The world of Chinese style creates a prosperous era for girl groups

Chapter 971: Cultivation of Tacit Understanding

Xia Haoyang himself was a folk dancer in his original time and space, and he often practiced couple and group dances.

To develop a sense of tacit understanding in a group dance, it is important to communicate, practice synchronously, understand the content of the work, and trust each other.

Communication is the basis for developing tacit understanding.

Dancers need to discuss each other's expectations and style of dance through direct dialogue, which helps both parties find a common rhythm and style.

During rehearsal, both parties need to patiently share their own rhythmic feelings and choose appropriate music to enhance the sense of resonance.

This communication is not limited to dance movements, but also includes the understanding of the theme and emotion of the dance work, which enables both parties to make consistent movements or cues without obvious prompts.

Synchronized practice is the key to improving rapport.

Regular rehearsals and targeted training help dancers gradually become familiar with each other's movements and rhythms.

During rehearsal, observe each other's movements, learn body language, try to imitate each other, and adjust your own movements to make the two people's dance postures more consistent.

This synchronized practice includes not only the imitation of movements, but also the synchronization of strength, rhythm and breathing in the dance, which are important components of tacit understanding.

An in-depth understanding of the work is also an important part of cultivating tacit understanding.

The core of a group dance performance is to perfectly interpret the thoughts, emotions and content of the dance, which requires perfect cooperation between the actors to achieve.

Dancers need to study the background of the dance's creation and clearly understand the era, culture, and social background of the dance work, so as to find the corresponding ideological content in the specific dance movements.

When the performer is able to fully grasp the content of the dance and is fully aware of the cultural connotations of each dance move, he or she can effectively guide his or her dance partner to make the correct movements.

Mutual trust is the emotional foundation for cultivating tacit understanding.

In a group dance, dancers need to present the content and emotions of the dance through interaction with each other.

In the training process, in addition to strengthening the communication skills between performers, it is also necessary to improve the trust between each other.

In daily life, dance partners should first respect and tolerate each other, be able to communicate their feelings and dance concepts openly, be good at encouraging and praising each other, and become close friends.

Therefore, Xia Haoyang is very clear that the sense of tacit understanding in dance is an art, which requires the joint efforts and long-term running-in among dancers.

This tacit understanding is not only a technical agreement, but also an emotional resonance and psychological induction.

Through constant communication, synchronized practice, in-depth understanding of the work, and building mutual trust, dancers are able to present a more harmonious and wonderful dance performance on stage.

Cultivating this kind of tacit understanding is a long and complex process that requires dancers to invest a lot of time and energy, but the end result is an unparalleled artistic enjoyment.

But these young girls who have not yet debuted have established such a tacit understanding in a very short period of time, and some of them have never worked with each other before, so how did they establish such a sense of tacit understanding?

Teacher Pei smiled, turned to look at Xia Haoyang and then turned to everyone again, "Let the students speak for themselves."

"Okay, who can tell us how you did it?" Xia Haoyang glanced at everyone.

The girls in Class B were a little embarrassed. They pushed each other and hoped that others would step forward. Finally, it was Park Si-eun who came out to explain:

"It's actually very simple. The first step is that after we are divided into groups, we will introduce each other and tell each other what we are good at, such as singing or dancing. Then, what is the range of each person's voice? For example, I am an A3 to F5 mezzo-soprano. Everyone will tell each other frankly and objectively."

Xia Haoyang nodded. It was right that the first step for cooperation between two parties was to introduce themselves to each other.

"and then?"

"Then, when Teacher Pei was teaching us dance moves, didn't we all learn according to the beat?... Everyone had to understand the beat of the music, and then move in unison. At the beginning, everyone followed the music and shouted the beat. Of course, repeated practice is very important. In the past few days, we practiced for more than 15 or 16 hours a day. In addition, we also had to find out the reasons why everyone's dancing was not in sync. Was it because some people's movements were not accurate enough or their movements were wrong? These are all possible. We must correct everyone's movements before practicing again."

"Correct everyone's movements, ensure accuracy, then shout the beat together, and practice repeatedly, is that right?" Xia Haoyang smiled.

"Yeah, that's how we are." Park Si-eun nodded.

"Find the right rhythm, close your eyes, and try to feel. When people around you move, you will feel their breath." Other students also spoke at this time.

“It sounds simple, but it’s not easy to actually do it. These girls really put their heart and effort into it.” As a modern dance professor at Yanying, Teacher Pei certainly knows how much effort the students need to put in behind the scenes to achieve such an effect.

Girl group dance is an art form that requires a high degree of cooperation. The tacit understanding between dancers is not only the consistency of movements, but also a deep emotional exchange and psychological induction. The cultivation of tacit understanding is a complex and delicate process. It is not as easy as the girls say. Tacit understanding cannot be successfully cultivated by talent. It must be achieved through continuous practice and hard practice.

Xia Haoyang was satisfied not only with the cooperation among students, but also with everyone's progress.

After being together for more than a month or almost two months, the vast majority of the students have made obvious progress, whether it is singing, dancing, or stage performance. It can be said that they are completely different people.

Judging from the level that the students have shown now, Xia Haoyang at least feels that they all have what it takes to debut.

But having the ability to debut is only the most basic. Without good works and capital to support you, you still cannot make any waves in the entertainment industry. Therefore, some female students want to take shortcuts.

Everyone wants to be a star, but it is not so easy to become a star. The serious internal competition is true in every industry and every track in China.

After this program is broadcast, some students will become extremely popular and become star idols, enjoying temporary fame; but more students will remain mediocre, working hard to find an opportunity to be on stage, and this stage may not necessarily be glamorous.

In fact, Xia Haoyang could really change, but he never thought about changing.

Take all the unsuccessful students on this stage into your own company, and then transfer works to build them up. I dare not say that all of them will become famous, but they will definitely achieve some results.

The question is why did Xia Haoyang do this?

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