Traveling through the Tokyo bubble era

Chapter 538 "French Rose"

Someone is looking for him in France?
Hanyu Hideki was very curious about who this person was. After all, he had no acquaintances in France.

The most exchanges are basically between work relationships.

Benedetta wanted to bring relatives to visit him, but he had also refused before.

But I was just thinking nonsense, so I might as well ask directly.

"Did the front desk say the guest's name?" Hanyu Hideki asked Chiba Kaoru.

"The front desk said the guest calls herself Miss Bea."

As soon as Chiba Kaoru said this, Hanyu Hideki immediately knew who the visitor was.

Emmanuel Beah.

"Angels in the World" will be released in early November. What is this French actress doing back in France instead of staying in America to promote the movie?
With such doubts in his heart, Hanyu Hideki saw Emmanuel Beah waiting for him in the lobby of the Four Seasons Hotel George V.

I saw this woman's white dress like snow, with lace dotted in every detail. He was holding a small Chanel handbag, wearing exquisite gemstone jewelry, and an exquisite little top hat on his head. Half of his face was covered by white tulle.

Coupled with her already beautiful appearance, she looks pure, noble, mysterious and holy, as beautiful as a half-covered lily.

Just standing there is enough to attract the attention of the men around him.

Some hotel guests who recognized Emmanuel Beah even took the initiative to chat and ask for autographs.

When Hideki Hanyu appeared, Emmanuel Beah decisively said goodbye to the people around him, swaying and "flying" towards Hideki Hanyu like a white butterfly.

The first words they met answered Hideki Hanyu's doubts.

"Mr. Hanyu, I came to Paris this time to participate in the promotional activities of the Onirique Jewelry Star Language series. I happened to know from the manager Ophelia of Onirique Jewelry that Mr. Hanyu is also in Paris now. I came here specifically to thank him for recommending me as the spokesperson. "

"That's it. I'm very happy to meet Miss Emmanuelle."

Hanyu Hideki greeted him very politely, just like he would an ordinary acquaintance, without any hint of intimacy.

It was as if everything that happened between him and this French beauty in America didn't exist at all.

Of course, there was another point. He actually only believed half of what Emmanuel Beah said.

He recommended Emmanuel Beah to be the European spokesperson for Onirique Jewelry's Star Language Series. To put it bluntly, it was just a deal.

He played and played, and Emmanuel Bea paid and paid.

Emmanuel Beah might thank him, but the feeling towards him is more of a clinging one.

Although he didn't get along with Emmanuelle Beah for a long time, it was obvious that she was a very realistic woman.

Of course, few women in Vanity Fair are unrealistic.

Therefore, out of his sixth sense, he felt that Emmanuel Beah came to see him in the hotel today for more than just gratitude.

This woman may have other desires.

However, Hanyu Hideki always likes to remain unchanged in response to changes, so as long as Emmanuel Beah doesn't tell him the reason, he will never take the initiative to ask.

But, looking at the beautiful woman who looks like an angel in front of her and the beautiful scenery on the top of her white dress, the meat is brought to her mouth, and the scumbag has no intention of letting it go.

So he directly invited, "Miss Bea, I'm getting ready for dinner, would you like to dine together?"

When Emmanuelle Beah heard this, a trace of imperceptible anxiety flashed in her eyes, as if she wanted to say something, but after hearing Hanyu Hideki invite her to dinner, she was obviously a little worried.

Obviously, Hanyu Hideki guessed correctly.

This French beauty came to Hanyu Hideki not just to thank him.

After a moment of hesitation and changes in his eyes, Emmanuel Beah finally answered with a sweet smile on his face, "Okay, it's my honor to have dinner with you, sir."

Although Hanyu Hideki saw some clues, he said nothing and just walked towards the restaurant with Emmanuel Beah.

The Four Seasons Hotel George V is already famous for its fine dining in Paris.

The restaurant operates not only French cuisine, but also catering types from other countries.

Hanyu Hideki had tasted Chinese food before, but felt that the quality was average.

So today I went to a Southeast Asian themed restaurant.

Emmanuel Beah, who was following Hanyu Hideki, couldn't help but secretly breathed a sigh of relief when he saw this.

After all, if Hanyu Hideki eats French food, he won't be able to finish it for a few hours, and it's already almost seven o'clock. If she delayed for too long, what she wanted today would be in vain.

