless cycle. No one knows why this is for, for survival? Then who wants them to survive like this? Is it this world?

Doubt and confusion, questioning this boring, long and endless journey of life. It seems that I am controlling magic, but in fact, I am a Rubik's Cube with my own will.

Finally, the feeling of nothingness first spread among the old architects, and the first self-destruction incident happened soon. The architect who was innermost and closest to one of the "white mysteries" threw his "maze parent" at the "white mystery". He hoped to break it open and find the answer to his own life.

However, it was of no use. The "White Mystery" remained intact, while his "maze" was shattered into pieces and hanged in nothingness. Fortunately, the components scattered from the broken maze were controlled in time, otherwise the "maze group" would most likely begin to disintegrate from the inside of the core.

Everyone knows very well that it is not just one architect who has this tendency to self-destruct. However, those who can withstand the self-destruction of one person may not be able to withstand the self-destruction of more than a dozen people at the same time, especially the core architects.

For the increasingly large "maze group", only the older architects, the "insiders" who have freed up extra time to think, can have a better understanding of it as a whole and guide the new generation on how to manipulate the Rubik's Cube.

It is also because of this that, after constantly exhausting their understanding of the "maze", they are no longer bound by the daily vicious cycle of constructing mazes, but instead turn their attention to the essence of the world.

Deep thinking about the meaning of the maze, the meaning of self, the meaning of having the ability to make a Rubik's Cube, the exploration of the laws of the world, and what's more, the incomprehensible "white mystery" has been in front of them since their birth.

These core architects have undergone subtle changes in their views on their lives, because they have lived for too long, and they have had enough of every boring day. What life needs most is "living" rather than "being alive". Their desires have already waned. In their almost infinite lives, they have already seen the end of their boring future.

The shackles of life are desires. When desires are worn away by time, once the shackles are opened, life will no longer be able to survive.

But the newborns outside have not "lived enough", and everything in the world is still new to them. Most of the old architects cannot agree to sacrifice the interests of external architects as the cost of satisfying their own value exploration - risking the "maze group" to collapse from within, to smash the "white mystery" that they don't know if it can be smashed open, and smashing it may not necessarily lead to "new life" or "answers".

However, a small number of people still wanted to take risks secretly for their own transcendence. For the first time, disagreements appeared within the core, and the tense atmosphere gradually spread outward.

Xiao Hei was born at this moment, and he was also the first architect to propose that "instead of exploring the white mystery, it is better to control the 'starry sky'."

Because of the internal accumulation, it has actually created conditions for faster growth for the outside. However, the outside, unlike the inside, stands at the forefront of the "maze group". They are also bolder and have their own unique opinions.

The emergence of people like Xiao Hei is actually inevitable. They are getting further and further away from the inside, and their curiosity about the "white mystery" is becoming more and more superficial. They have no preconceived desire to explore, and instead focus their eyes on the "starry sky" they deal with every day.

One call leads to a hundred responses. Xiao Hei is just a bold one, but he is by no means a lonely new thinker. The new generation has brought an ideological shock to the old generation. For the first time, the core architects have discussed with another group of architects who have their own unique ideas and disagree with their own opinions.

Finally, the majority of the new generation, in turn leading the old generation, formulated an unprecedented plan - to reconstruct the "maze group" into a "big Rubik's Cube" - not a real square, but a conceptual model - to quantify attraction as a standard for manipulating the "starry sky" material, and try to carry out imaginary manipulation of the "starry sky".

But this requires a lot of manpower and brainpower, because in order to make the structure reasonable, and after working together, everyone needs to work together to manipulate and deform the "maze group" to make movements like a Rubik's Cube.

This process is likely to cause the "Starry Sky" material to accelerate or change speed, causing unpredictable damage to the external maze. However, Xiao Hei and a group of friends reached a consensus on sacrificing themselves, which promoted the final formation of the plan in one fell swoop.

The experience and strong construction capabilities of the old-school architects became the core of the plan.

An unpredictable attempt temporarily diverted the internal contradictions. It was a great adventure, because the reconstruction of the entire maze group was accompanied by various risks in the process. The maze itself was actually an irregular shape, in order to cope with "starry sky" materials of different sizes and shapes at any time.

But it's better than a fight to the death with the "White Mystery".

The plan is in full swing, with measurements and conversions, and a large number of manpower invested in reconstruction. After field investigations, a large number of local change experiments were carried out to obtain a more reasonable model.

In order to build such a model - because the materials are random, although the shape can be controlled, it is limited. It is impossible to turn a prism into an arc, and it is easy to make mistakes at every step - a large number of external personnel took the initiative to self-destruct the maze, which greatly improved the reshaping ability of the "maze group".

It also allows old-school architects to see that the new generation has essentially different life pursuits from them - the new generation is passionate about life and eager to explore the unknown, and for such passion and ideals, as well as the new generation after the "maze group", they do not need to be increasingly busy catching materials, they are willing to die.

What about these "old people"? They have to resort to self-destruction in order to continue "living" after the "fun" has dried up.

