crush the rich

Hearing this news, Yin Lian was actually not surprised.Ever since the manuscript was auctioned, she had already expected something like this.

But in order to verify her prediction, she still asked, "Who? What are they asking about?"

An Zihe said: "People who have participated in or are interested in previous manuscript auctions. They are asking about your address and family situation. Some people are also asking about your background, such as which satellite you live in and who is in your family. , Who exactly is the ancestor."

He said so, but did not show the meaning of inquiry.Of course, An Zihe wanted to explore Yin Lian's origin, but he restrained himself. Instead, he said goodbye to her after reminding her.

On the contrary, Heihuai Zhu looked more worried, and asked, "Are you... all right?"

Yin Lian asked: "What's the problem?"

Heihuai Zhu said: "At first you lied to me that you ran away from home, and later that you came from a satellite. And I only met you and your brothers, but never your parents. It can't be theirs." Is there a problem with identity?"

Yin Lian didn't expect him to think so, he was taken aback for a moment, and asked, "What's the problem?"

If it were on Earth, the identity of the "descendants of those who ran away" as proposed by Yin Lian might be more sensitive, but in her opinion, Xia Guo doesn't care about such things.

Although no one could overhear the private chat on Xingwang, Hei Huaizhu instinctively lowered his voice and asked, "For example... have your parents committed any crimes in China before..."

Only then did Yin Lian realize what he was worried about, and she was a little helpless and funny at once, and immediately replied: "No! You think too much. My parents don't show up, it's really just ordinary people who don't want to come back. To tell you the truth, they ran away I went on an interstellar adventure, and I have been rewarding a lot, so I am a little bit reluctant to leave.”

"Really?" Heihuai Zhu stared at her.

Yin Lian said: "Really!" Yin Lian was clearly fooling people, but Yin Lian was not guilty.

Heihuai Zhu couldn't see the clue, so he believed it.

In the next period of time, Yin Lian would come to Heihuai Zhu regularly to discuss script issues when he finished filming.They sorted out the outline of the plot again, Yin Lian found that Yue Ke's article is actually not particularly mature or perfect in structure, but you can't detect the problem when reading it, because her plot is too exciting and the emotional conflict is too much Intimidating, people have no time to pay attention to the flaws in the details.

However, for film and television dramas, these flaws are best repaired.Because compared with text, modern film and television is more intuitive and comprehensive, and people will pick up a magnifying glass to ponder it.

This is to explain the characteristics of Xia Guo's modern film and television.

Xia Guo's current video playback format is neither [-]D nor [-]D.Although when Yin Lian first came, the video playback method she saw looked very three-dimensional, but in fact, only the part she saw was similar to the three-dimensional film, not that the shooting method was three-dimensional.

It must be said that this format is closer to four-dimensional, but everyone calls it modern film or panoramic film.In traditional films, the general shooting is like this - shoot the plot according to the required method, and then connect different scenes according to the timeline or event line, or even use flashbacks, interludes, memories, montage and other narrative techniques to edit and connect .

Panorama is different.

It will display all the events happening in the scene at this time according to the event line in a specific virtual scene.It can still use all the narrative methods of traditional two-dimensional shooting, but this is only a display method achieved through preset lenses. In fact, a panoramic film contains far more content than can be seen in one viewing. have witnessed.

Some of these plots are necessary to connect the main line, so they will be displayed in the default lens when the perspective is switched.There are also some plots that are not intuitively displayed in the default shots for the sake of the compactness of the main line.But even so, their existence most of the time still plays an extremely important role in complementing and interpreting the main line.

A good panoramic masterpiece can not only have a smooth main line, but also have rich and delicate branch lines.This can not only complement the world view, shape the character image more three-dimensionally, but also bring the audience a richer and deeper plot experience.

But at the same time, the professional quality requirements for photographers will be higher.

Just from the logic of the plot, if it is a two-dimensional work, then the director can only shoot what he wants to shoot - such as an idol drama with a domineering president. What is the male protagonist doing——but if it is a panoramic work, although there is no need to show it to slow down the plot, the director also needs to shoot some related shots, even silent mirrors, to show when the male protagonist is talking about business, what When is planning to fight back against the villain, when is it crazy to think about the heroine's self-strategy... Ah, no, it is always poetry in the feelings of boys.This is a perfection of world logic and character temperament, which can further shape the character image to a large extent, and of course squeeze the manpower of directors and actors.

Idol dramas are not yet the limit of liberating perspectives to watch movies and squeeze the director's labor. The real trouble is mystery dramas and thrillers. Watching movies from different perspectives often leads to a very different viewing experience.A good panoramic film can allow an audience to watch it more than a dozen times, and each time it is a different experience.For certain types, this is simply the highest compliment for them.

