Real scene red envelope big draw

Zhou Rui was also polite, and took it from Qi Sihai's hand.

This is what he got by his own ability, so why not.

If he doesn't get the first place, I believe there is nothing.

Zhou Rui and Qi Sihai shook hands.

"Old Wang, Qingya, Xiaorui, it's noon soon, let's have a meal together," Qi Sihai invited.

"Alright", Mr. Wang thought for a while, he happened to have a lot of things to talk to Zhou Rui.

Zhou Rui looked at Lin Qingya, he didn't care.

The main reason is to be concerned about Lin Qingya.

"Okay, I haven't talked to Uncle Qi for a long time." Lin Qingya smiled sweetly.

"Your Aunt Qi misses you, she will be happy to know you are coming," Qi Sihai couldn't help but smile.

Zhou Rui stepped aside and tapped lightly on the red envelope.

I saw the fireworks were brilliant and the salutes were fired.

A red envelope went directly into Zhou Rui's red envelope space.

Zhou Rui couldn't help but breathe a sigh of relief.

I got No.1 myself, I believe the reward should be good.

Then, Zhou Rui looked at the people who were talking, and clicked on the red envelope space.

In the red envelope space, there is a gray space occupying it.

Zhou Rui tapped lightly, and the information inside was revealed.

Regular script - Yan Zhenqing's calligraphy.

"Nest grass", Zhou Rui couldn't help exclaiming, with an expression of disbelief.

He never thought that it turned out to be the calligraphy of this great man.

Yan Zhenqing's reputation is too loud.

Especially his calligraphy.

It is more like a "god".

Yan Zhenqing's status in the calligraphy world is just like that of Han Xin and others in military strategists.

No one knows, no one knows.

Yan tendons and willow bones are an immortal monument in regular script.

······

When everyone heard Zhou Rui's exclamation, they turned their heads and looked at each other.

A look of doubt.

That expression seemed to be saying, what are you yelling like, you crazy.

Zhou Rui smiled awkwardly.

"I'm sorry, it's okay," Zhou Rui felt embarrassed.

Everyone rolled their eyes when they heard Zhou Rui's words.

It's okay, what are you yelling about.

Everyone ignored Zhou Rui and continued to talk.

Zhou Rui didn't care either.

Click on Yan Zhenqing's profile.

Yan Zhenqing, whose ancestral home is Linyi, Langya, was a famous official and calligrapher in the Tang Dynasty.

······

Yan Zhenqing's calligraphy is exquisite, and he is good at running and regular script.

He learned Chu Suiliang for the first time, and later learned his brushwork from Zhang Xu.Its block script is dignified and majestic, and its running script is powerful. It created the "Yan Ti" regular script, which has a great influence on later generations.With Zhao Mengsui⒘ā⑴Fei Yi⒊PuAo樗虫苏摇白.

It is also called "Yan Liu" together with Liu Gongquan, and is called "Yan Jin Liu Bone".

······

Yan Zhenqing has quite a lot of information, but Zhou Rui knows all of the above.

Especially Yanjin Liugu.

That is the existence recorded in junior high school history textbooks.

It's hard not to know.

You know, China has a long history, with a history of 5000 years.

And the history of more than 5000 years is condensed into two books on the first day of junior high school. (The first day of junior high school is ancient history, the second day of junior high school is modern history)

It can be said that the inside is the refinement of refinement.

And Yan Jing Liu Gu appeared in it.

You can imagine its status.

······

Zhou Rui knew some of the previous information, but Zhou Rui was not so familiar with the latter.

Yan Zhenqing's calligraphy can be said to have received many pointers from everyone. He first learned Chu Suiliang, and later learned brushwork from Zhang Xu, and discussed calligraphy with Huai Su.

He conducted in-depth research on the calligraphy of Erwang and Chu Suiliang, absorbed their strengths, completely got rid of the style of the early Tang Dynasty, and created a new style of calligraphy in the era.

Yan Zhenqing's real book is majestic and dignified, and the knotted characters have changed from the thin and long in the early Tang Dynasty to square, with circles in the square, which has centripetal force.