Xiao Hei was lucky and survived with the secret protection of the old faction - because he is now the representative and spiritual leader of the new faction.

Then, as if it were fate, they succeeded. After the conceptual model of the "Big Rubik's Cube" was concretized and started to operate, all materials from the "starry sky" would automatically deform due to the movement trajectory and change in attraction inside the "Big Rubik's Cube". There was no need to capture and analyze them, and then graft them onto the "maze group". They could be manipulated in advance to form independent mazes.

Even if it cannot form a maze, the fixed trajectory of the "Big Rubik's Cube" allows architects to allocate manpower in advance and focus on one side, which greatly reduces risks, concentrates resources, and liberates "architectural power."

It can be said that because of the "Big Rubik's Cube", the efficiency of construction exceeds the speed of material falling.

But this is only the first step, because after controlling the materials, the next step is to truly control the "starry sky".

Build a "big Rubik's Cube Group" and optimize the combination model. Before materials from all directions "fall" or float in the "starry sky" and are attracted by the "maze group", they will be combined in advance through the change of attraction, and even collide with each other.

Originally, the Rubik's Cube's manipulation of materials could not resist the attraction of the "maze group". It could only change the shape and structure along the way so that they could fit together after "joining" to cause minimal losses.

When the "maze group" was small, the materials fell slowly, but after it expanded, they fell faster. Although there were more architects, the tolerance rate was shrinking.

Moreover, a new discovery was derived, that is, the pre-packaged "mazes" that are not connected to the "maze group" will not produce "architects", which greatly solves the manpower cost of salvaging them for moral reasons.

It can also form a "dead maze protection chain" to protect the "maze group", which completely increases the fault tolerance rate, frees up architects from concerns, and allows them to directly use ready-made ones, shortening the construction time.

It can be said that the construction method has entered a revolutionary development. The discovery of the "dead maze" has also relieved the old-fashioned party's obsession with the "pale mystery".

Because it can be inferred that the reason why the "maze group" can continuously produce "architects" is largely because it is also connected to the "pale mystery", no, now it should be called the "pale source".

The most original maze is the "origin" of all architects and all mazes, and is the "kinship" of architect culture. Just like every architect has feelings for his own "maze kinship", after realizing that the "pale mystery" is the "origin of the maze".

The confusion about it has turned into a kind of reverence for the unknown. Then, we should not always think about destroying it, but cherish it.

Then, isn’t the original meaning given to the architects “reproduction”? In this way, the will to pursue the “source of paleness” in order to continue to expand the “labyrinth group” also has the original emotional meaning.

The second phase of the project was completed even faster than the first phase, and the more complete "Magic Cube Building Complex" further controlled all the materials of the "Starry Sky", so that the "maze group" could be expanded with zero risk.

Any architect does not need to go out fishing, but only needs to stay in various positions, arrange his own "maze" in a specific position, and be subject to changes in arrangements, so that he can spend the passing time peacefully.

Then, we transitioned peacefully to the final project of the third phase - manipulating the "starry sky". We reorganized the current "magic cube group" for the third time, completely splitting it into individual components to form the "key" to open the "starry sky" - by changing the structure, we will amplify the attraction to a certain point to the limit of the current scale of the "magic cube group", transcending space, and "manipulating" the unknown "starry sky" to the deepest point that can be reached.

During this period, the "dead maze protection chain" established in the first and second phases will become the key to protecting the "key".

The "Star Key" project has officially launched the first real step to open the "door" bound by the senses in order to explore the world beyond the "starry sky".

To explore and try to grasp the unknown beyond their horizon.

All the Rubik's Cubes are linked in a straight line, and all the attractions are directed in one direction, like a "key", and the circular outer circle of the "dead maze" chain is like an inserted lock, and the entire infinite "starry sky" seems to have materialized into a door one day.

The architects, with the Rubik's Cube in their hands, changed in unison and worked together, the "Star Key" slowly turned. That day, all the architects saw the "starry sky" slowly "opening", a corner of the colorful veil was torn off, and all the invisible "materials" that had not yet been reached were transformed into a "maze" in advance.

What was revealed was a background of pure nothingness, a color that was completely different from the "Source of Paleness" but seemed to have the same purpose. One day, architects named this new color "black."

The unfolded hollow cylinder composed of the "death maze" leading to the "darkness" seemed to be the passage to a new world, officially confirming the success of the first step of the "Star Key" plan.

The architects cheered and sang to celebrate the realization of the unknown, but they were unaware that Pandora's box had been opened. The "truth" they wanted was cruel and cold...

When everyone around him was immersed in endless joy, only Xiao Hei, for a moment, glimpsed a glimpse of the red light flashing in the darkness, which made him subconsciously feel frightened.

However, this feeling of uneasiness was soon overwhelmed by the emotions of the people around him.

"Xiaobai, at that time, an involuntary thought came to my mind, which was 'Is all this really right?' However, before I could catch my thought, it was swallowed up by the waves of admiration and gratitude without a trace."