A lonely brave man, I become the king of music

With a bang, the big drum beat.

Li Mushang on stage exudes incredible confidence and temperament.

Open your arms and sing loudly.

"How can the dust cover the youth, the vastness of Yanhuang and Mu Cangxia."

"Five thousand years up and down are like quicksand, and it is not in vain to enter China with your soul!"

"How can the dust cover the youth, the vastness of Yanhuang and Mu Cangxia."

"Five thousand years up and down are like quicksand, and it is not in vain to enter China with your soul!"

There was no intention of covering up at all at the beginning, and the firepower was fully fired, with an unparalleled momentum.

The lyrics are also very powerful, and this kind of main theme work is simply a dimensionality reduction blow on the stage of the competition.

Who dares to say that a sentence is not well written?

When Li Mushang's words, "Your soul is not in vain, enter Huaxia", once you say it, no matter what kind of trolls you are, you will all step aside.

To be honest, apart from the national team, if other people come to sing this kind of singing, they really don't have this flavor.

During the rehearsal and arrangement, Li Mushang actually discussed this issue with Yang Jinxin. At the beginning, both of them thought it would be better to put the chorus part in the middle and rear.

This is also the regular arrangement method of many works, and the progressive method is easy to increase the audience's experience and sense of substitution.

The more they thought about it later, the more they felt that the taste was not right. The main theme sang an atmosphere, and the weak opening would give the audience a very bad feeling.

After thinking about it for a long time, I finally put the chorus at the beginning, and entered the official verse after four paragraphs.

This ingenious arrangement has achieved very good results, at least the opening is enough to surprise the audience.

The sound of the flute remains the same, but the sound of the drum quietly disappears.

Li Mushang's voice began to become soft and natural, and it seemed that when Tie Han also had tenderness, he was talking about this moment.

He used the common way of writing lyrics in folk music, and the lyrics are very neat, like a wonderful ancient poem.

"Fengyun, it never stops changing."

"The vast sea cannot hide the vitality."

"The past teaches us to cherish."

"Forward, write a new verse!"

In Li Mushang's early days, regardless of whether it was the main theme or the national style works, his creative vision was always relatively small, and the scope was always in the chivalrous arena.

This is the world he fantasized about at that age. As he grows older and has a wider field of vision, he slowly shifts from a small perspective to a macro perspective or civilization.

In terms of composition, the rhythm that was once difficult to achieve at the technical level is remade, presented in a higher technical form, and expressed in music.

The work sounds traditional, but technically it is not in the same era as before. In the Chinese music scene, how to integrate unique text elements and national traditional music into the arrangement has always been something that countless musicians are exploring.

Li Mushang has undoubtedly achieved this point to the extreme, with a strong Chinese label in his works.

In fact, every word in the lyrics is not difficult to recognize, even the words that ordinary people will see or use every day, but Li Mushang's ability is to be able to arrange and combine these words to create new and poetic feelings.

Looking at the Chinese music scene, such a singer is also a genius that is rare in a century.

While the audience was mesmerized, the melody began to change, and Li Mushang's figure on the stage also changed.

The left hand is slightly raised to look at the camera ahead, the index finger and middle finger are put together on the heel, and the exclusive iconic gesture makes the audience boil instantly.

"Oh my god, what a rap!"

"Main theme rap, I dare say this is also No.1."

"A few years ago Li Mushang created the national style rap, and a few years later he will create the main theme rap."

"Master Li AKA Yuehua Nemesis, the label Zongzheng Art Troupe."

Li Mushang's vocals also changed immediately, and the virtual stage scenery continued to change.

He bent down and spoke, his accent was so good that even top foreign rappers would have to shout Oumai Kar when they saw this scene.

"How should we praise, the sweat of the working people."

"Welcome to my country, I will show you picturesque landscapes."

"The gall of a yellow-skinned dragon rides the wind and raises the sails."

"God bless the land of China!"

"History will not be buried, let alone its glory."

"Depict the charm of the East to welcome this new era!"

The amount of rap lyrics in this section is very large. The biggest characteristic of Li Mushang is that he can maintain a fast voice while having a unique singing voice.

The lyrics can be transmitted to the listener's ears very clearly, even if you don't read the lyrics, you can still hear them clearly.

Today's rappers abroad or in China basically still have banknotes, luxury cars, and girls. The content and realm of Li Mushang's lyrics are completely different from this group of people, and the scary thing is that they cannot be copied at all.

Many rappers have a problem. They can write enough amazing words, but they lack basic music theory knowledge.

In terms of arrangement, it is often the singer who arranges the arrangement, and such a compromise will always make the song not perfect.

Li Mushang is completely different. He alone arranges the music and lyrics, and often the lyrics and music complement each other. This kind of coherence is also rare.

Such a creative starting point makes "Huaxia" more sincere and open than ordinary slogan-style carols.

While Li Mushang sang the grandeur and even domineering spirit of the song in every word and every melody, he also properly integrated his own musical characteristics into it.

On the stage, he hammered his chest heavily, and the sound of three drums was magnificent, as exciting as a sleeping dragon waking up.

The high-pitched singing voice came out again.

"How can the dust cover the youth, the vastness of Yanhuang and Mu Cangxia."

"Five thousand years up and down are like quicksand, and it is not in vain to enter China with your soul!"

"The sons and daughters of heroes have such high-pitched voices, they are hard-working and brave, from poverty to prosperity."

"The land of Kyushu is handed over in all directions, and the scenery is unique and a scorching sun in the east!"

In the breakout competition, no one expected that Li Mushang could really sing a rap work.

The faces of the contestants in the backstage were more surprised, and even Hua Chenyu's face was more admired.

The opening structure is too strong, and as an industry insider, it is amazing.

From the very beginning of the composition of the first sentence, the momentum is magnificent, and Li Mushang's singing is also loud and clear, but the lyrics still use small as the entry point.

Starting with "small" dust and ending the first line of lyrics with "big" Yanhuang, the advantage of this structure of the work is that it will not be full when it overflows, but there is room for further development.

Even they are amazed by this kind of structure, and they have to sigh how strong it is.

Dimaxi was even more fortunate, thinking in his heart that if the opponent sang such a work in the first issue, would he be able to win?
The answer is unknown.

"Orchid Pavilion Preface" is very strong, but the work is too gentle, and the stage competition is a bit disadvantageous.

But today's song is completely opposite and very masculine. If it really happens, the result may not be certain.