My neighbor's name is Conan

Aoki Matsu frowned and thought about it, then went back to the studio and began to check it to make sure that Takeyori Iikawa did not hide the bloody clothes in the studio.

After confirming this.

Aoki Matsu thought about it and realized that there were four detectives guarding the gate at that time. It was impossible that all four of them were blind and failed to see whether there was blood stains on Takeyori Ishikawa's body.

If not, it means that Takeyori Iikawa had not killed anyone when he came out of the studio.

If Takeyori Oikawa was the murderer, then he only had time to act - after the criminals broke into the studio, everyone followed Ginzo Nakamori into the studio, and when they were attracted by the open window and the fallen pen holder, he took the opportunity to kill Haruhito Kanhara under everyone's eyes.

Are you so brave?

It’s true that in Conan’s world, there really is such a bold murderer, and he did it in front of Conan.

After thinking about it according to this hypothesis, Aoki Matsu found that the special bloodstains on Haruhito Kanhara's body could be explained.

But there are still two problems here!

First, how did Takeyori Iikawa be the first to find Haruhito Kanhara's location in the dark?

Second, evidence! Evidence that proves Takeyori Iikawa is the murderer of Haruhito Kanhara.

Want to determine the other party's position in the dark.

Aoki Matsu had handled this kind of case before, and the following were the most impressive: 1. Kudo Yukiko rushed to catch a plane and dumped Conan and others on her friends in the film and television industry. 2. The fourteenth target of the theater, Sawaki Kouhei, killed the beautiful model named "Nana".

In both cases, the murderer used fluorescent materials, one on the victim's shirt buttons and the other in the victim's nail polish.

But just now, Aoki Matsu carefully examined the victim's body and found that Kanhara Haruto was not wearing a shirt, but a sweater. The casual suit jacket on the outside did have buttons, but it was not coated with fluorescent material.

Then how did Takeyori Iikawa find the victim's body in the dark?

Just at this moment, Takeyori Ishikawa's phone suddenly rang.

But he didn't answer it immediately. Instead, he took out two phones, checked them carefully, and then looked at a black phone and said, "This is it."

When Aoki Matsu saw this scene, an idea suddenly flashed in his mind. He quickly looked at Oikawa Takerai and asked, "Mr. Oikawa, you have two mobile phones, right?"

"Yes, I also prepared two cell phones, one for work and one for personal use," explained Takeyori Iikawa.

Qing Musong narrowed his eyes and said, "Why does one of them look like it's stained with blood?"

Ishikawa Takeyori was not at all panicked when he heard this, and immediately explained: "After I picked up my father who was covered in blood, I immediately used this phone to call my wife to tell her about this unfortunate incident. I think it was contaminated at that time!"

After that, he hurriedly answered the phone, and without waiting for the other party to say anything, he said directly: "It's me, I'm a little busy now, I'll call you back later." Then Ikawa Takerai immediately hung up the phone.

Then he looked at Qing Musong and asked, "Excuse me, can I go change my clothes? I think of my father's blood still on my body, and it's really..."

Hearing this, Qing Musong looked at him and said, "We need to check you first."

Oikawa Takeyori nodded, "Okay."

Without Maruta Ayumi and Takagi Wataru around, Aoki Matsu had to go up alone.

He couldn't believe that the people from the search section 2 didn't even report the old actor, the fishing line, when they found it. It was really...

Aoki Matsu asked Takera Ishikawa to take off his coat and found that only the surface of the coat was stained with blood.

Apart from that, there was no blood stain on the inside of the coat or any covered area, except for some blood stain on the collar of the shirt. But Takeyori Iikawa explained before that it was probably from when he hugged Haruto Kanhara in the dark.

Judging from the bloodstains on Takeyori Ishikawa's clothes, there is indeed no sign that he is the murderer.

but……

"What is this?" Aoki Matsu suddenly felt a card in the pocket of Takeyori Ishikawa's coat. When he took it out, it turned out to be a letter from Kaito Kid.

It just said: I’m here to seek justice - Kaito Kidd is here!

