Huayu: Starting from the top talent show

Chapter 61 Final Thoughts
The first volume of "The Talent Show Storm" has officially ended here, and the hip-hop route has come to an end.

It’s exactly sixty chapters to make it a whole.

In fact, I wrote about ten chapters more than I expected.

Because when I wrote Lin Huang before, some readers responded that the heroine appeared too little before the book was put on the shelves, and the book was basically all in the later part, so I added some daily chapters to the main plot in the early stage of the new book (There is Hip-Hop in China).

I don’t know what you think about the current pace.

The plots related to these three 95 flower heroines that have appeared for the time being should not be too awkward, hhh, if you don’t like it, please be gentle with your criticism.

Then the main theme of this volume is hip-hop.

Hip-hop is definitely a niche track in the country.

Many people don't like or pay attention to this thing.

No matter how good the tone, how smooth the flow, how great the technique, or how noisy the performance, some people will still find it awkward. After all, in terms of the emotional appeal of the song:
Visit the site > Video > Listen to the song > Novel.

Monotonous text can never fully complement the visual and auditory impact that a live stage brings to the audience.

Moreover, everyone pays attention to different details, has different emotional needs, and has different emotional sensitivity when listening to music.

Some people like to talk about love, some people like to be angry, and some people like to be bitter and hateful.
So no matter how you choose the song, no matter what type of rap you choose, there will always be different readers who express dissatisfaction.

This is normal, as musical aesthetics vary from person to person.

As long as the preference is not too abstract, weird or strange, there is no distinction between high and low aesthetics.

For example, I wrote about hip-hop in the early stage of this book, and this book, Huayu 2016, which was discontinued after words, wrote about R&B. Lin Huang was even more sloppy. Although he was an actor by profession, when he wanted to release a song, he would just copy the hot singles released by traffic stars.

Anyway, personally, I don’t have a fixed aesthetic. I listen to songs of all genres and in all languages.

So I never think that it is low to let the protagonist of a novel sing rap or sing Kun Kun Qian Qian's songs.

No matter what kind of song it is, there will always be people who like it.

(For most people, though, liking something is not as easy to express as disliking it.)
After all, for the current or even golden age of Chinese music, the so-called professionalism, sophistication, popularity and personal showmanship are often not achieved at the same time.

There is no point in having a song that is too high to be accepted by the public. The right path is to become popular. Only by becoming popular first can you have the qualifications and confidence to consider the depth of the creation of subsequent songs and strengthen your personal style.

At the same time, no matter how niche hip-hop is, the audience size of this emerging circle is enough to produce several top stars.

Moreover, there is actually an essential difference between the traffic generated by "The Rap of China" and other "orthodox traffic".

The former is equivalent to attracting fans by relying on works and strength.

Orthodox traffic usually becomes popular through looks and marketing.

Things like fan composition, public opinion, upper limit potential, and development stability are not on the same level.

So to put it bluntly, the protagonist is a non-traditional traffic with excessive ego (self-esteem and self-awareness).

Their personalities will certainly not be as timid as those cowardly "product traffic" whose development depends entirely on fans' krypton gold and whose words and deeds are strictly controlled by the company.

If you encounter a stray dog blocking your way with no background or strength, just confront it directly. Ignoring it will only make the dog bark more.

There is absolutely no need to give in and give in when you encounter a problem, and then save face by saying that this is mature and rational.

It is normal to be a little arrogant when working in the entertainment industry, and it can also attract a large group of admirers to support and worship you.

I remember Jung said this sentence which is very suitable for the current protagonist: "Like plants, people also grow, some in the light, some in the dark, but the vast majority of people need darkness, not light."

A modest gentleman who remains calm and composed is certainly something to be admired, but nice guys always suffer in the entertainment industry.

As for novels, to put it bluntly, they are just a means of killing time, so there is no need to make them too dark to make people unhappy, nor is there any need to make them too fairy-tale-like to make people stupid.

Just present a simple story.

If this book can help you kill time and make me some money, I will be satisfied.

Finally, the performance of this book is not very good, but today is the third round of recommendations for new books. I hope everyone will try to continue reading it during this period. Thank you very much!
Next volume: "Traffic is King".

(End of this chapter)