Tokyo Literature and Art Times
Page 330
Clearly, Takeshi Iwata needs some help.
Now, you kid, just say it straight.
Takeshi Iwata was not too polite, although he was still scratching his head, and his eyes were still a little erratic, with a slightly shy look.
"That...do you want to make it into a love movie?"
When Kurosawa heard this, he was stunned for a moment.
Romance movie?
Why didn't I see love in this script?
Wait!
Akira Kurosawa seemed to understand something, and then laughed out loud.
What did he want to understand?
Chapter 256 The Entanglement of Two Beautiful Boys, Akira Kurosawa's Suggestion
"Bad Boy's Sky".
As far as the original movie is concerned, in fact, each person's story is not complicated if it is taken separately.
It can even be said to be very simple, but these people and stories are all entangled.
As for the final ending, in fact, this movie is very freehand.
Let's put it this way, people who really know Takeshi Kitano will certainly be sure that this is the work of Takeshi Kitano, but they will also be very surprised, how did this guy make such a film?
Yes, there is indeed a Yakuza plot in the movie, and there are real exposures to gangsters, but this movie is very artistic.
Or simply put, this movie is very literary.
It's an art film at all.
And Takeshi Iwata wants to make this movie now, he has certain ideas himself.
This movie can continue the previous style, and he also wants to do something.
But he did hesitate about some things.
I believe that anyone would hesitate.
Come chat with Akira Kurosawa and hand over the script to the master. Takeshi Iwata actually wanted to ask this question.
Do you want to make it into a love movie?
It was definitely a very, very bold idea for Takeshi Iwata.
It's very simple, because this formulation comes from another film.
"Brokeback Mountain".
Why did Takeshi Iwata have such a bold idea?
Why would he think that this "Bad Boy's Sky" has a connection with "Brokeback Mountain"?
This is really strange!
But actually, it's not that weird.
It must be emphasized that in the original "Bad Boys' Sky", the two people, Pony and Shinji, really did not have a real plot like the one in "Brokeback Mountain".
It really doesn't.
However, if you carefully discover this movie?
In short, find a reason for the pony.
Find a reason for this bad high school student, why he has been following Xinzhi, always led by Xinzhi, and even after Xinzhi separated from him, Xiao Ma also fell into confusion, so what is the reason?
Takeshi Kitano really didn't make anything further. Originally, the final ending of this movie was just that Shinji was riding on a pony's bicycle again. They seemed to be the same as the high school students back then, unchanged.
But in fact, they have experienced many, many things, and they have all changed.
Their lines are.
The school hasn't changed, it's still the same.
So, isn't it normal to ask 'why'?
Anyone who has seen the movie will want to ask this question.
Because in the movie, Xiao Ma has almost no self at the beginning, he just follows Xinzhi.
After easily defeating Shinji in the boxing ring, he separated from Shinji.
And although he has achieved certain results in the boxing ring, he still failed in the end.
He did not find his own direction.
It can even be clearly seen that he has given up on himself because of Xinzhi's departure.
Why did Takeshi Kitano shoot like this?
Moreover, whether it is Xiao Ma or Xinzhi, both of them have developed later and have various experiences.
But there is no important experience!
amour.
At least in the movie, neither of them had anything to do with women.
Even in the cafe, watching that good student pick up girls, they are just booing.
Indeed, they went to see that kind of small movie, but it was more of a curiosity about the unknown and mischievous.
Throughout the whole movie, the two of them don't have any emotional stories with the opposite sex at all.
Why did Takeshi Kitano shoot like this?
In Iwata Takeshi's view, this is probably a hint that these two people are actually... CP.
It should be said that this idea is really bold, but Takeshi Iwata couldn't help thinking in this direction.
He even made a modification to the character in the original movie.
He replaced Pony with Shinji, and Shinji with Pony.
Originally, Xin Zhi should be the follower, and Xiao Ma is the school bully.