"What!" Nakamori Ginzo came over immediately, looked at the card in Aoki Matsu's hand, and said in doubt: "Kaito Kid said this, what does this mean?"

When Takeyori Oikawa saw the card, his face changed drastically.

Aoki Matsu looked at him and said, "Mr. Oikawa, I think the murderer of Mr. Kanhara is not Kaito Kid, but you! You even released the news that Kaito Kid would come to steal your paintings. It was you who pretended to be Kaito Kid and released it. Your purpose was to kill Mr. Kanhara."

"What!" Maori and his daughter were shocked when they heard this.

Conan, however, did not look surprised.

Oikawa Takeyori was shocked at first, then he forced a smile and said, "Inspector, are you kidding me? How could I kill my father-in-law? You can't say I'm the murderer just because Kaito Kid is a thief!"

"Why not? In a family dispute, it's not surprising for anyone to kill anyone." Aoki Matsu said, "Besides, I didn't conclude that you are the murderer because of this card from Kaito Kidd. I have already seen through your murder plan and found evidence that you are the murderer. You are really brave to kill someone right under our noses."

Nakamori Ginzo opened his eyes wide subconsciously when he heard this. "What?"

"Your modus operandi is also very simple," Qing Musong took out an evidence bag and said, "This is the fishing line and a stone that was tampered with before the crime was found by the criminal."

As he explained, Aoki Matsu began to set up the room. "First, make a circle at the other end of the fishing line, then pull it all the way to the door, buckle it on the door handle bolt, and then lock it.

Then pull the fishing line over the easel and pass it between two stacked pen holders that have been filled with a large number of brushes. In this way, the pen holders can be used to make up for the height difference between the window and the door bolt, allowing the line to remain balanced.

Then I put the other end of the fishing line on a stone with a fishing line, passed it through the stone with the hole, and finally covered the easel with a cloth. The fishing lines became what it was before the release of Qinglan. Finally, I just had to wait for the power to go out and force open the door with the line hooked on it. "

As he spoke, Qing Musong said to the criminal guarding the door, "Knock the door open now."

"Yes!" The criminal outside the door immediately pushed the door open upon hearing this.

As the door was knocked open, Aoki Matsuya continued to explain: "Once the door is opened, the thread that was originally hooked on the bolt will be pulled over by the weight of the stone, so that the cloth will be lifted up because it is stuck in the knot of the circle, and all will be gathered on one side of the easel.

Then the knot will make the pen holder pop out and push the window open. Finally, the pen holder and the pen will all fall out of the window along with the fishing line and stone, and land directly at the feet of the mobile team members guarding the villa below.

As long as we put a pen holder with pens inside but turned over by the window in advance, it will look like someone kicked the pen holder by the window after we broke into the house, stole the painting, and ran away. "

"So that's how it is!" Nakamori Ginzo suddenly realized, then became a little confused: "But who built these mechanisms and when... Wait, could it be..."

"That's right, it was when Mr. Ishikawa told us police to turn off the surveillance cameras and he went into the studio alone to check the paintings. The evidence is that when Mr. Ishikawa said he was going to check the paintings, he opened the door with the mechanism a little bit and talked to the mobile team members, deliberately emphasizing that they must not look inside. In fact, that's because if you didn't do that, you wouldn't be able to hook the fishing line on the bolt."

Although Takeyori Iikawa was extremely panicked upon hearing this, he still managed to defend himself by saying, "What nonsense are you talking about? I said those things because I didn't want others to see my painting before I was sure it was finished. Besides, my father-in-law walked into the studio by himself because he said he wanted to protect the painting himself."

Aoki Matsu shook his head. "No, I saw it clearly. You made up the idea of ​​protecting the painting. Mr. Kanhara said several times that he had something to tell you, but you kept him on hold. You must have deliberately lured him into the studio, and even told him that you could have a good talk in the studio.

After Mr. Kanhara entered the studio, you knocked him out with the electric shock device, and then started waiting, right? You waited for the time you set in advance. You said that you wanted to ask Inspector Nakamori for help and convince Mr. Kanhara, but you were actually waiting for the lights to go out, right?

