Traveling through the Tokyo bubble era

Chapter 123 The Eccentric Hanyu-kun
The news about Warner's first meeting spread quickly, but it also dissipated quickly.

No one cares about other people's affairs all day long. It's fun to watch the excitement of big shots, but one's own life is real.

In contemporary neon, the economy is booming, opportunities are everywhere, and those who work hard can always reap a better life.

When the bubble era came, everyone began to float in the sky, thinking that they could fly better, and they no longer bothered to stand steadily.

But when the bubble burst, when everyone fell from the sky, they found that there was no place to step on, and they all missed the current era when they could just stand up.

Hideki Hanyu is a celebrity, but his life is very simple. After breaking up with his girlfriend, he lives leisurely by himself.

Throughout late January, in addition to petting cats at home to create, he also took time to receive a few small awards, showing his presence in the neon literary world.

Just after the end of the year, the tide of the Neon Literature Awards started again, and it will not end until around May. During this period, there will be no interruption of awards, large and small, every month.

In this day and age, some people may become writers for their ideals, but most of them only want fame and fortune.

Writers are people too, and they have to eat.

In the upward era, the "sorrow" of neon traditional literature and art has faded.

What's more, Hideki Hanyu is not a character who will hurt the spring and the autumn all day long.

In the paintings and texts of his works, there will not be a piece of snow, and then tell others that this snow is also lonely.

There must be a snowman in his snow field, there must be smiling and innocent children, and there must be the same bright sunshine in winter.

No matter what era, there are always people who want to make everyone move forward with a smile, and there are always works that want to give people hope.

In fact, to put it bluntly, he is a layman, a layman who never hides himself.

name, he loves.

Money, he likes it.

Beauty, of course, is indispensable.

After the time comes to February, winter enters the final tail.

Hideki Hanyu released his No.11 picture book, and signed the fourth reprint contract of "Love, Go Home" by the way, earning over 6000 million again.

At the same time, after more than two months of tug-of-war negotiations, Shogakukan and Shueisha have finally reached an agreement on manga cooperation.

Of course, Shueisha did not agree for no reason.

Regarding the manga "Saint Seiya", Hanyu Hideki and Shogakukan established a Constellation Culture Co., Ltd. to operate the copyright operation of "Saint Seiya".

Among them, Hideki Hanyu holds 30.00% of the shares through Yunshang Culture, Shogakukan holds 30.00% of the shares, Hitotsubashi Publishing Group holds 20.00% of the shares, and the remaining 20.00% belongs to Shueisha.

The 20.00% stake in Shueisha is the price Shogakukan paid for this cooperation.

The daily operation of Constellation Culture Co., Ltd. is in charge of Xiao Xiaoguan, and major decisions need to be jointly discussed and decided by the four parties.

The copyright authorization of "Saint Seiya", the development of peripheral derivatives and other rights are no longer owned by Xiao Xuekan, but are all in charge of Constellation Culture Co., Ltd.

Although except for Hanyu Hideki's Yunshang Culture, the other three are wearing a pair of pants, but Hanyu Hideki doesn't care.

Because the establishment of Constellation Culture Co., Ltd. itself means breaking the rules and being able to hold 30.00% of the surrounding income in their hands, other comic writers are afraid that they dare not even think about it.

For this reason, the three parties of Shogakukan and Hideki Hanyu signed a strict confidentiality agreement, and he is strictly prohibited from disclosing any cooperation details.

After getting such a large profit, he also readily agreed to the royalty distribution plan proposed by the other party in the next cooperation negotiation with Masami Kurada.

The sales volume of "Saint Seiya" comics is very mediocre. The total sales volume in the previous life was only 500 million copies.

What "Saint Seiya" really makes money is actually the income from peripheral derivatives.

In the category of figures alone, the sales of the Saint Cloth Mythology series exceeded 2000 million pieces after 500, with sales exceeding 1000 billion yen.

With the real big money, Hideki Hanyu naturally doesn't care much about the royalties, and he also needs benefits to make his collaborators work more attentively.

Of course, whether it is royalties or peripheral derivatives, it will take time to accumulate slowly. The sales of 1000 billion and 20 billion figures may seem like a lot, but it took years to create them.

The most important thing for Hideki Hanyu right now is of course to connect the manga first.

After taking the time to communicate with Masami Kurata, I found that the other party is worthy of being the author of the original work. He has many different opinions on Saint Seiya, and has made up for many shortcomings in the original work.

This also allowed Hanyu Hideki to hand over the creative work to the other party with confidence after providing all the scripts, and successfully achieved the achievement of "hands-off manga artist".

After Hanyu Hideki finished all the work of "Saint Seiya", it was already mid-February, and the Yunshang Club on the Shimbashi side of the Minato District entered the busiest time.

Yun On Pictures ushered in a series of advertisements for spring products, once again testing the quality of Yun On Pictures' works.

Hirohashi Asako led her staff to shuttle between various colleges and universities, and began to recruit and reserve talents for Yunying Painting.

