Please ask the dream.

Chapter 25: Clues Revealed in "History Books"

You will exit when the san value returns to zero, and the san value will be refreshed after exiting. After realizing the existence of these two rules, the haze in Feng Xue's heart dissipated a lot.

Noticing that the patrolling prison guard had cast his gaze over him, he stopped acting weird and lay back on the bed as if he had just had a normal nightmare. However, his consciousness gradually sank into his sea of ​​​​consciousness and he began to sort out the extra memories he had this time.

Unlike the last time when it ended hastily, this time he had a few more memories.

For example, he rescued two orphans from a fire in an orphanage, and was mistaken for a thief when he picked up a wallet. But it is worth noting that in the memory, he did not use the structure technique, but ran to the bathroom, poured water on himself, and then carried a small bucket to save his companions.

This means that "restoring" the memory may not require the same process, as long as the results are consistent, the relevant memory can be restored.

But think about it this way, is the lack of street fights and juvenile detention centers because the predecessors didn’t go to labor camps, or was it because they didn’t win the fights at all?
If the fight was not won, how would the node be considered a victory? Or did it mean that the fight was won but no one was killed? So it was not serious enough to be sent to a juvenile detention center?

The incomplete memories that returned did not solve Feng Xue's doubts, but only made his heart more and more mysteries. Fortunately, these memories are like film and television files, which require him to process them by himself to unfold the content. He does not have to worry about not being able to figure out who he is after recovering more memories in the future.

After briefly sorting out his childhood memories, Feng Xue did not obtain much information. Apart from the known information, he basically knew two things: he was relatively happy in the orphanage, and that he did not have a good life after leaving the orphanage.

"Aren't these all obvious things?" Feng Xue slightly turned his body, withdrew his consciousness from the memories of his previous life, and began to investigate this collection.

Compared with the first nine collections, this time Feng Xue seemed to have passed the novice protection, and the drops took a big dive. But if you think about it carefully, it is actually more because he did not have enough dreams in his hand, so he could not buy more items in the store.

There is nothing much to study about the ordinary wooden sword. The smart bird is a good thing, but since it cannot be "summoned", there is nothing special to study about it. Only this book, "History of the Development of Modern and Contemporary Popular Art", caught Feng Xue's attention.

It’s not that he expected this thing to be a martial arts secret book, he just simply thought that since his predecessor could go to jail for painting, it would be nice to study more things related to art.

However, this book is just an overview. Although it contains quite professional knowledge, unfortunately Feng Xue could not understand it very well.

However, Feng Xue still sorted the works used as examples in this book through mathematical thinking logic.

First of all, the earliest work listed in this book is an ink painting titled "Girl", and the year is marked as 281 in the new calendar. In terms of style, Feng Xue tentatively calls it "splashing ink freehand painting", which is the kind that looks like a girl at first glance, but a ball of ink if you look closely, and then another girl again.

The book highly praises this painting, claiming that it liberates people's imagination. This evaluation is actually nothing in other worlds, but in this world, the word "liberating imagination" cannot be taken lightly. The works listed later are mostly hazy, abstract, and freehand, while there is no work that focuses on realism, such as sketches and fine brushwork.

This is true not only of paintings but also sculptures, ranging from the bizarre and abstract to even toilet seats hung on the wall for exhibition, but there is no realistic masterpiece like the "David" and "Venus de Milo" of the previous life.

Of course, this may also be because the title of this book is "History of the Development of Modern and Contemporary Popular Art", but since it dares to be called "history", there is no reason to deliberately avoid talking about a certain type.

Even when he turned to the end of the book, he could see some illustrations and figures with a strong two-dimensional style. He even saw an illustration from Hongying, which was said to be an illustration of an autistic beautiful girl with pink hair, big eyes, a small nose, and a sportswear, who was said to be the "hero who opens a new era"!

Even illustrations of feminine heroic characters can be included, but there are few realistic works. This reminds Feng Xue of the description of the teacher's wrong expression when he was drawing the portrait. Now it seems that maybe there is really something wrong with this portrait painting?
But if it was a taboo, shouldn't the teacher have just had a subtle expression at the time? Was the teacher worried about triggering the child's rebellion? Or was the problem actually somewhere else?
Feng Xue muttered all kinds of guesses in his mind, but continued to flip through the book.

Some are completed the earliest, and of course some are completed the latest. In this book, the latest work is called "White Rainbow". The picture is very abstract, and it feels like a large ball of white paint was casually drawn on the dark blue canvas.

But even without reading the comments below, Feng Xue knew that this was definitely not some bad habits in the art circle in his previous life, nor was it because his aesthetic taste was so superb. Instead, it was because he could feel the excitement, excitement and disbelief of the author when he wielded the brush just by looking at the photo in the book. The time marked below the painting was 463 in the new calendar.

It’s a pity that this book doesn’t provide an in-depth analysis of the background of this painting, and only mentions that this is the pinnacle of freehand painting…

Feng Xue flipped through the "History of Art" back and forth, his eyes constantly wandering over the paintings, his brows furrowed.

The works in this book come from various countries and have different styles, but when you look at the nationality, you will find that 50% of the paintings are from Qingyun.

This could have been explained by saying "this book was published by Qingyun", but if you look closely, you will find that in the 281 years from 463 to 182 covered by this book, most of Qingyun's works appeared in the first eighty years. As time went on, there were fewer and fewer works by Qingyun, while there were more and more works by Xinghuan and Hongying. In 441, works by Qingyun began to appear again, but compared to the previous style, the paintings this time were not so beautiful, and things that seemed to imply some dark things began to increase. The only exception was that one white rainbow.

"In modern times, is this era division aimed at Qingyun or the world? Is it aimed at culture or art?"

Feng Xue had a bad feeling in his heart. As everyone knows, this kind of division of time is usually based on some major event as a benchmark. Judging from the increase in Qing Yun's works in modern times and the richness of their content, something good must have happened to Qing Yun in the year 281 of the new calendar.

On the other hand, is something bad happening in the present day, 463 years after the new calendar?
Or, now, are we still in the "modern" era?
(End of this chapter)