crush the rich

The more imperfect the work, the easier it is to create a fan market.

Although "Liar's Game" is actually not too unsatisfactory for Sun Yun, after reading it, she felt a little melancholy for no reason, probably because the subject matter is too heavy, so no matter how smooth the process is, it is inevitable that it will be revealed. There was a bit of a vague sense of depression.

At this time, sweet colleagues are simply a good product to soothe the soul.

Now some big IPs will deliberately cultivate fan works to feed back the original works to expand their influence. Yin Lian did not make preparations for this, but because the three dramas have been launched successively, each other’s popularity has the effect of increasing each other, resulting in a very good popularity, plus the story. The quality is also passable, which has triggered many people's independent creations.

Of course, the main fan creations are still distributed on "Evil is Hidden" and "Liar's Game".

These few films Yin Lian did not intend to reclaim any benefits, but as time passed, they actually produced some commercial benefits. Under the special attention of Minister Li, some of these commercial benefits did return to Yin Lian as usual. pitiful hands.

But for Yin Lian, the biggest benefit at present is of course the increase in everyone's attention to "Children of the Moon".

After the TV series finished, Yin Lian soon started to do post-production.Unlike TV dramas, which are completely filmed using current technology, and at most use some small props developed by Xia Guo's technology, Yin Lian's post-production is completely completed using Xia Guo's post-production software.Although Xia Guo has already used [-]D images most of the time, there are also special cases where [-]D images must be used. Therefore, both [-]D to [-]D technology and [-]D editing still exist, but the functions are relatively few.

Of course, compared with the current editing technology on the earth, it is richer in both material and function.

With the assistance of AI, Yin Lian quickly completed the corresponding editing and was very satisfied with the effect.The superiority of Xia Guo’s [-]D editing technology does not lie in how many upgrades they have made in the picture or technology. Although this is also one of the advantages, the greater advantage is the assistance of AI and the restoration of user ideas. Among them Convenience and precision are the most powerful parts of Yin Lian.

For example, as long as Yin Lian expresses her own requirements, she can instantly adjust into ten different scene effects with the assistance of AI, and this editing adjustment is not limited to language description, but also includes color selection, function operation, and emotional expression. Even music capture, etc... If such a function is seen by many directors, I am afraid they will be crazy about it.

However, this is Xia Guo's technology after all, and it cannot be used to benefit compatriots for the time being.

Although the editing was completed quickly, in order not to reveal the abnormality, Yin Lian couldn't reveal it right away, instead she kept pretending to be busy with the editing.

During the filming of "Children of the Moon", Yin Lian never stopped asking the children about their studies.And because the remedial teachers are of a high standard and the classes are small, not only Luo Gu and others, but also some children who played supporting roles went back to school after the drama was finished, and found that their grades not only did not drop, but even improved.

This is very unfriendly to other crews.

Because Yin Lian used black technology and didn't sign too many high-traffic or high-paying first-line actors, the expenditure on film remuneration was not much. Because the special effects used black technology, the expenditure in the later stage was relatively limited. She was directly led by three films against the control of public opinion. To be honest, she didn't spend a penny on this, provided that she didn't count the sum of buying a marketing account to vent her anger on the platform.

But she actually spent a lot of money during the filming.For the hiring expenses of the children's cultural class teachers, even if they are not filming, they still need to be paid. It is considered a routine expense and is not included in it for the time being.But before the filming of the TV series started, Yin Lian actually invited many people to train the children in advance. Although in order to control expenses, some of them actually paid hourly wages, but the rest—such as screenwriter teachers and the like Yes, it is the whole process of following the group.

Luo Gu and their previous creations were taught by their liberal arts teacher, who was responsible for teaching three subjects, namely Chinese, history and philosophy.The screenwriter teacher was hired by Yin Lian before the filming started. She was only responsible for the filming period. Her main job was to teach the children some screenwriting knowledge and help them create scripts for professional characters. In fact, according to the market, her salary is only It's the big head. After all, if the screenwriter hired doesn't have certain abilities, it won't be able to benefit the play. 33 Novel Network

But this expenditure will not be higher than the lead actor's salary, and Yin Lian feels that these expenditures are necessary.

In addition to the children, other actors can also consult or discuss with the screenwriter teacher in this regard if necessary.

Of course, Yin Lian will not hire someone to help the actors create roles for every drama. When Luo Gu and the others learn how to use these skills, they will have to complete the job by themselves.

After the filming of "Children of the Moon" ended, Yin Lian did not forget to make arrangements for their next schedule.But because she should still be busy with editing on the surface, so in order not to reveal too many flaws, she just made a plan in private and didn't implement it right away. Instead, she let the children go back to the apartment and lived a normal study life. By the way, digest the benefits of this period of time.

During this period of time, Yin Lian also assigned them a task, which is to make a short biography of the three characters they like the most and want to play based on the knowledge taught by the screenwriter teacher from the Red Mansions they have read and the dramas they have watched. .

The children usually have a lot of homework about acting, and they have learned the works related to the Red Chamber as a special course before, so they are not surprised by the homework this time, they just did it as usual.

But not long after the drama was finished, because of Yue Anqing's obsession, Yin Lian, after asking Yin Changsheng, agreed to let a group of children experience the latest version of the game Yin Changsheng was developing, and do a live broadcast at the same time.

