A lonely brave man, I become the king of music
Chapter 219 Huang Liang 1 Dream "Red Ling" Sings
Sichuan opera is also particular about the third act, because it is farce and it does not seem to be as sophisticated as the previous two operas, and it is basically suitable for all ages.
For young friends who are watching opera for the first time, they are actually quite tired after watching it, and it takes time to digest it.
Sichuan opera does not require any thinking. The unique skills in the performance are greater than the singing, so just watch it directly.
This can also be regarded as giving the audience a certain amount of rest and blank time.
On the stage, Li Mushang carefully placed the oil lamp on the male opera performer's head. This is not a special prop, but a serious oil lamp.
If it is accidentally sprinkled, the consequences are really unimaginable.
The brand-new arrangement and accompaniment made the scene of "Rolling the Lantern" very different from the previous two operas. It can be said that the painting style has changed suddenly.
An oil lamp drilled back and forth under the bench, the actor's skill is quite in place, and it looks quite thrilling.
But due to the relationship between the type of play and the music, Li Mushang couldn't show it on the stage, and this feeling made him extremely uncomfortable.
An actor with an oil lamp on his back got up and stood on the bench, slowly raised one foot, and then made an unimaginable single-leg push-down movement.
This thing really couldn't be practiced in ten or eight years. At this time, Li Mushang had already walked in front of the opponent, raised his head slightly and blew out the oil lamp. The lights on the scene were turned off at the same time, and the whole stage was pitch black.
When the camera was turned on again, there was only a slight red glow on the stage.
A silk umbrella stands in the center, the camera zooms out gradually, and the sound of suona sounds. This transition is simply not too amazing.
The fourth act, "Zhong Kui Marries a Sister" by Heli Bangzi, is also a drama born out of folk myths, and its visual expression is stronger than that of The Legend of the White Snake.
There are many generous and tragic people in the land of Yanzhao, which caused Bangzi opera to be endowed with the ability to open and close that other operas do not have.
Suona is also a commonly used soundtrack for this play. The man with a painted face and long beard standing under an umbrella with a backrest is the protagonist of this play, Zhong Kui.
The actor who plays Zhong Kui is Mr. Hao Zhichao, the inheritor of Bangzi Opera. His grandfather is the founder of Bangzi Opera, and his father is a national opera master.
This scene is actually very difficult. First of all, Zhong Kui's appearance in the opera belongs to martial arts students. In addition to wearing a 20-jin crib, there are also thick-soled boots with a square toe of more than ten centimeters under his feet.
Zhong Kui is a real person in history. He was famous for his outstanding literary talent, but because of his ugly appearance, he was not selected as the number one scholar by the emperor and died.
The emperor was greatly shocked and regretted, so he was buried with the honor of the number one scholar. The thick-soled boots are the necessary outfits for military students with official positions on the opera stage.
Wearing this thing on your feet is like walking on stilts. Li Mushang has tried it in private, let alone making various movements, ordinary walking is extremely difficult.
There are five little ghosts attached to Zhong Kui, and according to legend, they are attendants who carry the magic weapon for Zhong Kui.
Pfft~~~ A mouthful of kerosene spewed out from Hao Zhichao's mouth in front of the long lamp, and flames shot out instantly.
This is an extremely difficult performance technique in opera. Breathing fire.
Kerosene has a strong and special smell. The principle of breathing fire is to hold a mouthful of kerosene in your mouth before entering the stage, and then spray it out at the right time, which is very visually impactful.
The spit action should be clean and neat, and there should be no wounds in the mouth, and at the same time, the disgusting smell must be endured.
The lights gradually turned on, and teacher Hao Zhichao jumped off the back of the "little ghost".
It was only then that everyone discovered that Li Mushang was standing behind, but the light was too dim at first and was directly covered.
He also had a long beard hanging on his chin, and he was doing the same movements as Teacher Hao Zhichao, as if he was studying but not in place.
Teacher Hao Zhichao sang.
"There are broken umbrellas and lonely lights."
The drumbeat of the Bangzi opera also came with a strong rhythm. While singing, Mr. Hao Zhichao also put on various postures.
This singing is really magnificent!
Surrounded by Li Mushang, there was a look of shock on his face, as if he suddenly woke up, and the camera continued to rotate.
The curtain of black and white facial makeup slowly opened, Li Mushang turned around in a daze, and behind him stood five painted faces in official uniforms.
These five are the tripod bearers of modern Beijing opera, among them is Qiu Sihai, the descendant of the Qiu family.
When the drums beat, Li Mushang froze in place, and the eyes of the character he played on the stage were red.
