Entertainment: Becoming famous overnight starts with not being a bootlicker

Yuan Jie has an English song called "Flowing Flowers" which is quite well-known.

Of course, this popularity is relative to her fans.

The general public may not have heard it, or they may forget it as soon as they hear it.

Returning to the stage of "Singer", Yuan Jie also put a lot of effort into this breakout competition.

She specially invited a well-known music producer to jointly adapt "Flowing Flowers".

This time, she not only retained the essence of the original song, but also boldly incorporated elements of another classic old song "Night Fragrance".

Aims to create a new experience that crosses the boundaries of Eastern and Western music.

So, in the host's introduction, this is a song that combines Eastern music elements with European and American music styles.

This song is not Yuan Jie's first singing.

Yuan Jie has performed this song on another stage before, and she has won the audience's initial recognition with this creativity.

Sun Yunhao has heard that version, which is a masterpiece that can show the charm of the fusion of Chinese and Western styles.

However, the next version she will sing is the re-arranged version.

The effect will only be known after listening to it.

After listening to the whole song, Sun Yunhao's evaluation is: there are surprises, but not many!

Yuan Jie's performance today is undoubtedly a sublimation of the fusion of "Flowing Flowers" and "Night Fragrance".

The version on the "Singer" stage is better than the previous version.

The singing incorporates elements of Eastern and Western cultures, making the whole song both traditional and modern.

It makes people feel like they are at the seaside, feeling the various styles under the sunset.

From the performance and technical level, Yuan Jie's control of this song can be said to be at ease.

She is very relaxed and enjoys this stage.

There is a sense of déjà vu of "Sister is the queen, this is the style"!

Whether it is the expression of emotions or the display of skills, it seems so natural and smooth, and it comes at your fingertips.

If you want to talk about the shortcomings, she and Xu Bohao share a "common problem" to some extent:

They are too obsessed with magnifying their own advantages!

Xu Bohao strives for perfection in arranging music, but sometimes it seems too complicated;

Yuan Jie pursues the ultimate in skills, but may ignore the overall harmony and balance.

Specifically, Yuan Jie seems to be too partial to her favorite soul style in the arrangement of this song.

Regardless of whether it is appropriate or not, she leans in that direction, so that some parts seem a bit "overdone".

Inadvertently making the whole song seem too "greasy", losing its original freshness and refinement.

Compared with Yuan Jie's song selection, Song Weiwei's songs in this issue are more competitive.

From the perspective of song selection, Song Weiwei's decision is undoubtedly wise.

"The Bridge Across Two Places" is one of Song Weiwei's most well-known representative works.

In terms of singing skills, a large number of angry sounds have a kind of beauty that runs through ancient and modern times.

At the same time, a series of sound showmanship connects the heroic spirit in the song, which can be said to be a killer song selection in competition.

Such a song selection undoubtedly won her more chances in the competition.

In fact, many viewers really want to see "Bridge Across Two Places" compete with Li Yushuang's "Against the Light", but they don't have the luck.

During the performance, Song Weiwei was almost "showing off her muscles" throughout the whole process, with full firepower.

Her voice function, singing ability and the impact of the song itself have all reached the best state.

There is not much to be picky about the tension and sensory stimulation of the voice.

Anyone who listens to this song live will find it difficult not to be infected by the energy contained in the song.

However, Sun Yunhao feels that this version of the performance is too "full" like Yuan Jie.

Song Weiwei was burning from the beginning to the end, and she was always at a high position, lacking the necessary sense of hierarchy.

After listening to the end, there will be a feeling of fatigue.

However, in a competitive stage like "Singer", the more showy and explosive the song is, the more it can touch the audience.

This is the nature of the live audience.

The results produced by different batches of audiences are the same.

They just eat this.

Therefore, Sun Yunhao felt that between Song Weiwei and Yuan Jie, the former had a high probability of winning.

The result was just as Sun Yunhao imagined.

Song Weiwei won the "sisters love and hate each other".

At this point, the breakout competition is halfway through.

The next group will be Sun Man and Hailai Asen.

It can be said that this group is the least suspenseful group tonight.

Netizens' speculations are all one-sided, believing that Sun Man is bound to win Hailai Asen.

Sun Yunhao also thinks so.

As a result, Hailai AsenRight at the beginning, he gave everyone a good lesson.

First of all, his song selection was very successful.

The song "Child" not only combines popular sentimental elements, but also cleverly incorporates folk song colors.

This is in line with Hailai Asen's past experience in folk songs, and this song is very suitable for him.

Secondly, in terms of singing.

Although Hailai Asen failed to reach the level of "very wonderful", his sincerity and dedication are enough to move people.

This performance can be said to be his best performance on the "Singer" stage.

His common problems, such as the "phlegm cavity resonance" voice, are still there, but they are much weaker.

Sun Yunhao has always disliked Hailai Asen's voice.

In the past, his voice was too tight, deliberate and artificial, but in this song, his voice was obviously much more relaxed.

Especially in the climax, it showed a rare relaxation and naturalness.

This change not only makes the song sound more smooth and harmonious, but also makes it easier for the audience to be moved by his singing.

What is even more surprising is that the breathy characteristics of Hailai Asen's more deliberate vocalization style have an unexpected bonus effect in this weak singing.

The use of breathy voice adds a unique charm and emotional appeal to the song, making the emotional expression of the whole song more profound and moving.

Sun Yunhao believes that a truly outstanding singer not only has a pleasant voice, but more importantly, knows how to use the voice to perform and convey the emotions and stories behind the song.

This ability requires the singer to have a subtle control over the voice, and to be able to inject his own emotions and understanding into every note and every transition, so that the audience can feel the deep meaning that the singer wants to convey while listening.

Just like Zhou Shen in another world, he is a strong man.

But no matter how well he performs, how can he beat the true feelings from the heart?

Of course, this kind of bottom-box work is rare, and Hailai Asen himself is not a singer who controls details.

And this performance can be said to be a condensation of his own experience and emotions for a long time.