After a period of time, Yin Changsheng's current game has changed a lot.During this period of time, Yin Changsheng enriched the basic physical rules and structure of the game, but many people discovered during the previous test that the basic physical rules of this game are different from most games currently on the market.

It is not the difference in the form of the rules, but the difference in the way of setting the expression.

To put it simply, the physical rules of many games currently stay in the animation performance, the specific performance is falling and sliding, falling acceleration, collision movement and so on.

Yin Changsheng is more complicated here. He has incorporated more complex physical rules, such as the interaction of various forces and numerical calculations, as well as the physical performance of some basic actions.

Although these designs are still at a relatively superficial and simple level, they undoubtedly provide richer options for how to play the game.

For example, currently an important gameplay system of the game is the [-]D creation system. Players can create some weapons by themselves through convenient design, but even self-created weapons or props will form a very complete system in the process of successful creation. The physics rule system, although the current formulas and algorithms are relatively simple, can already bring players many surprises during the game.

For example, when designing a crossbow, the system will automatically calculate the path of the bow and arrow, the parts that receive the force and the reaction force, and then perform durability processing-based on this mechanism, if the material of the key parts is not natural It will affect the function of the crossbow, but at the same time, due to its highly targeted physical calculation mechanism, if a bow and arrow breaks, the damaged part is often in line with the basic physical principles, and often only the corresponding accessories need to be replaced. Continue to use it.

Of course, the manufacturing process of various weapons or props will also be very interesting in itself.The changes that will occur after a specific material is processed by related processes will also be reflected in the material performance.

Of course, Yue Anqing hasn't realized the exquisite design in this aspect yet, she only feels that the degree of freedom of the game itself has increased.

Then it comes to the design of the character's daily behavior.

In the previous experience, Yin Changsheng made further adjustments to the basic game system after feedback from his younger siblings and his staff.

The first is the logic of character behavior.In the previous setting, Yin Changsheng integrated the plot into the dungeon, and the actions of the characters in the dungeon are often extremely free, and can even be called sand sculptures, and set some clear distinctions between dungeons and daily scenes-such as daily scenes It cannot be destroyed by normal actions, only dramatic changes can occur, while the dungeon scene can be destroyed by itself, and it will be automatically restored after the dungeon ends; But you can freely perform various operations on characters or scenes, but you can't feed back to reality...etc.

These temporary settings were later adjusted by Yin Changsheng. First of all, he added a large number of daily interactions outside the script, but these interactions often have their own internal logic, which must conform to the character's attribute status and character relationship at that time.For example, under normal circumstances, a character cannot attack or frame people close to him, even when he is in a good mood, he cannot casually use negative social expressions, and when his morality is high, he cannot rashly attack innocent people, even if the player knows the opponent In fact, he is a villain, but as long as the character itself has no relevant information, he cannot rashly take hostile interactions with the other party.

In this case, the player must operate the character to find evidence step by step, while reducing the control character's favorability towards the opponent, while looking for clues to prove that the opponent is indeed malicious or conspiring. Only when the corresponding conditions are met can the player show some aggressive behavior. option.

Of course, these conditions are not fixed, and there are various routes.For example, people with high moral attributes will not intentionally attack innocent people, and those with low moral attributes will have relatively few restrictions. On the contrary, they often lack some goodwill options, which will appear only when their attributes are improved or specific mission conditions are met.In the emotional relationship radar chart, people with high possession attribute values ​​and negative emotional attributes (such as anger, despair) and values ​​exceeding a certain threshold are likely to trigger the "good ship (that is, blackening)" option. Of course, These key behaviors can often be controlled by the players themselves, and the game just gives options based on the attributes of the characters.

However, the more options that have a great impact on the fate of the character, the more effort is required from the player to give them.

In addition, the design of the copy has also changed a lot.The increase in the types of dungeons can only be regarded as the most basic progress in the game design process. In addition, the connection between dungeons and the main line has also been further strengthened. It is no longer limited to attributes or values, but will be in the character's own experience. Form a page of stories.

Yin Changsheng designed each dungeon as a page in the character's life. The conditions for entering these dungeons are different. Some can be entered repeatedly on a daily basis, and some need to meet certain conditions to enter, but no matter which dungeon, it is only for the character itself. A page of life experience.

This page can be entered multiple times and can be overwritten. At the same time, some experiences in it will also become the prerequisites for some daily plots to happen, but the original degree of freedom is still maintained.

Although the degree of freedom is maintained, Yin Changsheng uses some special designs, so that players will not be so sandy in the process of playing the game, but deliberately more involved.

One of the designs is that when players complete a script, they can choose some specific behaviors to write into their life history, and according to the nature of the behavior, they will give the character specific characteristics or auras. If the dungeon experience is overwritten later, these characteristics will naturally also be changed. will be replaced or cancelled.

This can obviously limit the degree of sand sculpture of players to a certain extent, and pay more attention to plot connection and other benefits.

When Yin Lian brought the game to the apartment, she found that many children were studying hard at this time, attending classes and practicing.But if you take a closer look, none of them actually put their minds on the books. The voice of the person reading aloud is light and light. Although there is no mistake in reciting, but judging from the tone, it is a living interpretation of what it means to be out of mind.

The reason for this is mostly because Yin Lian explained before that no matter how big the matter is, they must not disrupt their daily study and life, and they must be calm.

Although everyone seemed to be calm on the surface, Yin Lian was quite satisfied and didn't care that when the time came, everyone was swept into the activity room like a hurricane.