With some anxiety, Emmanuel Beah and Hideki Hanyu sat down and were quite absent-minded while eating.

No words are spoken when eating, and no words are spoken when sleeping.

Although Hanyu Hideki became more and more sure that Emmanuel Beah wanted to ask for something, he still concentrated on eating and paid no attention to it.

Seeing that the meal was about to end, Emmanuel Beah finally couldn't bear it anymore and tentatively asked Hideki Hanyu, "Sir, do you have any other plans for the evening?"

Hanyu Hideki did not answer, but asked, "What's wrong with Miss Bea?"

His availability in the evening depends entirely on what Emmanuel Beah wants him to do.

If he went to the hotel spa and had a good time, he would have a free night.

But if it was something embarrassing, then he would have to think about it carefully.

Emmanuelle Beah For a scumbag, the only thing of value is her own beauty.

But the value of beauty is limited.

Traveling to the present, I have had a relationship with a scumbag, and I can count the number of beautiful women with both hands.

Don’t talk about anything else, let’s just talk about the neon lights of this time and space. When short videos rise in the future, if someone compiles a collection of Showa beauties or something.

Hideki Hanyu can definitely say that after watching it.

All slept together.

Therefore, Hanyu Hideki, who has read a lot about beauties, will never be confused by the beauty of a woman.

When Emmanuelle Beah heard Hanyu Hideki's rhetorical question, she began to talk about her purpose in a roundabout way.

"There is a dance party in Paris tonight, and I have also received an invitation. Because I am returning to Paris temporarily and have not made any preparations before, I am temporarily missing a male partner. I wonder if I can invite Mr. Hanyu to accompany me?"

"Miss Bea, when you talk about dance parties in the entertainment industry, do you mean the French entertainment industry?" Hanyu Hideki continued to ask.

"Yes, there should be many celebrities from the French entertainment industry going." Emmanuel Behat said.

When Hanyu Hideki heard this, he put down the soup spoon in his hand, picked up a napkin and wiped his mouth, sat up straight and looked at Emmanuel Beah and said.

"Miss Bea, I think it's best for you to tell the truth."

"What?" Emmanuel Beah looked confused.

I don’t know if she didn’t understand, she was really confused.

I still understood and was pretending to be confused.

But regardless of whether it was true or false, Hanyu Hideki didn't care. He directly said it in more straightforward words.

"Miss Bea, you don't need to be clever in front of me. Give you five minutes to tell me the real reason why you invited me to that ball, otherwise I have to say goodbye."

As soon as Hideki Hanyu said this, Emmanuel Beah was obviously panicked.

After all, Hanyu Hideki is her last hope when it comes to tonight's matter.

So Hideki Hanyu said this, so she could only start to explain the reasons honestly.

But first she asked Hideki Hanyu something.

"Gaomeng Company, does Mr. Hanyu know?"

Hideki Hanyu recalled briefly, "Of course I know, France's oldest film production and distribution company."

Crescent Cinema's tentacles are spreading across Europe, how could Hideki Hanyu not know Gaumont Company.

This company was founded at the end of the 19th century. Although it is a film production and distribution company, it was actually born half a year earlier than the film itself. Its early business was selling photographic equipment. The reason why it entered the film and television production industry was to promote its own cameras. .

Luc Besson, the most familiar French director in China, was discovered by Gaumont. Gaumont participated in the investment in Luc Besson's early films, including the well-known "The Killer Is Not So Cold".

The most famous cinema in the history of French film, the Palais Gaumont, was built by the Gaumont Company at its peak.

To this day, Gaumont still operates some cinemas in France.

After Crescent Cinema entered France for development, it was inevitable to deal with Gaumont Company, so a detailed investigation was conducted on this company.

Although the Gaumont Company was established early, it was once glorious. However, due to the continuous wars in the European continent in the early 20th century and the rapid rise of Hollywood movies, it changed hands and went bankrupt several times during this period.

In the mid-to-late 1970s, Gaumont Company changed owners for the last time. The current head, Nicolas Seydoux, took over the command at that time and began to reform Gaumont Company's business.

The company's heavy-asset movie theaters have been sold one after another to make money. Many of the French movie theaters acquired by Crescent Cinemas originally belonged to Gaumont Company.

No longer focusing solely on literary films, he also began to produce and invest in more popular films, and even developed the concept of a gorgeous visual film opera.

It also pays more attention to the cultivation of new talents. Directors such as Luc Besson and actors such as Isabelle Adjani are all connected with Gaumont Company.

