Rebirth 93: Break off the engagement at the beginning and marry Bai Fumei

After hearing Chen Yang's appraisal, Sister Mei was very dissatisfied. What is 50/50? It is half truth and half false! Even if I am not a person in the antique shop, I have come into contact with these things in the past two years, and I have somewhat understood them. Antiques are either real or fake. Half-truth and half-false are nothing!

In fact, this saying of 50-50 was learned by Chen Yang from his master in later generations, and coincidentally, it was this object that his master appraised at that time.

That was before the Olympic Games. At that time, Chen Yang had already learned some skills. Many people came to Du Mingde to appraise the objects. When Du Mingde appraised the objects, he asked Chen Yang to watch from the side. After that, he would ask Chen Yang, first Judgment when seeing an object.

One day, a wealthy businessman came to Du Mingde for appraisal with a box containing a portrait of a Qin Terracotta Warrior.

The Qin Terracotta Warriors are made one-to-one based on real people. That one is a bit bigger than this one, so you can think about the size. Du Mingde was also shocked when he saw it.

You must know that Qin terracotta heads are very valuable. As early as 87, a farmer named Wang Gengdi stole a general terracotta head from an archaeological team. The price offered on the black market at that time was 30 yuan.

What was the concept of 87 in 30? It was equivalent to more than 300 million in later generations. Fortunately, the archaeological team discovered it early and called the police in time. After the efforts of the police, the general's head was finally recovered.

Fortunately, the figurine head was not that of a general, but that of an ordinary soldier. The wealthy businessman said that he bought it from a farmer for 500 yuan many years ago. Although the wealthy businessman said so, Du Mingde said he didn't really believe it.

After careful appraisal by the master, it was indeed a genuine soldier figurine from the Qin Dynasty. The appraisal given by the master at that time was 50-50.

At that time, the man was very dissatisfied and took the figurine head to other people for appraisal. As you can imagine, not only did no one dare to say it was true, but the relevant personnel found out about it. The wealthy businessman had no choice but to donate it. Otherwise, the consequences can be imagined.

"No one dares to authenticate this kind of thing," Du Mingde explained to Chen Yang afterwards. "I could give him a 50-50 appraisal, but he was still not satisfied. Because of his greed, he lost an object. This is greed!”

Later, Chen Yang thought about it. Even if this thing is real, do you dare to put it up for auction? Even if you dare to go, others won’t dare to sell it!

Chen Yang also saw that Sister Mei was a little dissatisfied, and explained from the side, "Sister Mei, you don't need me to say more about what this object is. In 87, a local old farmer got this thing out." One of them ate peanuts before he could take action."

"You should understand that I'm talking about this. It's for your own good, and it's also for my own good!"

After listening to Chen Yang's explanation, Sister Mei obviously understood what Chen Yang meant. She nodded slightly and then asked, "Then the value of this object..."

"Don't ask about the value." Before Chen Yang could speak, Song Qingyun hurriedly stopped Sister Mei. "If you know the value of this kind of object, it will definitely be worthless. Do you understand?"

Sister Mei nodded and said casually, "Okay, I understand."

"Cannon, second piece!"

Holy shit, there’s a second one? Chen Yang was confused after hearing this. Did he regard himself as a donkey of the production team?

After a while, another object was placed on the table by Luo Dapao. This was a colorful pottery horse that was fat and looked extremely handsome. The whole thing was glazed in three colors: yellow, green and white.

The shape is an erect horse figurine, with four legs upright, the horse is turning its head, and its two eyes are looking in the direction of Chen Yang. It is a three-color horse figurine from the Tang Dynasty!

When Chen Yang saw the three-color horse figurines of the Tang Dynasty, his eyes suddenly lit up. This girl had a good item in her hands. As for the Tang Sancai, if she didn't go to the tomb with Song Qingyun, she wouldn't be able to have it. She didn't know anything about antiques, but she was able to take out one.

The Tang Sancai pottery horse in front of me has small cracks on its body and the glaze is peeling off. Overall, it is definitely a piece of exquisite pottery with great artistic value.

Tang Sancai, as a burial vessel, has been tabooed by people for the past hundred years. There is no record of Tang Sancai in all historical documents. The earliest record of Tang Sancai was in the early Republic of China. In 1905, during the construction of the Longhai Railway, a number of Tang Dynasty ancient tombs were discovered in the Mangshan area due to engineering construction. The builders found many colorful pottery figures and horses, and most of the glaze colors were yellow, green, white or yellow, green, and brown. Therefore, people at that time gave this pottery a very vivid name. , Tang Sancai!

What really increased the value of Tang Sancai was in 1989, when a very beautiful Tang Sancai dark horse was sold in London for 495.5 million pounds. This price set a world auction record for domestic porcelain at that time.

Therefore, foreign collectors began to have a special liking for Tang Sancai. As the reputation of Tang Sancai rose, more and more counterfeiters were made. Many foreign collectors did not know the difference and were deceived. Then the price gradually dropped.

But now it is 1994, and the price of Tang Sancai at this time is still relatively high. I really don’t know where Sister Mei got this Tang Sancai.

"How do you like this piece of porcelain?" Seeing that Chen Yang had been looking at it for a while, Sister Mei asked impatiently from the side.

Chen Yang raised his head and glanced at Sister Mei, "Let me reiterate, Tang Sancai is not porcelain, but pottery!"

"Tang Sancai is a kind of low-temperature glazed pottery in the Tang Dynasty. It is different from porcelain such as blue and white, pastel and doucai." Chen Yang explained to Sister Mei from the side.

"Artisans in the Tang Dynasty made Tang Sancai. They washed the kaolin repeatedly, pounded it into shape, and then trimmed and dried it before making it into a body. After that, they were finely carved on the body and put into the kiln. At this time, it was not considered a finished product. From the kiln After it is taken out and cooled, it is glazed, hung with colors, etc., and finally it is put into the kiln and out of the kiln, and then a piece of Tang Sancai is completed."

Hearing Chen Yangyou talk incessantly, Sister Mei stretched out her hand and said, "Come on, stop it quickly. I don't plan to open the kiln to bake this thing. Again, it's true!"

Chen Yang looked carefully at the Tang Sancai horse in his hand. In terms of craftsmanship, it was absolutely impeccable. The carcass has smooth lines, fine carvings, and lifelike paintings, which are gorgeous and luxurious.

The saddles and bridles are stacked, the colors are dark and light, and the colors are well matched. The pottery horse stands upright on a rectangular board with four legs. It has a fat body and high momentum. The details are exquisitely shaped. The muscles of the horse's face are fully displayed. The eyebrows are high, the eye sockets are triangular, the eyes are round, and the bridle is engraved with fine lines. Its expression is So lifelike and lifelike.

You can tell the difference between this Tang Sancai and the imitations on the street stalls at a glance. Even if someone doesn't understand it, he can tell that it is definitely a good thing.

Chen Yang couldn't help but frowned when he looked at the Tang Sancai horse in front of him. Tang Sancai was a funerary object for high-ranking officials in the Tang Dynasty, and the craftsmanship was naturally outstanding. But even so, after Tang Sancai has been in the soil for such a long time, it is impossible for the glaze to be damaged.

Unless this item is an empty hall artifact, the so-called empty hall artifact refers to an artifact that has not collapsed in the tomb or is in a higher position, has not been eroded by water and soil, and has good preservation conditions.

The proportion of this type of utensils is relatively small. The glaze is bright, old and natural, and has not been buried or flooded. But there are so few such objects. Could it be that Sister Mei really came across them?