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Like a dream, it was rainy and windy last night

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Song Dynasty: Li Qingzhao

The rain and wind were violent last night, and the rest of the wine could not be absorbed by a deep sleep.I tried the questionnaire, but Dao Haitang remained the same.Do you know?It should be green, fat, red and thin.

Translation

Although it rained sparsely last night, the wind kept blowing hard. Even though I slept all night, I was still drunk. I asked the maid who was rolling up the curtain how the situation was outside. She said that the crabapple flowers were still the same as yesterday. do you know? do you know? At this time, the green leaves should be luxuriant and the red flowers should be withering.

注释

Sparse: refers to sparseness.

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The rain is sparse and the wind is sudden: the raindrops are sparse and the evening wind is strong.

Deep sleep does not eliminate the lingering wine: Even after a night's sleep, there is still lingering drunkenness. Deep sleep: deep sleep. Residual wine: drunkenness that has not dissipated.

Curtain roller: Some scholars believe that this refers to the maid.

Green fertilizer, red thin: lush green leaves, red flowers withered.

Appreciation

Li Qingzhao's "Like a Dream" is an immortal masterpiece "known all over the world". This little poem has characters, scenes, and dialogues, which fully demonstrates the expressive power of Song poetry and the talent of the poet. Xiaoci's description of asking about flowers after he sobered up overnight expresses the poet's feelings of cherishing flowers and despising spring in a tortuous and euphemistic way. The language is fresh and the lyrics are beautiful.

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Meaningful.

The first two lines of "Last night were rainy and windy, and the remaining wine was not consumed by heavy sleep." The words outline the time and environment when the lyrics were written. The poet couldn't bear to see the Ming Dynasty begonia flowers fade last night, so he drank wine to relieve his sorrow and got up the next morning. Not completely gone yet. "The rain is sparse and the wind is sudden" very accurately describes the late spring season, when the wind is rustling but the rain is sparse, exaggerating the poet's feeling of drunken desolation under the flowers. Even if the deep sleep after drinking is sweet, it is still difficult to "eat the remaining wine" and write about the laziness and anxiety of the poet at this moment.

The poet called the maid to "test the curtain man", and the transition was clever and precise, smart and natural. The poet knows that the crabapple cannot bear the damage caused by the sudden wind and rain all night. Outside the window, there must be a red mess and fallen flowers all over the ground, but he cannot bear to see it in person.

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The word "try" depicts the poet's ambivalence that he can't bear to see the falling flowers but wants to know the truth. It is realistic and palpable. Unexpectedly, "but the begonias are still the same", the maid's answer made the poet overjoyed but helpless and sad. , the word "que" expresses the "curtain man"'s incomprehension about the poet's heart and the poet's unexpected joy. The poet's delicate euphemism contrasts with the maid's roughness and indifference. The result of "Just ask" - "Que Dao Begonia remains the same." "The maid's answer surprised the poet. I originally thought that after a night of wind and rain, the crabapple flowers must have withered into disarray, but after the maid rolled up the curtains and looked outside, she replied casually: The crabapple flowers are still the same. The word "but" not only shows that the maid is unaware of the hostess's grievances and is indifferent to the changes happening outside the window, but also shows that the poet listens.

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I felt puzzled after answering. She thought: How could "Begonia" remain "the same" after the "rain and wind"? This leads very naturally to the last two sentences.

"Do you know? Do you know? They should be green, fat, red and thin." This is both a retort to the maid and a soliloquy: Careless girl, do you know that the begonias in the garden should be green with lush leaves and red with red leaves? Flowers are scarce. This dialogue expresses something that cannot be expressed in poetry and painting, and expresses the complicated expressions and tones of a woman who is sad about spring. It can be described as a "expressive pen." "Should be" shows the poet's speculation and judgment about the scene outside the window. The tone is very appropriate. After all, she has not witnessed it with her own eyes, so she must leave room for words when speaking. At the same time, this word also implies the meaning of "must be" and "has to be". Hai

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Although the tang is good, the wind and rain are merciless, and it is impossible for it to bloom forever. One sentence contains endless helpless feelings of cherishing flowers, which can be said to be simple in words but profound in meaning. Naturally, this level of affection for cherishing flowers is something that the "curtain roller" cannot understand and does not need to pay more attention to. After all, she cannot be as emotionally delicate as her mistress and have a deeper understanding of nature and life. This may be why she gave the above answer.

