crush the rich

Although Gui Chengshan used words to block his black eyes before, and broke out the elementary school students' remarks of "you do what you want", but in fact, of course, this is not what he meant.

Heihuai Zhu can definitely do it, and everyone knows it without proof.

Gui Chengshan didn't feel that Heihuai Zhu couldn't do it either, it was purely because he was not convinced that he intended to compete with Heihuai Zhu, and he might not have secretly wanted to prove that he was more suitable to be the chief director than Heihuai Zhu.

But at this time, Yin Lian took the initiative to send him to the door and blocked him with words, and expressed that he wanted to compete on the same stage, but this was something he did not expect.

How could he compare with Yin Lian?

For such a yellow-haired girl, it's no good to win, and it's embarrassing to lose.

Of course, Gui Chengshan didn't think he would lose.

But he still said: "Little girl is really loud. Show me a demonstration, do you deserve it? Have you ever filmed a movie!?"

Yin Lian originally thought that with Gui Chengshan's impulsive personality, she would immediately respond to her provocation.Unexpectedly, he actually retained a bit of reason and did not accept her challenge.

...It seems that his impulsiveness will also occur according to the situation.

Yin Lian said: "I think I can shoot something like Director Gui's, and I can shoot it better than you. Doesn't Director Gui want his men to see the truth!? Then we will just use filming to do it." Let’s make a comparison to save Director Gui from being unconvinced.” She paused, and then said, “Or, Director Gui, you just yell fiercely and think that I have a good temper, so you can take it out on me if I’m fine. Was it cowardly at the time?"

Gui Chengshan is not stupid.This kind of competition is not good for him at all, why would a fool want to compare with Yin Lian?But Yin Lian's words are really too cruel. If he should not come down, it will be the same as if he really counseled -- not only that, if it can't be proved that his dissatisfaction with Yin Lian is based, then it is equivalent to It proves that he is really jealous of the virtuous and capable, bullying the good and fearing the evil-this crime will affect his reputation.

Seeing that he didn't answer for a long time, Yin Lian knew that he was measuring his strength, so he simply added another bargaining chip: "If you win this game, I will let you be the number one director together with Director Hei... Conversely, if you lose Alright, then let’s switch places, I’ll be the live-action director, and you’ll be the assistant director, how about that!?”

Although Yin Lian's bet was relatively high, Gui Chengshan didn't think he would lose at all, so he paid more attention to the benefits.

And being able to become the chief director of "Ming Fang Washing Injustice", even if it is tied with Hei Huai Zhu, is still a great temptation.

Gui Chengshan said, "But does what you say count?"

Yin Lian approached the producer, told him the bet, and asked, "Tell Director Gui, will my words count?"

The producer didn't expect that it was just like that yesterday, and today they actually started to make trouble again.But after considering the situation, I feel that if this bet is really established, there is actually no harm to my side.

Naturally, he didn't think that Yin Lian could win.

So he just looked at Heihuai Zhu pretending to be hesitant, and said: "Miss Yin is an investor herself, if she really wants to add Director Gui to the list of chief directors, of course we have no objection here, just don't know Black guide..."

As a result, Heihuai Zhu said directly: "Compare. I believe in Xiao Lian."

He said so, whether it was true or false, the producer took it seriously, and decided to take the opportunity to bite down on Hei Huaizhu's promise.

Then there is the game.

Gui Chengshan's material has been filmed, and Yin Lian generously said that he can let him prepare again and "seriously" shoot another material.

But Gui Chengshan didn't think he would lose at first, not to mention that Yin Lian deliberately emphasized the "serious" pronunciation when he spoke, no matter whether it implied that Gui Chengshan's original filming materials were not up to standard, or that he was passively sabotaging his work. Gui Chengshan was undoubtedly irritated by being perfunctory, so he blatantly rejected Yin Lian's proposal, saying that he didn't need to reshoot at all.

"But little girl, don't think that you can shoot similar things after reading other people's materials. Since you said you want to show me a demonstration, then show me what you can shoot!"

Gui Chengshan doesn't think that Yin Lian will be able to film, but now filming is all intelligent panoramic shooting, which does not require manipulation, and the two sides use exactly the same sets and materials. If Yin Lian shoots according to his materials, it may not be impossible to shoot Materials of similar quality may not be able to be distinguished at that time, so Gui Chengshan said this with a smile on his face, just to stimulate Yin Lian to make changes.

In the end, Yin Lian really made a change.

Not only did she change it, she made a major change.

First of all, she modified the movement routes of a large number of background character models, and directly moved some of the character model action routes that appeared in Gui Chengshan's material directly outside this scene. Characters such as coolies, farmers, and lower-level street vendors have been reduced to one-third of the original.

