Traveling through Game of Thrones with the LOL system

Any suggestion, question or even controversy can be raised. After all, controversy and ambiguity prove that at least readers have expectations and expectations for this book.I am also very relieved.

But when it comes to the outline or development of the design, the expected derivation of the future plot should be mentioned in private as much as possible, and the author will communicate with each other when they are free. Once this is released, if I overlap, other readers will have no expectations, and if there is no overlap, let them look forward to this kind of development Many readers have gaps, and it will be hard to adjust when the time comes.

Then talk about the difficulty of this book.

The first is the difficulty of the audience, including the Game of Thrones audience, the LOL audience, and audiences who have never been in contact with the two. The expectations and expectations of the three audiences are definitely different.

Difficulties in Game of Thrones: The first narrative perspective. Because Game of Thrones has many POVs (narrative characteristics of multi-protagonist types), it is a bit thin to only write about the protagonist, and the interaction with the plot of Game of Thrones is poor, resulting in the assumption of peddling dog meat. .

The biggest difficulty in writing Quanyou is to polish the dialogue and the logic of things, (unless it is copied from the original work, the author of the dialogue in the original work or the dialogue in the play is polished by more than [-] words a year, and the play is a team of screenwriters Polishing, so I can't avoid the gap in tension (just like Tyrion being tried), but I try to make the development of things logical and consistent with the characteristics of the characters.

Then the writing of the LOL system, the biggest difficulty is the sense of triviality brought by the system, because it is an incremental product along with the main line, such as an item (equipment and rune design). You can have certain associations after entering the game, but the author has to consider the role of this item in the next dozens or even hundreds of chapters or the reserved auxiliary lines (so my equipment and runes are basically slightly modified, and the percentage value Too much: it is used by the strong, it is the level of the artifact, and the mortal warrior is just a supermodel weapon of the metallurgical level)

Then there is the setting of combat power. Basically, during the civil strife in the Seven Kingdoms, it is the scalar of mortals, but then it is written later that the Night King, demigods and the like are the dark lines of runes and the full matching dragon (the dragon is an infinite growth The process) This kind of spoiler should be kept as little as possible

The last is the benchmarking of the differences between the technology and magic of the two worlds. I have been working on balance and compatibility. After all, if they are not compatible, they can only pass through a hundred chapters and then travel through the heavens.

Finally, there is the problem of writing techniques. I am indeed pushing the main line, and the environment description is basically lowered. If you want to slow down the pace, I can also slow down.But in such a fast-paced environment, my new author has no reader base and few people read it patiently.