These players are more cunning than cunning

Chapter 1122 The Real Underlying Logic of the World, Future Gravitation

Chapter 1122 The Real Underlying Logic of the World, Future Gravitation
Without thinking too much, Ning Zheng clicked on Ye Kuangxiu's analysis post.

Peep at the screen secretly.

[Hello everyone, I am the sixth body of Ye Ye Kuang Xiu, and recently there is a storm coming.]
[The Immortal Realm and even the various neutral Immortal Lord forces have come to us to pay respects and establish relationships with us. The major leaders and blacksmiths are very busy.]
[All forces have recognized our legal status in the universe.]
[Recently, our profits have soared by 300%, and this is just the beginning. We are collecting millions of disciples, initially building a large sect, and expanding various channels to radiate various fields and industries.]
[However, the population is too large, so we can only look at the data for macro-control, and use the ten-level VIP title to implement pyramid-level control.]
[We will continue to make money from war in the future, sailing to the battlefield to rob the corpses of the monks in the underworld, and then returning to have Jiu Muqing and her disciples Dao Jiujiu forge and sell immortal weapons!]
Seeing such brilliant results in recent battles, many blacksmiths became excited.

This is the kingdom we built!

Starting from scratch, relying on our own efforts and talents, we have come to where we are today step by step!

The addition of one million disciples means that Xirong will become a very large business alliance.

But the always arrogant Ye Kuangxiu was very calm:
[But should we be arrogant? No! Based on my experience, this bastard is trying to confuse us, let us relax our vigilance, and then stab me hard. If we don't prepare, our Xirong Villa will definitely be in trouble.]
Ye Kuangxiu got straight to the point.
[First of all, the layout of the underworld must be led by the painter.]
[What? Am I talking nonsense? I just want to ask, the underworld has fought so many battles in the past 15 million years, and has never won in all these years, why is the logic of this behavior so abnormal?]
[There must be a variable, and who is this variable? It is the Embers. Embers is the biggest cornerstone reform of civilization in these millions of years. No one denies this, right?]
[The culprit of the embers is the painter, so how can the painter help the underworld fight the fairy world? The painter is best at painting.]
[At this point someone might ask, is the artist drawing the Immortal Lords? As long as the Underworld can draw a large number of Immortal Lords to join the battle, they can defeat the Immortal World.]
[Then I congratulate you, you have some brains, but not much.]
[First of all, the Immortals have not taken action yet. They are hiding in the dark and cannot draw at all. This is just wishful thinking!]
[At this time, a smarter person said, if you can't draw the Immortal Lord of the Immortal Realm, then you can draw the giants of the Underworld and mass-produce the Immortal Lord, right?]
[This is impossible! In theory, it is possible, but in reality, we have to consider human nature. Why would the immortals in the underworld be so honest? Exposing all of their magical structures, Dao rhymes, and laws, and drawing them for you?]
[The underworld cannot possibly trust the painter. This is not feasible. Another reason is that painting the Immortal Lord requires a lot of resources and takes a lot of time and effort. The workload is too large and the painter will be exhausted.]
[So, my answer is to draw other things, for example, the only Tomb of Time!]
Ning Zheng raised her eyebrows when she saw this.

Ye Kuangxiu's logical chain is also very complete.

1. Why did the underworld fail so many times, but suddenly it was so abnormal this time? What was the reason?
Answer: Considering the timing, the variable must be the artist.

2. What is the painter’s plan to cooperate with the underworld and plan for the fairy world?
Answer: Painters only know how to paint, and layout is related to painting.

3. What can an artist draw?
Answer: It is nothing more than the Immortal Painting Venerable, the Ancient Tomb of Time, and even some top things. The Immortal Painting Venerable is ruled out, and the Ancient Tomb of Time is the most likely.
Although this judgment is a bit too emotional and arbitrary!

Why do we think that the layout of the underworld must be done by the painter? Maybe the underworld got help from some other mastermind?

It seems a bit crazy and is trying to slander the painter to death!

Ok.

Ning Zheng felt that it was the painter who was setting up the underworld.

Because he has too many lessons from the past. In the history of Jiuzhou, there was the painter as the mastermind in every era, including the era of humans and gods, the era of human ancestors, and the era of chaos. It is normal for him to play with the underworld and the fairy world now.

Next, Ye Kuangxiu's words also confirmed Ning Zheng's guess:

[Then we can further speculate, what is the use of drawing the Time Tomb?]
[In order to understand the Tomb of Time, I got to know the contact information of the disciple of the Immortal Master, the number one killer on the list, Shell Immortal. I chatted with him crazily in the name of Xirong, and I learned a special term: future gravity.]
He explained the term.

Gravity: causes all matter, flowers, trees, insects, birds and animals to fall toward the earth.

Future gravity: makes all matter, flowers, trees, insects, birds and animals flow towards the future.

This is actually easy to understand.

The energy and resources in you will flow over time from infancy, adolescence, middle age, and old age to the future!

If you live for 15 million years, then you are carried along the timeline all the way into the future along with 15 million years.

The three prehistoric immortals had a decisive battle with Xian.

Offering, cutting off the river of time, is actually to let the multi-dimensional river of time established by the three great immortals, so that the resources flow to the [future] and let the [past] dry up.

In the country of the [Past] upstream of the long river of time, all kinds of resources will be washed by "time" to the country of the [Future] downstream.

Long time ago.

[In the past] resources would be exhausted.

The three great immortals will die completely.

They fell in the present, exist forever in the past, and are trapped in a cage called the past.

Their own era will become increasingly barren, and this prison will become increasingly poor, until they will eventually starve to death!

When the riverbed material upstream of them is completely exhausted and the last wisp of energy the size of a leaf is drained away, are they still alive?
In the past, they would also be so weak that they were completely in harmony with the Tao.

