A lonely brave man, I become the king of music

A group of talented people are complete, and a few years old are collected together.

Here there are lofty mountains, luxuriant forests and bamboos, as well as clear and turbulent streams, which are reflected on the left and right.

Gentlemen please listen!
Li Mushang also has a unique advantage, that is, the unique momentum cultivated by the military art and the national team's long-term experience.

If poetry recitation is placed on other people, it will be difficult for others.

But on his body, it is quite outstanding. Although it is only a short paragraph, it is full of charm.

Orchestral music was added to the chorus, and the traditional Chinese musical instruments were fully fired. On the stage, Li Mushang moved with a graceful figure.

"It has nothing to do with Fengyue. I will wait for your reply."

"Hanging pen is a must. There are thousands of waves on the shore."

"No matter how you interpret the word love, no matter how you write it, it's wrong."

"And I only lack, the understanding of your life!"

In Li Mushang's national-style works like "Blue and White Porcelain", the main song is tactful and the chorus is melodious and lyrical. The structure is high and low, which is also a typical practice of Chinese popular arrangers.

The effect of this is that in the climax of the chorus, it can catch people's ears very well at the beginning, and at the same time create a fresh and bright atmosphere.

But today's "Lanting Preface" is completely different. Li Mushang abandoned the arrangement technique that he was proud of, and made the song graceful from beginning to end.

This kind of implicit beauty is exactly the elegance of the Chinese nation for thousands of years, so it will give the audience a feeling of a more Chinese flavor.

The lights around the stage dimmed, leaving only a faint light where Li Mushang was.

With one hand behind his back, he moved slowly on the spot.

Audiences who are familiar with him know that the Great Demon King is going to make a bigger move.

After the original circle, the melody of the heel stand changed again, and the Beijing drum commonly used in opera accompaniment was sounded.

Li Mushang sang with an opera accent.

"It has nothing to do with Fengyue. I will wait for your reply."

"If you hang the pen, there will be thousands of waves on the shore."

"No matter how you interpret the word love, no matter how you write it, it's wrong."

"And I only lack the understanding of your life."

The style of the whole song changed as soon as the opera came out. It was obviously the same lyrics as the chorus, but it gave people a completely different feeling.

The beautiful and handsome opera voice left the audience dumbfounded, and the more they listened, the more they got better.

"Silky. Silky, my god!"

"Master Li's opera accent is never tiresome!"

"As soon as the drama came out, goosebumps came out immediately."

This work is Li Mushang's Chinese style song in his peak period. With the previous creative experience, the composition and arrangement are more mature and handy this time.

The overall style of the works is graceful and restrained, which is the opposite of the common routine.

The scale seems to be jumping up step by step, reaching the high note after a while, and then falling down all of a sudden.

After repeating it several times, the opera tone appeared, and only then did it achieve the real finishing touch.

One of the magic of this approach is that no matter what mood you are in when you listen to the song, you can find resonance in this kind of song.

The simplest explanation is that the climax of the chorus has a gradual increase from bass to treble, which gives the listener a long time to prepare.

This is like a person going through a trough first, and then climbing to a peak. At this time, people's vision will be more profound and their feelings will be more.

The other contestants in the backstage were basically in a state of deep thought at this time. Li Mushang's new arrangement structure today really opened up new ideas for them.

If you study thoroughly, there will be a significant improvement for everyone.

After the chorus of the song, the melody returns to the softness of the first paragraph.

The audience who was originally in a high mood relaxes again, and the sound is pleasant, and they will not feel tired during high-intensity listening to songs.

The process is as if a professional masseur is helping them massage the whole process.

Li Mushang's voice came out again, still as gentle as water.

"Fingers to the years. The city is annihilated in an instant."

"Qingshi Banjie, look back and smile at you gracefully."

"Have you hated it? You shook your head and sighed softly. Who made you frown?"

"And boudoirs leave behind the smell of rouge!"

From the point of view of the lyrics, it is actually a bit of a little daydream, that is, the work is limited to the relationship between men and women, and the title of the song "Lanting Preface" is more like an introduction, which actually makes the audience feel dissatisfied, thinking that this is the shortcoming of the song.

But if we go back to the composition of the song, everyone will find that the way of writing lyrics and composing makes the work always have a touch of melancholy and melancholy.

The positive aspects of the climax of the chorus also try to retain a certain degree of restraint, which is intriguing and thought-provoking.

This is similar to the work "Blue and White Porcelain", both of which use objects as carriers to tell a beautiful story.

There are joys, sorrows, tears, and laughter in the story, which sums up life.

"It has nothing to do with Fengyue. I will wait for your reply."

"Handwriting is not ashamed, and there is no fear of right and wrong in the world."

"The rain beats on the banana leaves, and it's been a few nights."

"I'll wait for Chunlei to remind you who you love."

"I'll wait for Chunlei to remind... who you... love...!"

At the end of the singing, there was thunderous applause.

The combination of national style and opera style was Li Mushang's first hit, and has been imitated all the time, but never surpassed! !

From the perspective of music, all musicians should kowtow to Li Mushang. There are many difficulties in the development of this new category, and the hard work is beyond many people's imagination.

But the emergence of a brand new style will also benefit more musicians and younger generations.

Li Mushang is like a doctor, constantly adjusting the dose to achieve the best effect.

From the very beginning when audiences did not accept the works of Guofeng opera, they have become accustomed to it now. Li Mushang's credit goes without saying.

The musical instruments in the work include Chinese and Western instruments. The cello plays the ancient Chinese melody, which is really nice.

This is the best cultural fusion, very harmonious, and they never overwhelm each other.

"Li Mushang!"

"Li Mushang!"

"Li Mushang!"

The audience in the audience kept calling his name, and when he came back to his senses, there were tears in his eyes, no matter what happened, the audience and fans will always be the cutest group.

They will support her unconditionally at any time, and this is also the motivation for Li Mushang to fight.

"Thanks to my musician team, and my good brother, music director Yang Jinxin."

"Thanks to my partner Yudie Records, and to everyone who listens to my songs."

"Thank you everyone, I am Li Mushang!"

The cheers lasted for a long time, and Li Mushang returned to the backstage after thanking him many times.

Except for Hua Chenyu, all the contestants sent their blessings. Today's work is definitely a milestone in Li Mushang's music career, which is worth celebrating.