Then there is Hanyu Hideki’s understanding of the future. As Hollywood movies conquer the world, Gaumont will actively cooperate with Hollywood companies in the future to launch a globalization strategy.

Regardless of the future global strategy, relying solely on various past policies, although today's Gaumont Company is no longer as glorious as it was at its peak, it is still one of the most important film companies in France.

Of course, if you look at it from the height of Hanyu Hideki, the size of Gaumont Company is just that.

After falling from its peak, Gaumont's insufficient hematopoietic capacity and rising production costs made it unable to bear the risk of failure, so most of its projects were invested externally.

Such a company is not ranked among the top independent film companies in Hollywood. It is indeed difficult to get Hideki Hanyu to take notice.

But speaking of one person, domestic movie fans are actually more familiar with it, and that is Léa Seydoux, a French actress born in the 007s who became famous all over the world with the series. Her grandfather is now the boss of Gaumont Company.

When Emmanuel Beah saw that Hanyu Hideki knew Gaumont Company, he continued talking.

"The dance I just mentioned was actually held by Gaumont Company. Its main purpose was to attract investment for a new film project. The creator of this film won eleven César Award nominations for "Metro" in 1985, and Director Luc Besson, who won three awards.”

Hearing Luc Besson's name, Hanyu Hideki thought what a coincidence.

When he remembered the information about Gaumont Company just now, he thought of this French director. Unexpectedly, he heard the name from Emmanuelle Béard right away.

But even when he heard Luc Besson's name, he just waved his hands and said, "So what if it's held at Gaumont Company? Is there any reason why I have to go?"

"Don't you, sir, run a cinema business in France? The senior management of Gaumont Company will definitely be at the scene today, and you can definitely communicate on business matters."

Emmanuel Beah felt that this reason was very reasonable.

But what she didn't expect was that Hideki Hanyu immediately showed a funny expression after hearing her words.

"Haha, Miss Bea, who do you think I am?"

Hideki Hanyu tapped the tabletop of the dining table with his finger, exuding the aura of a superior, and spoke domineeringly.

“The French theater chain controlled by Crescent Cinemas currently ranks second in France, but it is only a part of the entire European theater chain.

Even the entire European theater chain is just an area controlled by Crescent Cinema Line.

And Crescent Cinema, which oversees all of this, is just a subsidiary of my media group.

Do you think that I need to communicate with some ordinary senior executives of Gaumont Company? "

Having said this, Hideki Hanyu stood up, stretched his hand across the dining table, and lifted Emmanuel Beah's chin.

"Miss Bea, you need to understand that I can sit here and talk to you so much only because you are beautiful and I am still interested in you, so you'd better say it before my interest is exhausted. Tell me what you really think."

Listening to Hanyu Hideki's words and feeling the man's aura coming towards him, Emmanuel Beah finally realized.

Hideki Hanyu, who always had a good attitude towards her, was such a big shot.

In her eyes, the high-ranking management of Gaumont Company did not even have the qualifications to communicate with Hanyu Hideki.

And Hanyu Hideki's unabashed reasons also made her understand what her true value was in Hanyu Hideki's heart.

Therefore, Emmanuel Beah no longer dared to beat around the bush and began to speak honestly what was in his mind.

"In addition to inviting some investors to the ball tonight, Gaumont Company is also considering the choice of the heroine of the movie. I think if I can bring investors into the group, I will definitely get the role of the heroine."

Hearing this, Hideki Hanyu chuckled, "Haha, you want me to be the investor behind you to invest in Luc Besson's new movie and help you win the heroine?"

When he asked this question, Emmanuel Beah answered without hesitation.

"Yes, I want to get the heroine of this movie. Everyone in the industry knows now that the French film industry is eager to support Luc Besson. This movie will definitely gain results at the Cesar Awards next year."

Hearing this, Hanyu Hideki released his hand holding Emmanuel Beah's chin, sat on the chair again, and spoke in a calm tone.

"This movie should be a literary film. Even Gaumont Company is not sure it can make money. It only uses French official subsidies as investment. All other risks are borne by external investors. So why should I do it for your heroine?" What about investing at the risk of losing money?”

Of course Hanyu Hideki was just talking about losing money.

Calculating the time, Luc Besson's only new movie at this stage is "Blue Sea and Blue Sky".