In order to create a depressive atmosphere, Gui Chengshan filled [-]% of the screen with such characters.

When the number of characters is reduced to this number, the scene is much more empty and deserted.

Then Yin Lian pulled out two schoolchildren from the side of the school, let them pass by the screen in a playful manner, changed some of the clothes of the street vendors and coolies, and modified them from all the dirty and tattered ones to three kinds of materials—— —Dirty but not tattered, patched but not dirty, and a few clean and complete half-worn clothes.

Yin Lian modified a lot of things in this way, and finally pulled out two children's models at the door of the store owner at the street corner, a boy wearing silk but dirty and a patched but clean boy. little girl.

The two young children instantly added a lot of vitality to the picture.

As Yin Lian changed the scene of the screen, Gui Chengshan's complexion gradually turned bad.

But Yin Lian is obviously not over yet.

She added a young boy playing the pipe to the door of a small bungalow, and then added a pair of young men and women whizzing by on bicycles.

After completing these settings, she fiddled with the light again, readjusted the light that was very depressing before, but was adjusted brighter by Gui Chengshan, and made it darker.

Gui Chengshan was about to open his mouth to laugh, talking about Heihuai Zhu's previous request, but he did not expect Yin Lian to pull a brighter sunset out of the sky against the hazy yellow background, whitening the hazy yellow light. A very rhyming gradient color was called out.

This tone makes the style of the whole picture different. Coupled with vendors, cooking smoke, children and flute, it shows a kind of beauty between reality and art, life and poetry.

Many of the staff present were amazed for a moment, showing their amazement at Yin Lian's ability.

Gui Chengshan didn't expect Yin Lian to have such means, but thinking about her previous set design, he comforted himself that Yin Lian's good set ability was expected before, but filming and setting are two different things.

On the other end, Yin Lian talked to Yang Lu's actor: "When you enter the city, you are uneasy, but also with a sense of freshness - you have lived in the same place for too long, so that you even You will be afraid to touch new things. But your nature is independent and optimistic, so after overcoming the short-term fear of the unknown, when you realize that this 'unknown' is positive, you will face it with a positive attitude... …Or the other way around, even if the feedback isn’t positive, you try to capture the positive from it and convince yourself.”

"It's something in your nature."

In fact, the actors have done a lot of character analysis, and there will be no lack of understanding.Yin Lian said it here once, just to emphasize the character's emotional expression in this scene.

The actor tries to think and simulate for a moment, then nods in understanding.

Then Yin Lian told her where to go: "When you enter the city, you must show a kind of caution at the beginning. I will design a relatively crowded flow of people. You must carefully avoid all the people coming in and out, and show a kind of caution. A kind of defense against unfamiliar environments. Then when this line of people passes by, you have to show curiosity about the surrounding environment. When you look around and see someone playing the flute, you will take a second look, just a few seconds, Not too much, and then, when you see someone whizzing down the street on a bicycle, your eyes follow them for a while."

"In this paragraph, you are examining and judging whether the city can be entrusted with its own future. You have to show this kind of caution and alertness. At the same time, pay attention to the scene on the street, the whistle and the bicycle bring you coming information."

The actor thought for a while, and said: "The scene on the street represents the living conditions of this city to me, and the flute should represent freshness to me, but the bicycle..." She frowned, Asked, "Is it more similar to Street View?"

Bicycles were regarded as a symbol of wealth in the background of the times at that time. Although they were slightly higher than basic necessities of life, their meanings were similar.

Yin Lian said: "The bicycle represents the economic upper limit that you can achieve in this city. If the basic living conditions are represented by street food, clothing, housing and transportation, then the economic upper limit represents your expectations and desires for the future."

The actor suddenly realized: "I understand." She thought for a while, and made three expressions to Yin Lian, the first expression was serious with a girlish look, and the second expression was curious with a little thought , but the third expression was after slightly opening his mouth in surprise, he pursed his lips and smiled, and then turned his head.

"is this OK?"

Xia Guo's first-class actors are indeed very spiritual.The first two expressions of the actor are not large, but the third expression has a more obvious arc of change.Although it seems that there is a lack of deeper emotional changes, it fully meets Yin Lian's requirements. 33 Novel Network

Different from Gui Chengshan's bitterness and hatred, in the setting of Yin Lian and Heihuai Zhu, Yang Lu is an optimistic girl. Even if she escapes marriage, for her, she is pursuing the future, not escaping suffering.

A revengeful article, the heroine with a miserable life experience is nothing more than suffering and hatred, why should the female partner who is born rich be suffering and hatred because she escaped a marriage?