His expression seemed to know that this was just a big dream, but at this moment, he really didn't want to wake up.
The five people strode forward, the Beijing drum was beating, and the erhu was pulling away.
The most famous "Side Beauty Case" in Peking Opera, sang with the gong!
"My son-in-law took a closer look. It says that Qin Xianglian is 32 years old, and she is suing the current son-in-law."
"Bullying the king, despising the emperor, a man who repents of his marriage gets married."
"Put the paper of pleadings in the hall of the grandpa!"
Bao Zheng of various genres played by five famous opera masters spoke at the same time, and the scene was extremely touching.
Especially these people in the opera circle were crying.
In a daze, they seemed to see the glorious moments of opera in the past.
The down-and-out theater became resplendent and resplendent, and the empty audience was full of people, cheering and jumping.
The shocking scene cannot be added.
At this moment, there was a bang on the scene, and the bell rang again.
The camera cut again, and Li Mushang found himself still sitting under the stage, the old chair creaking.
The dilapidated stage was still covered with dust, but when he reached out his hand, he found that the tears in the corners of his eyes were still warm.
It's just a dream, so real.
Standing up and walking slowly onto the stage, a ray of light shone on him, so dazzling that Li Mushang had to raise his hand to cover it.
After adapting to the light, he lowered his arms and looked up to see that the actors of "Dream" were sitting off the stage. They were smiling and looking at Li Mushang on the stage, without saying anything.
The melody sounded, this time it was not the melody of opera, but the melody of music, but it was composed of traditional musical instruments.
Among them are the Nanxiao used in "Introduction", the big drum used in "Broken Bridge", the wooden fish used in "The Heavenly Girl Scattering Flowers", the qin used in "Rolling Lantern", and the suona used in "Zhong Kui Marries a Sister", There are also Beijing drums used in "The Case of Side Beauty".
In the accompaniment of "Red Ling", Li Mushang added all the characteristic musical instruments unique to the first five operas. I have to say that it took great pains.
This is the first time the story unfolds in its entirety. Li Mushang wanted to find the stories of his predecessors to tell to those who cared, but Huang Liang Yimeng let himself into the drama.
Complicated emotions gather in the body, accompanied by a very Chinese melody, but the softly spoken but beautiful high-pitched voice is feminine.
This is Dan Jiaoer's unique singing style, clean and beautiful!
"Ahhh~~ahhhh!"
The two humming lines created the atmosphere extremely well, and Zhang Zhiqing behind the monitor was extremely shocked.
For young friends who are watching opera for the first time, they are actually quite tired after watching it, and it takes time to digest it.
Sichuan opera does not require any thinking. The unique skills in the performance are greater than the singing, so just watch it directly.
This can also be regarded as giving the audience a certain amount of rest and blank time.
On the stage, Li Mushang carefully placed the oil lamp on the male opera performer's head. This is not a special prop, but a serious oil lamp.
If it is accidentally sprinkled, the consequences are really unimaginable.
The brand-new arrangement and accompaniment made the scene of "Rolling the Lantern" very different from the previous two operas. It can be said that the painting style has changed suddenly.
An oil lamp drilled back and forth under the bench, the actor's skill is quite in place, and it looks quite thrilling.
But due to the relationship between the type of play and the music, Li Mushang couldn't show it on the stage, and this feeling made him extremely uncomfortable.
An actor with an oil lamp on his back got up and stood on the bench, slowly raised one foot, and then made an unimaginable single-leg push-down movement.
This thing really couldn't be practiced in ten or eight years. At this time, Li Mushang had already walked in front of the opponent, raised his head slightly and blew out the oil lamp. The lights on the scene were turned off at the same time, and the whole stage was pitch black.
When the camera was turned on again, there was only a slight red glow on the stage.
A silk umbrella stands in the center, the camera zooms out gradually, and the sound of suona sounds. This transition is simply not too amazing.
The fourth act, "Zhong Kui Marries a Sister" by Heli Bangzi, is also a drama born out of folk myths, and its visual expression is stronger than that of The Legend of the White Snake.
There are many generous and tragic people in the land of Yanzhao, which caused Bangzi opera to be endowed with the ability to open and close that other operas do not have.
Suona is also a commonly used soundtrack for this play. The man with a painted face and long beard standing under an umbrella with a backrest is the protagonist of this play, Zhong Kui.
The actor who plays Zhong Kui is Mr. Hao Zhichao, the inheritor of Bangzi Opera. His grandfather is the founder of Bangzi Opera, and his father is a national opera master.
This scene is actually very difficult. First of all, Zhong Kui's appearance in the opera belongs to martial arts students. In addition to wearing a 20-jin crib, there are also thick-soled boots with a square toe of more than ten centimeters under his feet.