Although Luc Besson came to prominence with "Metro", the film that really became famous in Europe and the United States is "Blue Sea and Blue Sky", which will be used as the opening film of the Cannes Film Festival next year.

Hideki Hanyu's global box office for this film is unknown.

But because of its good reputation among literary and artistic film fans, the video sales were very good.

The most important thing is that this movie is set in another time and space, and in addition to Gaumont Company, the investors actually include Hollywood capital.

Otherwise, the leading role would not have been given to Rosanna Arquette from New York.

And it is precisely because of the investment of Hollywood capital that Hideki Hanyu can judge that this movie must have made money.

Otherwise, with the stubbornness of Hollywood businessmen, Luc Besson would only have to lose money once in the early stages of his career, and there would be no future collaborations. However, this small amount of money can be profitable or not for Hanyu Hideki.

If he wants to participate in this movie, it must be for a larger purpose, such as establishing contact with Luc Besson and even the French film industry so that he can participate in the production of well-known movies in the future.

For film companies, making money from well-known movies is only one aspect.

What's more important is the copyright of these movies, which can increase the value of the film company's film library.

What's more, if the streaming media era opens in the future, Hanyu Hideki will definitely have a hand in it. The more copyrights of well-known movies he has in hand at that time, the greater the advantage he will undoubtedly have.

However, there is naturally no need to let Emmanuel Beah know about these deep considerations.

"We..." Emmanuel Beah seemed to want to give a reason.

But she just started speaking and swallowed the words herself.

Because the reason she wanted to say was nothing more than her relationship with Hanyu Hideki.

But even she couldn't convince herself with this reason, so how could she possibly convince Hanyu Hideki.

Since it is not feasible to talk about "old relationships", Emmanuelle Beah is also an insider who knows the rules. Thinking that Hanyu Hideki just said that he is still interested in him, he naturally knows that it is time for her to give in.

……

A few minutes later, Hanyu Hideki’s car left the Four Seasons Hotel George V.

In the back seat of the car, in addition to Hideki Hanyu, there was also Emmanuelle Beah.

Judging from the scumbag's expression, you can tell that he is satisfied with the promise of the French beauty.

Although he wanted to collect a "deposit" right away.

But unfortunately, the ball at Gaumont Company had already begun. In order to fulfill his promise to Emmanuelle Beah, he had no choice but to go to the ball first.

If I had known this was the case, I should have flown Neon's newly purchased Rolls-Royce Silver Spirit to Europe. The front and rear rows of that car were designed to be spaced apart, which would make it easier to do some small maneuvers in the back.

Of course, he was just thinking about it.

Because after leaving the Four Seasons Hotel George V, the car arrived at its destination not long after driving, which was not enough time for him to even warm up.

Speaking of which, Hideki Hanyu is no stranger to this destination.

It was the rococo palace-style Morris Hotel where he once stayed.

Although the party had started for almost half an hour, Hanyu Hideki did not rush to get out of the car after arriving, but waited for about ten minutes.

In Emmanuel Beah's anxious expression, Hanyu Hideki was waiting for someone.

A middle-aged man named Giroud Binoche.

The other party is the general manager of the French branch of Crescent Cinema.

To participate in this kind of industry dance, it is natural to find someone who is familiar with the circle to help. After all, there are some things that even if Hanyu Hideki wants to participate, there is no need to talk about it in person.

"Chairman, I didn't expect you to come to this dance."

As soon as Hideki Hanyu got out of the car, he heard these words from Giroud Binoche.

But as soon as the other party finished speaking, he saw Emmanuel Beah getting off the car on the other side.

After thinking about the nature of today's dance, this man who has worked in the French film industry for more than 20 years immediately understood the reason why his boss came to the dance.

However, Giroud Binoche's words caught the attention of Hideki Hanyu, who asked, "It seems that Manager Binoche knows why this dance is held?"

Hearing this, Giroud Binoche looked at Emmanuelle Beah next to Hideki Hanyu and hesitated to speak.

Hanyu Hideki understood the meaning and said to Emmanuel Beah who was beside him, "You go to the dance first. Mr. Binoche and I have something to discuss."

"Then you have to come in quickly," Emmanuel Beah said.

"Don't worry, as long as I promise something, I will never break my promise."

After hearing Hanyu Hideki's assurance, Emmanuel Beah walked into the hotel with three steps.

After Emmanuel Beah left, Giroud Binoche said to Hideki Hanyu.