The phrase "green, fat, red and thin" at the end is the most exquisite part of the whole poem and has always been praised by the world. "Green" replaces leaves, and "red" replaces flowers, which is the contrast between the two colors; "fat" describes the leaves after the rain that are lush and enlarged due to sufficient water, and "thin" describes the flowers after the rain that wither and become sparse because they cannot bear the rain. , is a comparison of the two states. The four words that were originally ordinary,

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The combination of the poets is so colorful and vivid. This is really a creation in the use of language. From these four words, the "red thin" indicates the gradual disappearance of spring, while the "green fertilizer" symbolizes the coming of the leafy summer. This kind of extremely general language is really breathtaking.

This word refers to the description of asking about flowers after waking up from a drunken night, euphemistically expressing the author's feeling of pity and cherishing flowers, fully reflecting the author's love for nature and spring, and also revealing the inner depression. Although the whole poem is short in length, it is implicit and meaningful. It uses scenes to set off emotions, works hard, is flexible and clever, and portrays the psychological emotions of the characters vividly. It uses dialogue to promote the development of the meaning of the poem, with ups and downs, and is extremely expressive. show author depth

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Strong artistic skills.

explain

This little poem has characters, scenes, and dialogues, which fully demonstrates the expressive power of Song poetry and the talent of the poet.

"The rain last night was light and the wind was violent" refers to the rain and wind last night. Shu, literally means sparse and sparse, rather than the usual meaning of sparse. It was spring, and the famous flowers were in bloom, but then the wind and rain came to force me. I was in such a state of mind that I couldn't fall asleep, so I had to drink to relieve my sorrow. I drank too much and slept too much. As soon as I woke up, it was already bright. But the look on his face from last night felt like a distant memory in his chest, so he had to ask about the things that were hanging in his mind along the way. So she urgently asked the maid who was cleaning the house and opening the curtains: Begonia Hua Ruo

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How's it going? The maid took a look and replied with a smile: "It's not bad. After a night of wind and rain, the crabapples haven't changed at all!" After hearing this, the hostess sighed angrily, "Silly girl, do you know that the crabapple bushes are already very red? Have you seen too many green ones!?”

This line of dialogue expresses something that cannot be expressed in poetry or painting, and expresses the complicated mood and tone of a woman who is sad about spring. It can be described as a "expressive pen."

The author uses "heavy sleep" and "remaining wine" as bridges to describe the time changes and psychological evolution from day to night. Then a "roller curtain" punctuates the sunrise and dawn, which is clever and appropriate. However, the person behind the questionnaire did not mention a word about what was asked, and only revealed the answer to the mystery in his answer.

It's really a wonderful craftsmanship, leaving no trace. The poet is for flowers

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To be happy, to be sad for flowers, to be drunk for flowers, to be angry for flowers is actually to cherish the spring and to use flowers as a metaphor, lamenting that one's youth is perishable.

This article is one of Li Qingzhao's early lyrics. The words fully reflect the author's love for nature and spring. This is a small order, and the content is very simple. It is written that nature experienced a storm on a spring night. The poet had a premonition that the flowers and trees in the garden must be lush with green leaves and withered. Therefore, the next morning, she eagerly asked the "curtain roller" about the changes outside, but the careless "curtain roller" replied, "Begonia remains the same." In this regard, the poet couldn't help but use two "knowledge" and one "should be" to correct his careless observation and wrong answer. The sentence "green, fat, red and thin" vividly reflects the author's view of the coming spring.

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The feeling of regret for passing away.

Creative background

This piece is Li Qingzhao's early work. According to the "Concise Chronology of Li Qingzhao" compiled by Chen Zumei, this poem was written around 1100 AD (the third year of Yuanfu of Emperor Zhezong of the Song Dynasty).