Zhong Kui is a real person in history. He was famous for his outstanding literary talent, but because of his ugly appearance, he was not selected as the number one scholar by the emperor and died.
The emperor was greatly shocked and regretted, so he was buried with the honor of the number one scholar. The thick-soled boots are the necessary outfits for military students with official positions on the opera stage.
Wearing this thing on your feet is like walking on stilts. Li Mushang has tried it in private, let alone making various movements, ordinary walking is extremely difficult.
There are five little ghosts attached to Zhong Kui, and according to legend, they are attendants who carry the magic weapon for Zhong Kui.
Pfft~~~ A mouthful of kerosene spewed out from Hao Zhichao's mouth in front of the long lamp, and flames shot out instantly.
This is an extremely difficult performance technique in opera. Breathing fire.
Kerosene has a strong and special smell. The principle of breathing fire is to hold a mouthful of kerosene in your mouth before entering the stage, and then spray it out at the right time, which is very visually impactful.
The spit action should be clean and neat, and there should be no wounds in the mouth, and at the same time, the disgusting smell must be endured.
The lights gradually turned on, and teacher Hao Zhichao jumped off the back of the "little ghost".
It was only then that everyone discovered that Li Mushang was standing behind, but the light was too dim at first and was directly covered.
He also had a long beard hanging on his chin, and he was doing the same movements as Teacher Hao Zhichao, as if he was studying but not in place.
Teacher Hao Zhichao sang.
"There are broken umbrellas and lonely lights."
The drumbeat of the Bangzi opera also came with a strong rhythm. While singing, Mr. Hao Zhichao also put on various postures.
This singing is really magnificent!
Surrounded by Li Mushang, there was a look of shock on his face, as if he suddenly woke up, and the camera continued to rotate.
The curtain of black and white facial makeup slowly opened, Li Mushang turned around in a daze, and behind him stood five painted faces in official uniforms.
These five are the tripod bearers of modern Beijing opera, among them is Qiu Sihai, the descendant of the Qiu family.
When the drums beat, Li Mushang froze in place, and the eyes of the character he played on the stage were red.
His expression seemed to know that this was just a big dream, but at this moment, he really didn't want to wake up.
The five people strode forward, the Beijing drum was beating, and the erhu was pulling away.
The most famous "Side Beauty Case" in Peking Opera, sang with the gong!
"My son-in-law took a closer look. It says that Qin Xianglian is 32 years old, and she is suing the current son-in-law."
"Bullying the king, despising the emperor, a man who repents of his marriage gets married."
"Put the paper of pleadings in the hall of the grandpa!"
Bao Zheng of various genres played by five famous opera masters spoke at the same time, and the scene was extremely touching.
Especially these people in the opera circle were crying.
In a daze, they seemed to see the glorious moments of opera in the past.
The down-and-out theater became resplendent and resplendent, and the empty audience was full of people, cheering and jumping.
The shocking scene cannot be added.
At this moment, there was a bang on the scene, and the bell rang again.
The camera cut again, and Li Mushang found himself still sitting under the stage, the old chair creaking.
The dilapidated stage was still covered with dust, but when he reached out his hand, he found that the tears in the corners of his eyes were still warm.
It's just a dream, so real.
Standing up and walking slowly onto the stage, a ray of light shone on him, so dazzling that Li Mushang had to raise his hand to cover it.
After adapting to the light, he lowered his arms and looked up to see that the actors of "Dream" were sitting off the stage. They were smiling and looking at Li Mushang on the stage, without saying anything.
The melody sounded, this time it was not the melody of opera, but the melody of music, but it was composed of traditional musical instruments.
Among them are the Nanxiao used in "Introduction", the big drum used in "Broken Bridge", the wooden fish used in "The Heavenly Girl Scattering Flowers", the qin used in "Rolling Lantern", and the suona used in "Zhong Kui Marries a Sister", There are also Beijing drums used in "The Case of Side Beauty".
In the accompaniment of "Red Ling", Li Mushang added all the characteristic musical instruments unique to the first five operas. I have to say that it took great pains.
This is the first time the story unfolds in its entirety. Li Mushang wanted to find the stories of his predecessors to tell to those who cared, but Huang Liang Yimeng let himself into the drama.
Complicated emotions gather in the body, accompanied by a very Chinese melody, but the softly spoken but beautiful high-pitched voice is feminine.
This is Dan Jiaoer's unique singing style, clean and beautiful!
"Ahhh~~ahhhh!"
The two humming lines created the atmosphere extremely well, and Zhang Zhiqing behind the monitor was extremely shocked.
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