The world of Chinese style creates a prosperous era for girl groups

"Seeing you look so showy, I thought you were hooking up with some ignorant girl again. What kind of guy is that? What kind of voice? What kind of song do you want?" Xia Haoyang put his worries aside, "No, man? I don't have any songs suitable for men to sing in my head."

The difference between this time and space and the original time and space is that the two countries of Gaoli and Bharata no longer exist, and everything else is exactly the same.

Xia Haoyang's knowledge of Bharat songs mainly comes from movies, and he is not familiar with Bharat's pop music. Therefore, when he moves Bharat's music, he basically chooses it based on the movie's supporting music.

The most popular Bharata music at the moment is indeed the same work that was the most popular in mainland China in the original time and space: "Burning Fire of Love", the interlude of "On the Road of Love".

Although the Hong Kong-produced movie "On the Road of Love" did not perform well at the box office, this interlude has become popular on the Chinese Internet through short videos.

In this time and space, the songs Xia Haoyang wrote for the singers were all from South Korean K-pop.

Although the boy bands in South Korea in the original time and space were more popular, Xia Haoyang only listened to girl bands, and occasionally wrote down a few familiar songs, such as Gao Yaotai's works, Psy's "Gangnam Stay", and Lim Changding's "Please Knock on the Door".

What Tianci required now was a work suitable for male singers, and Xia Haoyang had no stock in mind.

"That's right. Brother Haoyang's works in recent years are more suitable for female singers. Even Brother Xie didn't get a few songs. So forget it." Tianci thought about it and realized that Xia Haoyang has hardly written any songs for men in recent years.

"Let's talk about it when I get some inspiration. I'll go back to the office first. I'm sorry, buddy." Xia Haoyang patted Tianci's shoulder to express his apology.

"It's okay, Brother Haoyang, I understand." Tianci knew that it was not that Xia Haoyang was unwilling to help him, but that inspiration was really beyond the control of one's will.

Suddenly, Tianci's phone rang.

"Okay, then I won't disturb you from answering the phone. I'll go back to my office. But who sings the song that serves as your cell phone ringtone? The voice sounds familiar, and the song is pretty nice." Xia Haoyang mentioned casually.

"I used to use songs by Sister Juzi and Sister Hongling, but I got tired of listening to them, so I changed to Cyndi's old songs. Once upon a time, I was also Cyndi's boy." Tianci felt a little embarrassed.

"Xinling, your voice is quite sweet."

"That's right, I'm not exaggerating to be the sweetheart leader for twenty years." Tianci is proud of it.

"The song 'Love You' is pretty good." Xia Haoyang shook his head and was about to leave the room.

"What the hell is "Love You"? Are you talking about my song, Haoyang? This is "Curly Eyelashes". As a Cyndi boy, I guarantee that my idol has never sung "Love You". By the way, answer the phone first. Hello, who is this?"

Xia Haoyang, who had already turned around and walked to the door of Li Tianci's room, suddenly felt like he was hit by an electric current.

Has Cyndi Wang never sang "Love You"? Yes, "Love You" is a cover of "Listen to My Word" by the South Korean band Papaya. Cyndi Wang also sang "Honey", and this song is from Lee Jung Hyun's "Summer Dance".

And it wasn't just Cyndi. From the mid-to-late 90s to the first decade of 2000, when the Internet was not well developed, many Chinese singers from both sides of the Taiwan Strait and Hong Kong covered Nan Gaoli's works, just as the Hong Kong music scene covered a large number of Japanese songs in the 80s and 90s.

Taiwan's Xintuanle, whose representative works include "Love Until Death", "Farewell Song", "If", "Boundless Oceans and Skies", etc. These songs are respectively covers of Park Wan-kyu's "Thousand Years of Love", Kim Gun-mo's "Love Song", Lee Seung-chul's "God's Jealousy", and WAX's "Reasons for Leaving Me".

Also from Taiwan, Wilber also covered many of his works from South Korea. "Gecko Walk" was a cover of 1tym's "Mom", "tell me" was a cover of Uhm Jung Hwa's "Tell Me", "My Microphone" was a cover of Lee Jae Jin's "double J", "Happy Worship" was from the Turtle Band's "COME ON", and "Have to Love" was from Free Style's "Please Tell Me Why".

Xiaozhu Zhixiang, "Clownfish" is a cover of Vibe's "Wish", "Vixen" comes from Mina's "Telephone Love", and "Gray Space" comes from Han Chengmin's "Love You More and More".

"Obviously I Love You" by Victor Wong and Jing Ru is a cover of "IF" by COOL.

"Crystal" sung by Xianqi and Huaiyu is a cover of Song Sixun's "First Love".

Pinyuan and Wenwei's "Why Do I Love You So Much" is a cover of Turbo's (Kim Jong Kook) "Always".

Huilun's "Duck" comes from Juju's "I Am Me"; Yaxuan's "Cappuccino" comes from Zheng Zaiying's "Your Scent".

The song "The Painful Stone" by Rain God Xiao Tengjing comes from Bank's "You Who Can't Be Possessed".

Queen Zhang Meihui's "Brave" comes from Zhou Li's "The End of Waiting is You".

Superstar Jang Cheol-sin's "From the Beginning to Now" is the theme song of "Winter Sonata" of the same name, and his representative work "White Moonlight" is a cover of Lim Hyung-joo's "He Yue Ge".

Even Jiang Yuheng in the 80s had beautiful works like "A Woman's Choice", which was a cover of "Only Her Laughter" by South Korean musician Lee Moon-se.

The song "I Remember I Love You", written by Vincent Fang specifically for Peter Ho, is based on Baek Ji-young's "Like Being Shot".

There are also some in Hong Kong.

Queen Zheng Wenxiu's "Mei Fei Se Wu" and "Du Wu Yi" are both covers of Lee Jung Hyun's works, from "Change" and "Wow".

Born in the United States, Evonne Hsu's representative works "Love Antibodies" and "Lonely Ballet" are respectively from Brown Eyes' "It's Been a Year" and "Crazy".

De Wei Du, who is known as a handsome man, sang "Take It Off" which is a cover of DJ DOC's "Run to You".

King Liu was not spared either. His song "Black Bat Squadron" was a cover of JTL's "A BETTER DAY".

Principal Tan’s classic work "Love in Late Autumn" is also from the representative work "Friends" by South Korean national singer Cho Yong-pil.

There are also some in mainland China.

Sun Yueyue's "Happy Guide" is a cover of "kungtari shabara" by the group Cool Long, and Cool Long is the one who played Big S.

Superstar Sun Nan has also covered the works "I Believe" and "Loving You" by South Korean singer Shin Seung-hoon, the latter of which is titled "Fate Sky" in Chinese.

Unlike the Hong Kong singers who covered Japanese songs in large numbers during the 80s and 90s, many of the Chinese singers in Mainland China, Taiwan and Hong Kong who covered South Korean songs during the 90s to 2000s paid copyright fees, which means it was legal. At least it was not plagiarism.