"Chairman, today's European film investment circles basically know about this new film from Gaumont Company."

"Oh? It seems that investing in this movie is not easy." Hanyu Hideki's curiosity was instantly aroused.

"Of course it's not simple. Gaumont Company announced this film project very early, but until now no European investors are willing to participate, so we had no choice but to organize today's dance party.

And in my opinion, although European investors were invited to the ball, the ones they really wanted to receive were Hollywood investors. "

"Why are no European investors willing to participate?" Hanyu Hideki asked curiously.

"According to the information I received from some investors, they learned after negotiating with Gaumont that Gaumont's budget for this literary film was 60 million francs."

The number given by Giroud Binoche surprised even Hideki Hanyu.

Based on the current exchange rate of 1:5.6 between US dollars and francs, million francs is already more than million US dollars.

In today's era, a production budget of more than 10 million US dollars is a large investment even in Hollywood.

After all, for 20-million-dollar projects, generally only action movies or feature films that invite many big-name stars can reach this level.

As for art films.

It's still a literary film without big names starring.

At this stage, Hollywood production companies are afraid to shout out this budget.

No wonder Giroud Binoche said no one in Europe is willing to invest.

If anyone can agree to this, he will be taken advantage of.

But at this time, Giroud Binoche made a guess.

"But I guess the conditions they give to Hollywood investors will not be as harsh as they treat European investors."

Hideki Hanyu, who was familiar with Gaumont's future, immediately understood the meaning of Giroud Binoche's words.

"Did Gaumont deliberately scare away European investors because they wanted to cooperate with Hollywood film companies?"

After all, in another time and space, this "Blue Sea and Blue Sky" did have the participation of Hollywood investors.

And after this movie, Gaumont's cooperation with Hollywood became more frequent.

"This is just my guess. We won't know until we discuss the details."

At this point, Giroud Binoche couldn't help but suggest to Hanyu Hideki, "If the investment is too huge, the chairman still has to consider it carefully. In fact, there are many French movies suitable for Emmanuelle Béard."

Hideki Hanyu naturally understood what Giroud Binoche meant.

This is because he is worried that he will irrationally spend huge sums of money to invest in this movie because of a woman.

However, Giroux Binoche didn’t know that even if Hideki Hanyu was really willing to invest in Luc Besson’s new movie, Emmanuelle Béard would definitely not be included in the various factors considered.

Let’s not talk about some plans for the future, such as the advance layout of streaming media content.

Simply speaking, the French film market has its own unique features.

It's impossible to gain a foothold here just by relying on Crescent Cinema Line's tentacles.

If you can't stand still now, then how can you talk about the future?

Investing in some other low-budget films would certainly satisfy Emmanuelle Béard.

But the problem is that this does not help Hanyu Hideki's strategic plan.

Sometimes, if you want to get involved in a circle as quickly as possible, you have to make some big noise.

Thinking of this, Hanyu Hideki said to Giroud Binoche, "You don't have to worry about this. I have my own considerations. It's getting late, so let's go in."

After saying that, Hanyu Hideki remembered something, "I don't seem to have an invitation to the dance. What about you?"

Giroud Binoche spread his hands and said, "Chairman, I am just the general manager of the theater chain, not a movie investor."

"Then we won't be blocked from the door, right?" Hanyu Hideki thought of a ridiculous possibility.

……

Just when Hideki Hanyu and Giroud Binoche were worried that they would be stopped outside because they did not have an invitation, in the banquet hall where the ball was held at the Morris Hotel, Emmanuelle Beah was "contacting" with a woman. Wire".

This woman is considered Emmanuelle Béard’s predecessor in the French film industry.

Isabelle Adjani became popular in the 1970s.

(Isabelle Adjani Picture)
As the 'French Rose' of the previous generation, Isabelle Adjani's private reputation is hard to describe.

In addition to having the same "crazy" character as the screen image.

The feud with another Isabelle of the same generation, Isabelle Huppert, lasted throughout the 1970s, 1980s and 1990s.

Isabel Adjani will also not be lenient when dealing with her juniors who may threaten her.

Emmanuelle Béa, who was born in 1963, not only won the French César Award for Best Supporting Actress this year, but also developed in Hollywood and received the support of European film senior Dino De Laurentiis.

In the commercial field, it signed a three-year endorsement contract with the jewelry brand Onirique.

This ferocious momentum undoubtedly makes today's number one French actress, Isabelle Adjani, feel threatened and even a little bit jealous.