About the Author

Li Qingzhao, a female poet in the Song Dynasty. No. Yi'an Jushi, a native of Zhangqiu, Qizhou (now part of Shandong). In his early days, he lived a prosperous life, and he and his husband Zhao Mingcheng worked together to collect and organize calligraphy, painting and inscriptions. The Jin soldiers invaded the Central Plains and lived in the south, in a lonely situation. In the early stage of his poems, he mostly wrote about his leisurely life, and in the later stage, he often lamented his life experience, with a sentimental mood, and also revealed his longing for the Central Plains. Make good use of line drawing in form

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Dharma, self-created approach, clear and beautiful language. The argument emphasizes the law of association, advocates elegance and sentiment, puts forward the saying "don't be a family", and opposes the use of poetry in lyrics. He was also able to write poems, but not many of them have survived. Some of his chapters are timely and historical, and his words are generous, which is different from his style of writing. There are "Collected Works of Yi An" and "Yi An's Ci", which have been lost. Later generations have a compilation of "Shu Yu Ci". Today there is "Li Qingzhao's Collection and Annotations".

Comments by celebrities

Volume 60 of the first volume of Hu Zai's "Tiaoxi Yuyincong Hua" in the Song Dynasty: In recent times, women can write and write, such as Li Yian, and they have many good sentences. The short poem goes like "Last night, the rain was light and the wind was strong, and the remaining wine was not consumed by the heavy sleep: test the questionnaire curtain People, but the crabapple is still the same. Do you know, do you know? It should be green, fat, red and thin." "Green, fat, red and thin" is a very new saying.

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Volume 2 of the inner chapter of Chen Yu's "Zang Yi Hua Fu" in the Song Dynasty: Li Yi'an Gong coined the sentence "Green fat, red and thin" in "Ru Meng Ling", which is known all over the world. Yu Ai and Zhao Yanruo's poem "Ribbon-cutting Flowers" says, "The flowers bloom with the red meaning, and the leaves become green and new." The "green love" and "red meaning" seem to be better than Li Yun.

The Ming Dynasty Xu Shijun's "Ancient and Modern Ci Tong" Volume 4: "Huajian Ji" says: This word is the most difficult to place in the Ermian language. "Do you know, do you know?" the tone was clear. If he is "quiet, quiet" or "no sleep, no sleep", then he will not be pure.

"Xun Jingjun" by Xu Boling in the Ming Dynasty: At that time, Zhao Mingcheng's wife, Li, was named Yi'an Jushi. Her poetry was particularly unique and highly regarded by the Jin gentry. His phrase "green fat, red and thin" and "people and yellow flowers are both thin" have been spread throughout the ages.

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Wang Shizhen of the Qing Dynasty's "Flowers and Grasses": The predecessors said that Shi Meixi's syntax and Wu Mengchuang's literal words are indeed correct, especially the composition must be carved without losing the naturalness. For example, "Green, fat, red and thin" and "Love willows and delicate flowers" are artificial and ingenious, and can be called a masterpiece. If "the willows are slender and the flowers are thin" and "the butterflies are miserable and the bees are miserable", they are workers, and they are "skilled craftsmen chopping mountain bones".

Huang Su's "Selected Poems of Liaoyuan" from the Qing Dynasty: Note: A very affectionate question was asked, and the answer was "still the same". The answer was very dull, and he fell out of the sentence "Do you know?" And "green, fat, red and thin" is infinitely sad, but wonderfully subtle. There are countless twists and turns hidden in the short page, which is certainly a saint to the poet.

Volume 10 of Chen Tingzhuo's "Yun Shao Ji" (signed by Chen Shikun) of the Qing Dynasty: "In just a few words, the layers are tortuous and interesting. The disciples called it 'green, fat, red and thin', which is just superficial."

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"Volume 6 of "Bai Yu Zhai Ci Hua": "Ci poets like to write beautiful words, such as Zuo Yuzhi's 'Drip powder and rub crisp', Jiang Baishi's 'Liu Yong Yunsong', Li Yian's 'Green fat, red and thin',' "Pamper the willows and delicate flowers" and other categories, although the sentences are skillful, they are not elegant. "