Many passers-by shots will use silent mirrors, but the exquisite commercial films will design the scenes to be particularly surprising and perfect.Due to the high development of Xia Guo's current film and television industry, many non-critical scenes that exist purely as sets have exclusive templates that can be produced randomly. And unique world.

But these influences are nothing more than the viewing experience. Although it will take up a little workload, it is reliable that the development of film and television technology today will not overwhelm the audience.

The real workload lies in the perfection of plot and character branches.

These all require the playwright to spend a lot of effort to describe and perfect.

Xia Guo believes that game scripts in the two-dimensional era are the earliest predecessors of panoramic film scripts, while modern intelligent game scripts are the outpost of future intelligent film and television scripts.

Of course, in terms of delicacy, the two are completely incomparable.

However, not all scripts are so complicated.For example, Yin Lian's previous scripts were all single-line scripts with one main line.Independent works do not have high requirements for the complexity of the plot. According to the game terminology of the earth, commercial films are "3A masterpieces" in the game industry, and most of the time, people will not be so demanding that an experimental independent student work can reach such a height. .

But at the commercial level, what Yin Lian wrote is not a complete set of scripts, but just a line in the script.

"Ming Fang Washing Injustice" must be a commercial work, otherwise I am sorry for its qualifications.

Yin Lian herself has no experience in this area, but she still has relevant basic knowledge and has made contacts in this area.But when it comes to screenwriting, there is indeed still a lot to learn from Hei Huaizhu.

The two sorted out the plot line of "Ming Fang's Cleansing Injustice", and divided the main line and the branch line.Hei Huaizhu also recommended several useful professional plug-ins, some for film pulling, some for screenwriting, and some for storyboarding.

The copyright fee for each plug-in is expensive, but it is just a drizzle for Yin Lian today.She went all in with pride.

The plug-in itself is used to pull movies and TV shows, but there is a function that may be used to analyze novels by the way.Yin Lian and Heihuai Zhu first used it to split the plots of "Ming Fang Washing Injustice" into separate plots, and then listed the joints that needed to be filled.

As expected of an elite playwright, Hei Huaizhu quickly proposed a very effective creative plan.He said: "Although "Ming Fang Washing Injustice" is a story of the former dynasty, the character of the protagonist is actually in line with the three views of modern people. Under this premise, we want to make the case a beautiful skin of the former dynasty, but The center must have a modern soul.”

Yin Lian roughly understood what he meant, but her thinking was still rather chaotic and she had no inspiration.

Heihuai Zhu actually already had a lot of thoughts in his mind, but seeing Yin Lian frowning tightly, he suddenly thought that she should be given some room to study and think, so he gave an example: "For example, this case of Yun Sheng killing his wife. Yun Sheng He was born into a wealthy family with wealth and power, and he himself was famous, but he killed his wife in order to completely embezzle his wife's property. There are actually many similar cases in history, and it is not a strange plot, but in this story , Yue Ke's handling method is very good."

"Lian Lian knew that her husband had the intention of killing his wife, so she turned to A Furong for help. Her own personality is a very traditional woman, a woman who is not a 'new woman' at all. But when Mr. Fangming told her 'he Now that you have such a heart, no matter how much you try to escape, there will be a day when you can't escape.' But Lian Lian immediately made up her mind. On the open line, she was killed the next day. But in the dark line, she Following Mr. Fang Ming's advice, she decided to feign death to avoid disaster. In other words, she only had one night to make a decision at most."

"After Lian Lian was killed, Yun Sheng slandered her for having an affair with Mr. Fang Ming, intending to criticize Mr. Fang Ming and seize Lian Lian's dowry... This plot is actually very similar to a recent biographical film of."

Yin Lian thought for a while, and then asked: "Ah... Li Ying's biography!?"

About five or six years ago, Xia Guoyou released a biopic about the famous actress Li Ying about 30 years ago. It told the story that the actress Li Ying was killed by her cheating husband. The father gave false testimony, claiming that the mother committed suicide.But a few years later, Li Ying's husband remarried and even wanted to embezzle his son's inheritance.In order to register, the son finally exposed his father to the police.

This incident aroused great social repercussions, and also led to the revision of the birth law and limited property division law.

What is most worth discussing in this matter is that Li Ying's son did not expose his father to avenge his mother, but for his own personal safety.Especially at the beginning of the movie, it is also pointed out that Li Ying was once a sterile school.

Yin Lian had an epiphany and said, "I understand."