Technology derived

Chapter 638 Scale Effect (First Change)
"You're half right. It's true that we help old movies with 3D conversion, but what we charge is not a fixed fee, but a commission!" Wang Fan said, and he had already thought clearly about how it would work.

"A commission? This is a good way. The box office of our 3D-converted movies must be guaranteed, and the commission is more in our interest. It's just how much is appropriate?" Ding Quan asked.

Wang Fan didn't speak, just stretched out a palm!
"Fifty percent!" Xu Ke was very surprised: "Wang Dong said 5% of the profit? It's a bit high, but it's still acceptable. After all, without 3D special effects conversion, they can't make a penny, and now they can get Half of it is okay."

"It's not the profit share after excluding various costs, but the share of the total box office!" Wang Fan said domineeringly: "We mortal film and television must get half of all box office and other income. As for the remaining half, the producer , distributors, theaters, theater chains, etc., how they divide it is their business!"

"This...how...how is this possible?" Xu Ke had an unbelievable expression: "You know, when a movie is released, different countries and different types of movies have different share ratios.

In the domestic market, 5% of the film special fund and 3.3% of business tax are paid by the cinema.

The box office after excluding these amounts is called the net box office, which is divided by the producers, distributors, theaters, and theaters.

For domestic films, theaters account for about 50%, distributors and theaters account for about 10%, and the remaining 40% are producers.

For imported movies, theaters still account for about 50%, distributors about 20%, theater chains about 5%, and the remaining 25% are producers.

The situation in the US market is different from it. There are two main differences:
On the one hand, the proportion of movie theaters in the United States is lower than that in China.

They believe that most of the risks in the film industry are on the producers, and the share ratio should be tilted towards the producers, but it cannot be done across the board.

So there is a second aspect, the proportion of the United States is dynamically adjusted.

For example, for a movie, in the first week, 70% of the producer and 30% of the other; in the second week, 60% of the producer, 40% of the other; in the third week, 40% of the producer and 60% of the other..."

"Personally, I think that the box office sharing method in the United States is more reasonable. After all, the biggest risk lies in the film investment! A benign film industry should give priority to allowing the producers to recover their investment and then put it into reproduction. As for the theater, it is accompanied by the film. The extension of the screening cycle will further increase the share that can be obtained, and more share of the theater can further stimulate the theater to arrange more screenings. This is a virtuous circle.”

Xu Ke continued: "However, the domestic situation is not optimistic. Theaters want 50% of the income, regardless of the interests of the producers. When the box office of a movie does well, theaters will continue to show it, or even increase the number of screenings.

But when the box office performance is not good, the theater will go offline directly, and all the investment of the producer will not be recovered, but will lose everything.

Under such a result, the domestic producers are very cautious and conservative.Moreover, the films shot are all centered on the box office, and most of them are commercial films.

Many producers even waste more resources on bragging, wasting on finding some big stars with strong ability to attract money, even if they are not very suitable.

Or in order to please a certain investor, he had to hand over an important role to a vase who had an affair with him. As a result, a good drama became the king of bad movies!

This is also the reason why currently, domestic movies, whether it is summer, National Day, or even Spring Festival, are of a very limited standard!
In addition, based on this rule, or under the atmosphere, it is impossible for us to shake 50% of the theater's revenue, let alone 50% of the revenue share! "

After Xu Ke finished speaking, his words were a little excited. He, like other people in the industry, had long been aggrieved about the domestic film format, but there was nothing he could do.

The theater is too powerful, compared with it, the producers have become a disadvantaged group.

You must know that the producer is the foundation of the film and the source of the film.

As for the theater, it is only auxiliary.

The theater collapsed, and something else took its place.

But if the excellent producers are gone, then the entire movie market will become a paradise for bad movies!
"The analysis is good. The domestic rules are indeed like this. But we have the ability to shake this pattern! 50% of the box office revenue is from our mortal technology, and they can't get a single point!" Wang Fan said domineeringly, Make the whole room dumbfounded!
In Wang Fan's view, theaters need 50% of the income, which is not bad for movies that don't make much money.

But for the movies produced by Mortal Film and Television, these masterpieces that are destined to make a lot of money, 50% is too much, too much!
Wang Fan couldn't tolerate it, and let the theater directly take 50% of the profits, while he, the distributor, and the original producer went to drink the Northwest Wind.

Therefore, in Wang Fan's opinion, it is not bad to give 30% to the cinema, including 5% of the film special fund and 3.3% of business tax!
For the remaining 70%, Mortal Film and Television will get 50%, distributors and theaters will take about 10%, and original producers, copyright owners, and actors will take 10%.

After all, Wang Fan does not plan to undergo major surgery to transform those old classic movies into 3D special effects, and he will not reshoot actors, scenes, etc. Wang Fan does not have so much energy and time.

What Mortal Films does is only convert and render 3D special effects, and reprocess old movies.

For the commercial layout of Mortal Film and Television, Wang Fan also has two paths.

One is that Mortal Films casts and produces exquisite films by itself.

For these, Mortal Films will go all out.

From script selection to directors, actors, producers, etc., strict checks will be carried out and layers of screening will be carried out.

Even in the later publicity, we will go all out.

Make sure to come up with an epoch-making masterpiece that meets the positioning of mortal technology!

On the other hand, it's those classic old movies.

For this, Wang Fan just performed 3D special effects conversion and put it on the screen again, so that the audience can relive the classics, let ordinary people film and television, and earn profits.

In this regard, Wang Fan's requirements are not high, and his investment is limited. It is impossible to reshoot all of them, and it is just a 3D special effect conversion.

It can be said that for the 3D special effects conversion of these classic movies, what Wang Fan wants is to win by quantity, what he wants is the scale effect, what he wants is pure profit, what he wants is to increase the core competitiveness of Mortal Video, and what he wants is to improve Mortal Video. The overall strength of film and television!

(End of this chapter)