Then you followed the detectives into the room, ran to the unconscious Mr. Kanhara as fast as you could, and cut his neck with the knife, but you may not have noticed the blood on Mr. Kanhara's body.

If Mr. Kanhara was conscious and his neck was cut, he would have struggled a bit, and his left hand could not have been bent on his chest. This would only happen if he was unconscious and his neck was cut.

But if Mr. Kanhara had already fallen into a coma, I think neither Kaito Kid nor other burglars would waste time to stab him, and would just take the painting and run away. Only someone who hated him very much would take the opportunity to kill him after Mr. Kanhara fell into a coma. "

"Inspector, you are talking nonsense again. It's so dark and I don't have any lighting tools. I don't know where my father is." Takeyori Iikawa defended.

Aoki Matsu looked at Ichikawa Takerai and said, "This problem is easy to solve. Even if there is no lighting tool, as long as you have a mobile phone, you can do it. Just put the mobile phone on the body of Mr. Kanhara who has fainted, and then make that call in the dark, it will flash, and you will know where he is.

What's more, it was you who knocked Mr. Kanhara unconscious with an electric shock. When you were designing the murder plan, you should have consciously thought of placing the unconscious Mr. Kanhara in a place where he could not be seen by the surveillance camera, but it would be convenient for you to follow the police in and walk over to the place where the murder took place.

Therefore, as long as you set your phone to silent mode, the criminals who break into the house will be attracted by the sound of the pen holder and will not notice that the phone is on. Mr. Oikawa, you just said that you have two phones, right? The white one is for personal use and the black one is for work.

Then can you let us check the call records of the two phones? Although you may have deleted the call records on your phone, the telecommunications company still has records. Moreover, there are always some inconsistent contacts on your two phones. Once we check, we will know whether these two phones are yours or not. "

This is decisive evidence!

Iikawa Takeyori was relieved for a moment after hearing this. "You are right, that is indeed my father-in-law's phone. I put it on his chest so that I can identify where the old evil ghost is in the dark."

"Evil ghost?" Nakamori Ginzo was stunned when he heard this.

Others were also stunned.

The other party is not only Takeyori Oikawa's teacher, but also his father-in-law. Moreover, there is no plagiarism or copyright issue between the other party and Takeyori Oikawa. Why did Takeyori Oikawa say this?

Oikawa Takeyori responded loudly: "He is really an evil spirit, because he forced me to use the wind that killed my wife as the theme of my creation!"

"Oh, that's right, your wife died because of the tornado..." Nakamori Ginzo suddenly realized.

Mao Lilan was very puzzled at this time, and asked: "If that's the case, why did you say you wanted to paint the "Flowers, Birds, Wind and Moon" tetralogy?"

Oikawa Takeyori sneered and said: "Do you know that there is actually another saying called "Snow, Moon and Flower", which can also convey the so-called beauty of nature!

In fact, the "Red Lotus" in my first work is a flower, the "Gold" in the second one is the moon, and the third work, the pure white of the red-crowned crane standing on the snow-covered grassland, does not actually refer to the bird, but the snow.

Originally I wanted to end the trilogy like this, but I didn’t expect my father-in-law to go and talk to the capitalist who had bid for “Red Lotus” and “Golden”, saying that as long as he was willing to buy “Pure White” at a higher price, he would also sell him the next “Blue Mist”, and that this was actually a lie about the “Flowers, Birds, Wind and Moon” tetralogy.

In order to make more money to pay for my wife's high medical expenses, I really suffered a lot. After my wife passed away, I lost my goal. How could I paint "Qinglan"? I came to this conclusion after thinking for a long time, but my father-in-law said that if I wanted to do such a dishonest thing, he also had his own ideas. "

"Idea? What idea?"

Upon hearing this, Ikawa Takeyori said angrily, "Just make everything public, including the fact that "Aoki no Yama" doesn't exist at all, and the trailer for Kaito Kid is all made up by me! I never thought that if I did that, I would be tarnished and my career as a painter might be ruined because of it!"