The brush is thick and strong, good at using the center-forward brushwork, full of muscles and bones, and also sharp. Generally, the horizontal strokes are slightly thinner, and the vertical strokes, dots, strokes and strokes are slightly thicker.

His book style is majestic and powerful, with the atmosphere of the prosperous Tang Dynasty.

His cursive calligraphy is powerful, sincere, composed in structure and flying in stippling.

Yan Zhenqing's running script is vigorous and vigorous. This style also reflects the prosperous demeanor of the Tang Dynasty, and fits with his noble personality. It is a perfect example of the perfect combination of calligraphy and personality. ".

Yan Zhenqing created a unique realm of calligraphy with "Yan style" in the history of calligraphy.

His calligraphy is not only tied with excellent spirituality, but its realm is naturally magnificent; it is casted with its strong soul, and its realm is naturally vigorous;

In his youth, Yan Zhenqing asked Zhang Xu "how to be like the ancients".

This is Yan Zhenqing's pursuit, and it is also the voice of the Yan family.

Yan Zhenqing practiced calligraphy by sweeping the wall with a loess broom since she was a child, and she stood on a towering starting point of calligraphy learning from the very beginning.

In terms of calligraphy, Yan Zhenqing has experienced almost three to forty years of experience, forming his own face and climate.

After that, it has been tempered and enriched by decades of hard work, so that the "face and body" have both form and spirit.And in his later years, he still wanted to be perfect, to reach the state of perfection.

"Yan Ti" finally stands tall in the book world.

Fan Wenlan's "Compendium of General History" said: "Ou, Yu, Chu, and Xue in the early Tang Dynasty were only the successors of the Erwang calligraphy style, and Yan Zhenqing in the prosperous Tang Dynasty was the creator of the new Tang Dynasty calligraphy style."

Yan Zhenqing's regular script, especially the regular script after the age of Yin, has formed a paradigm, and there are many learners in later generations, and there is even a saying that "study books should learn beauty".

Chapter 489 Three Realms "Crap"

Yan Zhenqing divided his calligraphy realm into three stages.

The first realm: establish a solid body and seek a majestic calligraphy style.

Before the age of 50, Yan Zhenqing can be said to be in the first realm.

In this process, one's own "face and body" appearance is preliminarily established.

In the fifth year of Tianbao, Zhang Xu taught Yan Zhenqing the brushwork in Pei Jing's mansion as a boundary.

Prior to this, Yan Zhenqing was still in the difficult stage of exploration, but at this time Yan Zhenqing had already achieved considerable accomplishment in calligraphy.

When Zhang Xu questioned Yan's twelve strokes, Yan Zhenqing either learned from Zhang Xu, or based on his own learning and comprehension, and answered the questions fluently, which made Zhang Xu deeply think.

He has lofty aspirations and hopes to be "equal to the ancients".

Therefore, Zhang Xu is willing to teach brushwork again.

After accepting Zhang Xu's brushwork, Yan Zhenqing said happily: "Since then, I have learned the magic of calligraphy. In five years, the real grass knows that it can be done."

Therefore, in the five years after Tianbao's five years, Yan Zhenqing followed Zhang Xu's guidance and worked hard.

After 11 years in Tianbao, Yan Zhenqing's steles have gradually increased, and he has enjoyed a certain reputation in the society.

In the next few years, he wrote several handed down works.

In the 14th year of Tianbao, An Lushan rebelled, and Yan Zhenqing devoted himself to fighting the rebels with gold and iron horses, and had no time to take care of brushwork and inkstone art.

Taking this as a stage is the first stage of Yan's calligraphy experience, and it is also the experience of the first realm.

Generally speaking, it is the initial formation stage of "face and body".

At this stage, what Yan Zhenqing pursued was to use the pen to be calm and formidable, to build up the bones with strength, and to apply thicker flesh color; Square; reduce the blank space between the lines on the white cloth and make it denser.

At this stage, Yan Zhenqing pursued the realm of "fascination" in "maleness": "All stippling has muscles and bones", "stippling is pure and charming", "its strong and dangerous shape is bright and charming".

Yan Zhenqing basically specialized in authentic script and cursive script, although there were not many official script and seal script works.