Simply put, dedication means guarding the prison gate and allowing the materials inside the prison to flow into the future along with the long river of time.

But the three great immortals sensed Xian's plan and fought back before their death, which broke Xian's plan.

After their death, they left ghosts in the future. The ghosts in the fairy world and the underworld regularly opened battlefields to the [past], causing a large number of strong people and true immortals to die in the past!
These powerful beings will transform into resources and nourish the upper reaches of the river.

They act as thieves in the [future], constantly smuggling resources back to the [past] in order to maintain energy conservation.

[The above is the real truth that the Immortal in Shell told me. Ordinary Immortal Venerables are not qualified to know it. If the Immortal Venerable in Shell was not a veteran assassin Immortal Venerable who assassinated big shots and whose combat power was comparable to the six giants in the immortal world, he would not have known such a secret.]
[Then the question arises: the river of time has been cut off, leaving only a tributary. The Tomb of Time is the faucet, flowing out the only timeline, which is our current era.]
[If I draw a second ancient tomb of time and take out a small faucet from the long river of time, will a second parallel timeline flow out? In the future, will there be a parallel time and space for our group of people?]
[Furthermore, if an artist draws a time tomb and releases a second new timeline, it is equivalent to drawing a new history book of time!]
[Do you understand? Think back, our Kyushu history book was used by this old Deng to practice.]
[He plans to become the god who controls the multidimensional dam in the entire multidimensional universe and steal the authority of the Time Immortal. I will let a few timelines slip through my fingers if I want!]
[I, the painter, the strongest navy, the navy marshal who manages a billion rivers of time!]
After hearing these words, everyone was shocked.

The grand blueprint and terrifying mythological scenes depicted in it are so magnificent and exciting just by imagining them in your mind!

Is the ultimate goal of a painter to paint a history book of the years in the long river of time?

Draw a multi-dimensional time axis?
Combined with the various layouts of the previous painters, practicing his brush repeatedly in Kyushu seems to be in line with his character setting.

And, the one guarding the City Gate of Time is Xian!
It is indeed more convenient for him because he has connections.

and.

There is no invincible magical power in the world, and the painter's skills have a fatal flaw.

If you want to draw something, you must carefully study its structure, principles, and fully analyze it at the cellular and quantum levels before you can perfectly replicate it.

And the projection of the previous time tomb might be waiting for the structure to be studied and painted?
Looking back at everything now, it all seems like foreshadowing.

Night Madness said:
[The long river of time flows swiftly. The Kyushu painter, who is about to control the Three Gorges Dam of time, will become a god who controls the river of time in multiple dimensions in the future!]
[With a stroke of the pen, the long river of time turns into surging ink, composing the history of humanity and writing the eternal volumes of the times.]
[And, when he completely mastered the entrance and exit of the Tomb of Time, it was like piercing a few more holes in a balloon to speed up the leak. He released water madly from the upper reaches of the Three Ancient Immortals, stole their resources, and killed them in the past!]
[This is also in line with Xian’s setting. He wants to overthrow the immortal world and declare war on the three great ancient immortals!]
[So, to sum up, all the clues and details, and the paintings of ancient tombs of time, are the optimal solutions for this layout. The underworld is likely to make the world reborn, the heavens shake, and open up an unprecedented era!]
Ning Zheng pressed her temple.

The underworld was forbearing and did not take action. Was it because the Tomb of Time was not drawn well? Or was it because there were not enough drawings?
Ye Kuangxiu's speculation was discussed frantically with his think tank for several days, and after unraveling the mystery, it became quite interesting.

If this is true, the whole era will change dramatically.

So did the artist really spend countless years working on this layout?
You have been practicing painting skills for many years just to fulfill your great dream of painting the Tomb of Time?
Ning Zheng didn't know.

Except for himself, probably no one knows what the painter, who is so deep-minded and lonely, is thinking.

And even if it is true, after drawing the ancient tombs of time, there are several more river gaps.

There are several more timelines in our era. How should we operate to defeat the fairy world?
Ning Zheng didn't know the details either.

There is too little information.

Ye Kuangxiu's guess is only part of the story after all.

We at Xirong Villa still have little background and are limited by our own level of knowledge. We don’t know how we will defeat the Immortal Realm after creating a multi-dimensional battlefield.

"In the final analysis, only by being strong can we resist the changes!"

Ning Zheng thought about it.

But he is not a riddle-teller like the Holy Spirit Immortal. If he himself does not know, will he not know the answer if he asks?
He opened the special communication left by the painter and contacted the painter after a long time.

See if this guy is really busy drawing the Tomb of Time?
If someone asks him about something, the painter will not tell him. But if you use this relatively reasonable guess to consult him,
At least you can ask whether it's right or wrong?
Anyway, the other party won’t explain and you won’t lose anything.

But obviously, the artist is not a riddle man.
Or maybe the strong men who came out of Jiuzhou all like to speak frankly, Jiusui is like this, Xin Xichen is like this, and even the painters are like this.

Soon, Ning Zheng received a reply:
"You who are from Kyushu, guessing through these details is in line with my wishes."

What I mean by this is that if you can't guess it, you don't deserve to know it, and you can't blame anyone.

After all, it is true that the fellow countrymen from Jiuzhou have obtained information about the painter, and their background and identity are hundreds of times better than those of the cultivators from the outside world. Combined with his life trajectory, it is easier for them to guess what the painter is going to do.

Then, he said directly: "I can sell you a time tomb for only 3 trillion high-quality immortal stones."

"Let me think about it." Ning Zheng's face suddenly turned dark.

"The world will be reborn, and the rolling waves will hit the heaven and earth. This ticket is of extraordinary value." The painter chuckled and hung up the phone.

(End of this chapter)

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