However, Takeshi Iwata felt that from the point of view of the name, the name Xiao Ma was obviously not aggressive enough.
Moreover, in terms of the mutual relationship between the two of them, and the act of always riding a car at the beginning.
Wouldn't it be smoother for a pony to ride a bicycle?
This detail is not important, the key is the delicate relationship between the two of them.
Indeed, Takeshi Iwata also admitted that in the original movie, there is more of the "childishness" unique to Takeshi Kitano.
The real name of this movie is called kids return.
Whether it's Japanese or English, it's actually the same.
Some people translate it as the prodigal son turning back.
These are all true, full of the personal experience and emotions of Takeshi Kitano.
He probably wants to capture the confusion of adolescent children and the psychological changes that can only continue to face reality after growing up with a little remorse.
However, is the relationship between Xiao Ma and Xinzhi really that simple?
Takeshi Iwata didn't think it was that simple, and Takeshi Kitano clearly made a lot of hints.
Takeshi Iwata can even make a bold guess that the relationship between the two kids should probably be like this.
According to the situation in the original movie, Xiao Ma is the bully of the school, and Xinzhi is the follower.
Xiao Ma is actually a normal kid. Maybe this kid is a bit dickish and overly active, but he doesn't have that tendency himself.
But Xinzhi is different, he actually likes ponies, but he can't express it, so he can only do this.
Keep following the pony, and follow him to do all kinds of things he likes. As for whether you like it or not, it doesn't matter.
It's like boxing.
This is just something that pony likes.
However, after Xinzhi defeated the pony, he was confused.
He didn't know what to do next, or, would this be a possibility?
After defeating Xiaoma's Xinzhi, he felt that he had hurt Xiaoma, so Wuyan went to follow him again.
Based on all of the above, it is almost certain.
Takeshi Iwata's reasoning is correct!
Takeshi Kitano did not shoot it, but he hinted at it almost everywhere.
This is indeed the experience of two beautiful teenagers, but it is also their love, but this love is still one-sided.
Therefore, Takeshi Iwata made some modifications, and this is the most critical issue.
That is the key to determine the final direction of this movie, whether to film the CP of these two teenagers.
He really wanted to hear the opinion of the master Akira Kurosawa.
"Awu, I have to admit that your idea is very groundbreaking!"
sex?breakthrough?
Oh, I seem to think too much.
Takeshi Iwata didn't say anything, just being a listener.
In fact, Akira Kurosawa has completely confirmed at this moment that it really is a new generation replacing the old one.
He already knew Takeshi Iwata's thoughts on the film, even the plots that hadn't been written yet.
However, if he shoots according to his idea.
That is to say, Xiao Ma and Xinzhi are shaped into a pair of CPs, one side doesn't know about it, while the other side silently bears it.
So, what's going to happen with this movie?
It will definitely be a hit at European and American film festivals!
Akira Kurosawa is very sure of this, he has a very good understanding of European and American film critics.
The critics, the established filmmakers, they just love that tone.
All kinds of entanglements between the same sex have always been a popular award-winning subject of movies there.
but……
"Awu, do you want to hit the Oscars with this film?"
Ok?
Takeshi Iwata shook his head immediately, "Teacher, I don't have that idea."
He didn't lie.
Of course Takeshi Iwata knew very well that if he could win an Oscar at his current age, then in Japan, he would be instantly invincible.
Before he turned 30, he was already able to win Oscars in the United States, not just limited to Japanese copycat Oscars.
He Iwata Takeshi can definitely be ranked in the history of Japanese movies.
It can be said that it has a historical status.
However, Takeshi Iwata did not aim at this.
With "Bad Boy's Sky," he was trying to get back to his original style, and there was something important about this movie.
Although, Takeshi Iwata did deduce something behind the film, but on the surface.
This movie will inspire many adolescent children and give them something that can even be said to be life education.
Cruel youth, this is actually a theme.
In this era, or in many eras, people are reflecting on their past.
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