With the beginning of the holidays for primary and secondary schools, the selected actors are in place one after another, and the crew of "Love, Go Home" that has been prepared for a long time is officially launched.

As a movie adapted from a best-selling novel, the filming of "Love, Go Home" has naturally attracted the attention of many media, and book fans are also very concerned about it.

Therefore, when the starring lineup was announced to the public for the first time, it immediately aroused heated discussions.

All the actors, except Misako Konno, who have acting experience, are almost all amateurs, especially the two protagonists who play the grandmother and grandson, who have no acting experience at all.

Many film critics questioned this, worrying that such a touching and healing novel would be ruined because of amateur acting skills.

In order to protect Keiko's mother-in-law and the young Masato Sakai, the crew refused all interviews for the two.

But there are no actors to be interviewed, and Hideki Hanyu, the author of the original work and screenwriter, naturally became the target of the media's desire to interview.

Under the suggestion of producer Shimadzu Kiyoshi, Hanyu Hideki did not accept any media interviews, but let the media discuss hotly, and hid himself in the new office building of Yunying Pictures, busy with other things.

The three members of the Vitality Girls Group graduated from middle school and officially entered the training stage before their debut.

Recently, the three girls have lived the same life as Akina Nakamori, and they need to attend various courses from morning to night every day.

Compared with Akina Nakamori, although they have been trained for longer, Hideki Hanyu has higher demands on them.

In Warner Pioneer's plan, Nakamori Akina still follows the model of traditional idols.

However, in Hideki Hanyu's mind, the Genki Girls Group is indeed going to become an unprecedented mature girl group.

Vocal music, body shape, dance, etiquette, and even require them to each master a musical instrument.

There is no requirement for excellent instrument performance, but at least you can play your own songs smoothly.

Hideki Hanyu has been busy recently, choreographing and choreographing for Genki Girl's debut song.

Because of music like "Youth Album", it is not suitable for too vigorous singing and dancing performances.

Therefore, he drew on the experience of the Wanwan Little Tigers song "Love" and designed a unique sign language dance for the debut song "Youth Album" of the three girls.

He invited sign language experts to teach himself the sign language of the "Youth Album", and then designed different dance moves for the sign language movements.

But if he wants to teach the three girls, he must first learn it himself.

Therefore, during this period of time, he was actually choreographing and practicing at the same time, and then he found problems and then revised and practiced until the choreography that met his requirements was finally completed.

After the sign language dance of the debut song was released, Hideki Hanyu did not teach the three Vitality Girls immediately, but decided to ask someone to judge it.

This sign language dance specially designed by Hideki Hanyu for "Youth Memorial Book" was watched for the first time by Asako Hirohashi, Shota Yoshioka, the Genki Girls Group, and some randomly selected employees A, B, C, D.

And Akina Nakamori, who officially returned to the headquarters in Minato for training, and came to join in the fun during breaks.

As for why there is no last partner Nobusuke Ito, it is entirely because the other party is far away at the Ofuna Studio of Shochiku Films, shooting the film "Love, Go Home".

Ofuna's photography studio is far away in Kanagawa, and Shinsuke Ito is too busy with shooting, so there is no time to go back to Tokyo to judge Hideki Hanyu's sign language dance.

As the singing sounded, Hanyu Hideki used simple left and right alternate steps forward with his hands behind his back, showing the cuteness and liveliness of a girl.

As the singing sounded, the dance with sign language movements began.

He didn't completely imitate the Little Tigers' "Love" performance, he stood and used sign language throughout the whole process, but designed dance moves in conjunction with sign language, so people need to move.

In the process of choreography, sign language is used by Hideki Hanyu to express the song's yearning and nostalgia for youth.

And the matching dance moves are to let the audience see the cute and lively characteristics of the vigorous girl.

After the song was over, Hideki Hanyu also stopped his movements, and the audience immediately talked about it.

"Sign language is indeed very characteristic, and the embellished dance is also very cute. Hanyu-san's choreography did not disappoint us."

Hirohashi Asako praised without hesitation.

Shota Yoshioka leaned close to Asako Hirohashi's ear and whispered, "I just said that Hanyu-san should debut as a woman."

Hearing what Yoshioka Shota said, Hirohashi Asako immediately remembered the copy of the trial tape that was kept by Ito Shinsuke.

For a prodigal character like Hideki Hanyu, he didn't know how long he would have to wait if he wanted to play that video when he got married.

"Ms. Hanyu's choreography is amazing!"

Among the three vitality girls, Yoko Minano spoke out first, looking at Hideki Hanyu with eyes full of admiration.

The other two members of Vitality Girl also followed closely and praised together.

Several big bosses expressed their praise, and those randomly selected employees, A, B, C, D, dare not speak ill of the chairman at this time, of course they also applauded.

Seeing that everyone was praising Hideki Hanyu, only Akina Nakamori didn't speak, and asked curiously.

"Ming Caijiang thinks there is a problem, just say it out, I'm here to ask everyone for opinions."

In fact, Hideki Hanyu still cares more about Akina Nakamori's opinion. After all, Fatty not only studies ballet all the year round, but also has a trustworthy aesthetic level.