Yan Zhenqing's first realm came from the early Tang Dynasty, and she broke away from the track of the early Tang Dynasty to establish her own family.

The experience of this realm mostly follows the path shown by Zhang Xu.

The second realm: study the subtlety inside the characters, seek the majesty outside the characters.

From the age of 50 to 65 is the experience of the second realm.

In this process, the "face and body" has both form and spirit, and has gradually matured.

After experiencing the turmoil of the "Anshi Rebellion" and being deposed one after another, he expanded his spiritual space again and again; the scholar-fighter-commander, the establishment of the dynasty-exile-the establishment of the dynasty, and frequent changes in lifestyle , The more life experiences, the deeper the art experience.

Yan Zhenqing's "one dwelling in the book" repeatedly tempered the "face and body" in the early stage, refining the shape and spirit, so that both the spirit and the form are combined, and finally matured.It can be seen that he has strengthened his wrist strength, moved in the center, took the method of seal and 籀, and turned the Tibetan front in a circle, like printing ink pad.

The strokes form the head and swallow tail of a silkworm, while the straight strokes form the shape of a bow and crossbow.The strokes adopt a contrasting and intricate method of horizontal thinness and vertical thickness.

At the end of the hook and the end of the control, the sharp edge is kicked out to show off its spirit.His brushstrokes show a rhythm of twists and turns.Its straight hooks, flat hooks, and oblique hooks are full and powerful, evenly curved, and round and powerful.The folding pen is raised and turned secretly, forming a slope and folding down, which is imitated by "folding hairpin shares".From the point of view of structure, it is upright and dignified, stable and heavy, with a spacious central palace and dense surrounding shapes. It does not use the center of gravity to draw power from the side, and does not use the left to tighten and the right to loosen to obtain beauty, but to show people a symmetrical positive image like seal script.

On the cloth and white, the characters are row by row, and the lines are dense. The dense shape is used to obtain momentum, and the sparseness is not used to obtain elegance.

At this point, Yan Zhenqing has swept away the style of regular script since the early Tang Dynasty: the former is sideways, the latter is upright; the former is beautiful, the latter is strong; the former is elegant, the latter is straight; the former is thin, the latter is fat; The latter has a law to follow; the former embellishes and blooms, and the latter is full of vitality.It can be said that the reform has brought new ideas, and the heroic soul has cast "face and body".

The third realm: to achieve the transformation of the gods, and to be in harmony with life.

In the ten years after the age of 65, it is the experience of the third realm.

From maturity to make miraculous changes, one day after another enters the country, every monument has a splendor.

Yan Shu is full of fresh and lively vitality in the sophistication, the rustic and dense Fengshen in the sparseness, the proficiency in skill in the proud strokes, and the boldness in the round and plump.

In his later years, Yan Zhenqing also reached the realm of doing whatever he wanted.

Through introspection on life and calligraphy, he has gained a thorough understanding, and connected the philosophy of life with the philosophy of calligraphy. Therefore, in his dots, strokes and paintings, he not only retains the blood and tears of life, but also permeates the hymns of life in the momentum of pen and ink. ; It not only instills a cavity of pride in the ups and downs of the lines, but also spurs the brilliance of personality in the row upon row of white cloth!So far, his book is like an old dry forest, but there are thick flowers and tender stamens, one book is full of anger, and ten thousand branches are competing to grow, full of vitality.

······

There are a lot of introductions in the back, Zhou Rui reads them one by one.

Zhou Rui was full of admiration and admiration for Yan Zhenqing's life, especially Yan Zhenqing's three realms.

It also gave Zhou Rui a different kind of insight.

Although Yan Zhenqing's three realms are different from the three realms of life, they also have some insights.

Zhou Rui stood there blankly, not knowing what he was thinking.

At this moment, Lin Qingya came up and patted Zhou Rui on the shoulder.

"Husband, what do you think, give me a piece of wood."

"Oh, it's okay." Zhou Rui came back to his senses immediately, looked at Lin Qingya who looked concerned, and smiled faintly.

Then, Zhou Rui tapped on the virtual red envelope.