After several generations of "French Rose"'s ability to make trouble, Isabelle Adjani considers herself second, so no one dares to say first.

For example, Sophie Marceau, the future "French Rose" who has just emerged, learned the method of dropping her shoulder straps to reveal her points on the red carpets of various film festivals from her predecessor Isabelle Adjani.

Therefore, when Isabel Adjani saw Emmanuelle Beah walking into the ball, she immediately walked over with her male companion.

Luc Besson's last film "Metro", Isabelle Adjani was the heroine, and she was nominated for a César Award.

From the last cooperation, Isabelle Adjani also saw the talent of Luc Besson, and naturally she wants to cooperate with him in this new movie.

So in her opinion, any actress who appears on the scene today is her competitor.

Especially a rising star like Emmanuel Beah.

Not only is her career developing well, but she is also younger than her.

When Isabelle Adjani walked up to Emmanuelle Beah, the "French Rose" immediately showed enthusiasm, but in fact she greeted her in a bitchy manner.

"Emmanuel, long time no see. Why are you here so late today? It seems that you are no longer interested in Luc Besson's new movie. Sure enough, I have worked with big companies in Hollywood, but I don't like small companies like Gaumont. project.”

Although Isabel Adjani said this to Emmanuelle Beah in front of her.

In fact, it was for the male companion who was holding her arm.

Her male partner is Alan Perry. He is not only the production manager of Gaumont Company, but also a shareholder of Gaumont Company. He is also the person with the highest status of Gaumont Company at the ball today.

As a senior French filmmaker, Alan Perry naturally knows what kind of character Isabelle Adjani is, and he also knows that Isabelle Adjani is deliberately sowing discord.

But it was a fact that Emmanuel Beah was almost forty minutes late.

This attitude is also obviously a lack of attention to Gaumont Company.

Therefore, when Isabel Adjani said this, Alan Perry knew that it was intentional, but he still felt dissatisfied with Emmanuelle Beah.

"No, the male companion I invited is outside. He is also a film investor."

Emmanuel Beah, who had just entered the house without doing anything, was provoked by senior Isabelle Adjani. After seeing Alan Perry's expression obviously looking bad, she hurriedly began to explain.

At the same time, Isabel Adjani also observed Alan Perry's face, so she decided to increase the firepower again without waiting for Alan Perry to speak.

"Haha, investor? Emmanuel, you shouldn't have invited Mr. Dino De Laurentiis here, right?
However, although I did not go to Hollywood for development, I also know that Mr. Dino De Laurentiis's company seems to be in a bad situation. Even his nephew's film company in Italy is in trouble. "

Having said this, the "French Rose" smiled sarcastically.

"Of course I respect Mr. De Laurentiis, but not everyone in this world can be called an investor.

Oh, by the way, given your ability, you probably don’t know the budget of this movie, it’s a huge number.

Don't find any unscrupulous investors. If they are scared away when they hear the budget, then you will be sleeping in vain..."

When Isabel Adjani said this, she suddenly covered her mouth with her hands pretending to be embarrassed.

"I'm sorry, I made a mistake, but you probably haven't reached that point yet, so it's still too late to regret it. Tell the late investor not to come in, and save yourself some embarrassment."

Faced with Isabelle Adjani, a little expert in tearing off words with guns and sticks, Emmanuelle Beah was so angry that she looked very ugly.

She was thinking about why Hanyu Hideki didn't come in yet.

While organizing your words, prepare a good rebuttal.

But Isabel Adjani has so much experience in fighting. Seeing that her opponent wants to talk, how can she give him a chance, just say it to Alan Perry next to him.

"Mr. Alan, I think I saw the person in charge of Lupu Film Company. How about we go and say hello together."

Loop Film Company, as one of the companies most interested in investing in Luc Besson's new film, Gaumont Company has always attached great importance to it.

Therefore, in Isabel Adjani's opinion, if she says this now, Alan Perry will definitely agree immediately.

But what Isabel Adjani didn't expect was that while she was speaking, Alan Perry looked at the door of the banquet hall.

Said to her at the same time.

"Adjani, come with me to greet an important guest first."

　Something delayed me in typing. In order to write more, I am here now. Eight thousand four, I tried my best. I was really sleepy at three o'clock in the morning. I have to go to work tomorrow. Please forgive me, brothers.

　　
　
(End of this chapter)