The villain also has spring 2

Chapter 2065, Section 2.63: The Fifth Sun Age

Under the secret watchful eye of Captain Nine-Tailed Fox, twin sisters Nina and Vina Pitsa, among the 13 pureblood vampire strippers, used their enormous fangs as hollow quills to meticulously sketch the naked body of Santanico Pandemoni, the ancient vampire queen and "the mistress of death."

Instead of the ink filling the hollow quill, this giant pen's hollow tube is filled with terrifying venom.

As the sharp teeth pierced through the flawless bronze skin, venom also seeped into the wound.

Logically, the venom from the golden serpent should be lethal upon contact with blood. Yet, Santanico Pandemoni, the ancient vampire queen and "Mistress of Death," who was infused with the venom, not only remained unharmed but even emitted an abnormal blood-red glow. Yes, the glow emanating from her blood. This made the entire ritual appear extremely eerie and imbued with supernatural power.

The two twin maids were working together to create what appeared to be a complex ancient magic circle.

As the magic circle was completed on the naked, bronze-colored body of Santanico Pandemoni, the "Mistress of Death," the head and limbs, spread out in a "T" shape, formed a pentagram. At this moment, the twin maids had already inscribed five intricate circular patterns on Santanico Pandemoni's forehead, palms, and soles.

"Ancient Aztec Sun Stone!" The Nine-Tailed Fox Captain's helmet immediately displayed a pop-up message.

The Aztec Sun Stone, also known as the "Solar Calendar Stone," is a sacrificial stele carved from a single block of basalt by the Aztecs in the mid-14th century. Measuring 3.6 meters in diameter and weighing 24 tons, it is now housed in the National Museum of Anthropology, Mexico City. The central image of the fifth sun god, Tonatiu, is carved, surrounded by rings of serpents symbolizing four extinct sun ages and pictographic writing representing a 20-day cycle, fully revealing the Aztec worldview and calendar system. Originally used to decorate the outer wall of a temple in Tenochtitlan, the stele was buried during the Spanish colonial period and rediscovered in 1790, becoming a prized possession of the museum. Its image is printed on the reverse of the Mexican 10-peso coin and has spawned numerous cultural and creative products. The stele is carved from a single block of dark gray basalt, its surface covered with geometrically symmetrical patterns. The central raised section depicts the head of Tonatiu, with a tongue shaped like an obsidian knife, symbolizing the practice of human sacrifice. The outer ring is surrounded by four square reliefs, representing the first four Sun Ages destroyed by hurricanes, fire, floods, and earthquakes. The outermost layer consists of two giant serpents forming concentric circles, their bodies inlaid with triangular flint stones, symbolizing the rays of the sun. The stele's design constitutes a complete cosmic cycle: the central sun god symbolizes the current fifth Sun Age, the four corner reliefs represent the four destroyed ages, and the outer ring of feathered serpents hints at doomsday prophecies. The sun wheel, composed of eight rays, connects heaven and earth, echoing the Aztec concept of "five-directional space (east, west, south, north, and center)." Priests interpreted these symbols to predict good and bad fortune, determining the timing of wars and sacrifices.

In other words, the five sun calendars engraved on the forehead, palm, and soles of the ancient vampire queen Santanico Pandemoni, the "mistress of death," with the golden fangs of a giant python, symbolize the "five sun ages" of the Aztecs!
The Aztec creation myth is a cosmological system within Aztec mythology concerning the origin and evolution of the world, with its core being a cyclical pattern of five sun ages. This mythological system is based on four different colored Tezcatribocca gods: the black Tezcatribocca in the north, the white feathered serpent Quetzalcoatl in the east, the blue Vizilopochtli in the south, and the red skinner Hippodtek in the west. During the creation process, the black Tezcatribocca sacrificed one of his legs as bait, and the four gods joined forces to defeat the water monster Hippodtli, thus forming the heavens and the earth and establishing the five sun ages.

The First Sun Age (Nahui Ocelotl), meaning "Four Leopards," was ruled by Tezcatribocca. It lasted 676 years. The inhabitants were giants who fed on acorns. The world ended when the inhabitants were devoured by jaguars.

The Second Sun Age (Nahui Ehecatl), meaning "Four Winds," was ruled by the feathered serpent god Quetzalcoatl. It lasted 364 years. Afterwards, the inhabitants were all humans, subsisting on pine nuts. It was later destroyed by a storm, and the inhabitants all transformed into monkeys.

The Third Sun Age (Nahui Quiahuitl), meaning "Four Rains," was ruled by the rain god Traloc. It lasted 312 years. Its inhabitants survived on lotus seeds. Later, it was destroyed by a torrential rain, and its inhabitants transformed into turkeys, butterflies, and dogs.

The Fourth Sun Age (Nahui Atl), meaning "Four Waters," was ruled by Charchitrique. It existed for 676 years. Its inhabitants consumed a different kind of wild aquatic plant. It was later destroyed by a flood, and its inhabitants all turned into fish. The Fifth Sun Age (Nahui Ollin), meaning "Four Movements (Earthquakes)," was ruled by Tonatius. This is the present world. Legend says it will be destroyed by a super-powerful earthquake on December 22, 2012, and its inhabitants will be devoured by monsters from the sky. Legend also says that after the destruction of the Fourth Sun, Tezcatribocca and Quetzalcoatl transformed into serpents and together tore the monster Hipactri in two—one half becoming Heaven (Ilhuicatl) and the other half becoming Earth (Tlālticpac), creating the fifth age.

"During the creation process, the black Tezcatripokka sacrificed one of its legs as bait, and the four gods joined forces to defeat the water monster Cipactli, forming the world and establishing five solar eras." Without needing to eliminate the conclusions drawn by the "Superbrain Area Chain" formed by the four teams of Vortex Fox and Cyberstar's superbrains, Wu Chen's intuition, solidified by his unique purple-gold VIP experience, had already foreshadowed this: "The golden python refers to the water monster defeated by the four gods!"

"What does the lord mean..." Captain Nine-Tails, who was still waiting for the pop-up notification, hadn't even formed a complete thought.

"This is an imitation of the creation myth of the four gods, a sacrifice to the fifth sun god Tonatiu!" Wu Chen revealed the secret in one sentence.

"Damn it, what do they want?!" Even the scimitar, who was being held back by the Nine-Tailed Captain, couldn't help but exclaim.

"Walking in broad daylight." Wu Chen's memories of the story were instantly activated.

Tonight, Jonathan Rice, a top bioweapons expert nicknamed "The Angel of Death," was healing a golden python when the ancient vampire queen Santanico Pandemoni directly exposed his desires: he wanted to gain "immortality," "walk in broad daylight," and "gain my favor to become an immortal king."

Santa Nicole Pandemoni, the ancient vampire queen, also said that as long as Jonathan Rice "fulfills his promise, everything will be as he wishes."

"So, my lord is saying that this bloody sacrifice is an attempt to steal the divine power of the fifth sun god, Tonatiu!" Captain Nine-Tailed immediately realized.

"The power of the Fifth Sun God must be far more than just walking in broad daylight." Wu Chen hadn't expected that the players participating in the Fulong Temple's battle royale competition would go to such extremes!
Based on the existing storyline, once the sacrifice is completed, even considering the shattered star descent, the power of Santanico Pandemoni, the ancient vampire queen and "Grim Reaper's mistress," will approach that of a 5-star!
"Quick, interrupt her!" Captain Nine-Tailed shouted.

"Hmm." The two swords in the scimitar's hand had long been itching for a fight.

As he pressed the switch on the handle, the high-frequency oscillating plasma immediately illuminated the entire blade!