But Akina Nakamori didn't speak, not because she really had any opinions, but because she was a little envious of the vitality girl group.

For the Vitality Girls group, Hideki Hanyu not only provided the debut song, but also carefully designed such an innovative sign language dance, from group design to debut.

But looking at her again, she was directly handed over to Warner Pioneer to take full responsibility. Except for some requirements on the promotional route, the specific content of her debut was not controlled at all.

Even though she is an entertainer from the same agency, Hanyu-kun is so biased, she doesn't want to give any opinions.

But when Hanyu Hideki took the initiative to ask Nakamori Akina, Nakamori Akina found that everyone's eyes were focused on her, and it would be a little strange if she didn't speak at this time.

"I think Chairman Hanyu's dance moves are well designed, but in order to take care of the sign language, the connection between the front and back is still not smooth enough."

Nakamori Akina really wanted to address Hanyu-kun as she tried before, but the eyes of the people around her made her talk, and she was still too embarrassed to say it.

"I also have this feeling. It seems that the details still need to be revised. Thank you very much for Ming Caijiang's opinion."

After getting the desired opinion, Hideki Hanyu called everyone to leave, ready to continue to revise.

But everyone left, Yoshioka Shota stayed alone.

"Is Yoshioka-san looking for me?"

"The producer of Shimadzu said that the discussion of the film has begun to decline recently. He suggested that Hanyu-san find an opportunity to be interviewed by the media, and it is best to attract public attention."

"I'll try my best, but I don't care if it attracts attention."

"That's Shimadzu's producer's suggestion, and I'm only responsible for conveying it." Shota Yoshioka spread his hands.

After delivering the message, Shota Yoshioka didn't wait too long, leaving Hideki Hanyu to continue thinking about the choreography.

Hanyu Hideki was thinking about the choreography while thinking about the interview.

After all, movie promotion doesn't start until the production is finished, it needs to run through the whole movie production and continue until it's released.

In fact, because of the popularity of the novel, the movie "Love, Go Home" naturally attracted a large number of audiences. This is why Neon Film Club likes to remake classics. After all, it is called its own traffic.

"Maybe I should go to the studio to have a look. Recently, I seem to be shooting at Ofuna Studio in Shochiku."

The plot of "Love, Go Home" is not complicated. Except for some special plots, many scenes were shot in the studio.

Even in the 80s, as long as movie sets are willing to spend money, they can appear very real. Those sets that look fake are mainly because the funds are not in place.

The shooting scene of "Love, Go Home" is very simple, so the setting is relatively easy, and the production cost is relatively small, which is not known how much less than going out on location.

In order to facilitate the shooting at the Shochiku Ofuna Studio, the filming of the entire film was basically completed in the Kamakura area of ​​Kanagawa.

Thinking that it would take more than 100 kilometers to and fro, Hideki Hanyu did not hesitate. After a busy morning, he drove straight to Kamakura.

Although Kamakura is known as the back garden of Tokyo, it is far away from Tokyo after all. After entering this city, it is obvious that the fast-paced atmosphere of Tokyo has disappeared.

Even around the big ship photography studio, few media came, which also created an undisturbed environment for the filming.

Because of contacting Nobusuke Ito in advance, when Hideki Hanyu arrived outside the studio, there were already employees from Yunying Pictures waiting for him.

In the Ofuna Studio, which belongs to Shochiku Films and has produced many classic works, Hideki Hanyu was led by the staff all the way, passing by the sets, and soon arrived at the shooting location of "Love, Go Home".

As far as the eye can see, the entire area is covered with various buildings, including the dilapidated house of the grandmother in the novel, and some scenes that look like small towns.

The place where Nobusuke Ito and the crew are located is next to a prop bus. They are filming the plot of Masao and his mother returning to the countryside.

Hideki Hanyu didn't go over immediately, but asked the staff around him in a low voice, "Why is this plot being filmed now."

Although it is said that movie shooting does not need to be carried out according to the timeline, but the story shooting of one scene is concentrated.

But generally, in order to help the actors get into the state, the director still tries to arrange the shooting sequence according to the development of the timeline, especially when most of the actors are amateurs.

"Chairman Hanyu, because Konno-san didn't have a schedule before, the filming was postponed until now."

The employee of Yunying Pictures is Nosuke Ito's assistant on the set, and he is quite familiar with the filming situation of the crew.

"Is that so?"

After understanding the situation, seeing that there seemed to be a shot over there, Hideki Hanyu hurried over.

From a long distance, he saw that Shinsuke Ito had just jumped off the prop bus.

　I overestimated my coding ability, sitting in front of the computer, thinking of Zhao Benshan and Song Dandan's sketches, and choked out two words in three days.

　　It is said that codes have a platform period, I still don’t believe it, but now I believe it, no wonder everyone updates twice a day.

　　Damn, it must be updated before : noon tomorrow, and I have to write even if I don’t sleep at night.

　　Finally, thank you for the reward of Roaming Books.

　　
　
(End of this chapter)