A lonely brave man, I become the king of music

Since the shooting was not a live broadcast, even if it was a mirror, there was still a lot of room for manipulation. Xu Shan and Zhang Zhiqing were in charge of the on-site scheduling.

The opera teachers have already changed into their outfits and started to prepare for the shooting. Li Mushang has also changed into his clothes, but it is not an opera costume.

This set of costumes was selected after consultation with the opera teachers, and then they were customized by professional master craftsmen.

The jacket is like a robe, relatively thin, with a hood at the collar, and the clothes inside have a patch-like design. After all, Li Mushang has an image advantage, and he is a natural hanger.

This set of clothes, which may seem a bit exaggerated to ordinary people, is quite harmonious on him.

Xu Shan was sitting in front of the monitor at this time, holding the walkie-talkie and said: "All departments are making final preparations. Li Mushang has gone to the designated place, and the field manager will arrange his clothes again."

"You should remember that since this scene is shot to the end, your whole body movement must be natural and smooth, and you can't be in a daze. Concentrate on it!"

All the cast and crew on the scene were under considerable pressure, especially Li Mushang, who is the serial person of the whole show, and the central point of the story really couldn't be sloppy at all.

After counting down to dozens, the shooting officially began.

The hole flute was blown at the scene, and it was not violent. The simple and deep notes were heard by everyone, and the ancient and strong feeling of history permeated the entire venue in an instant.

Stare~~~~ The ancient clock rang.

Li Mushang got up and walked forward, walking very slowly, as if the place he was in was nostalgic for him.

The camera zoomed out, and only then did everyone see the whole picture clearly. This is a dilapidated stage, and the heavy dust indicates that no one has been here for a long time.

Looking up at the still golden signboards and banners above, it shows its past scenery and glory to the people.

Li Mushang's movements are extremely graceful, his steps are slow but not annoying at all.

In the faint sound of the flute, there is a faint sound of singing opera from somewhere, the sound is so small that it is not clear what kind of opera it is.

Standing still, Li Mushang turned his head in a daze, but there was nothingness in front of him, and a bunch of dim lights shone.

The beam of light seems to be like a street lamp in the dark night, guiding Li Mushang forward and getting brighter and brighter.

He followed the faint voice, and the quaint door slowly opened and his figure disappeared.

This scene is called "Introduction" in the script. The technique of expression and shooting is very artistic, leaving a lot of room for the audience to diverge their thinking.

The cameraman's lens followed Li Mushang's steps and entered the door.

The sound effects start to change here, and the electro-psychedelic color loop music plays, giving people a completely unreal feeling, which also indicates that this is all just a big dream.

Li Mushang's coat had been lost at some point, and he looked at the three people in front of him with a bit of bewilderment and astonishment.

The woman in Tsing Yi pointed at the young man who was dressed as a scholar, and angrily reprimanded her, singing extremely powerfully.

"Xu Shan, where are you going?"

This is a very well-known opera in the opera circle, Qin Opera. It has simple performance, rough singing, bold and unrestrained movements, and exaggerated limbs. It is a very impactful opera.

What is being performed right now is the very famous "White Snake·Broken Bridge"!
When the words "Where to go" were sung, the Huaxia drum beat, and the momentum began to become urgent and magnificent. This was a change made after discussion between Li Mushang and Xu Shan.

Abandoning the original traditional soundtrack, adding instruments with more auditory impact, and re-arranging.

Two long swords flew towards Li Mushang from the air, and he instinctively reached out to catch them, with a look of astonishment on his face.

But the moment Xiaoqing swung his long sword, Li Mushang did the same. This is a very distinctive sword dance in Qin opera.

The movements are smooth, elegant, and natural, and there is no lack of urgency and visual impact in the softness.

With a flick of the wrist, the two long swords are like two silver snakes, flying in the air and twisting their bodies.

There is another saying about this sword. The professional name is the male and female double-strand sword. The left is male and the right is female. There is also a real user in history, that is Liu Bei in "Three Kingdoms".

After the three brothers got married in Taoyuan, they went to the blacksmith shop to forge three handy weapons. Guan Yu chose the Qinglong Yanyue Saber, Zhang Fei chose the Zhangba Snake Spear, and Liu Bei chose the male and female double-strand sword.

"The Legend of the White Snake" is a folk fictional love story, in which it is recorded that Xiaoqing used a male and female double-strand sword, and the blueprint of the opera was also preserved and put on the stage.

In the picture, Li Mushang and Xiaoqing swung their swords at the same time, but Bai Suzhen, who was wearing white clothes, reached out to stop them and sang with a very high pitch.

"Qing~~~sister!"

"Don't miss officials, you should miss me."

"No one in the world makes mistakes, Qingmei, please spare him."

"The poor officials were also tortured."

When the teacher of Qin Opera who played Bai Suzhen sang, the sound effect of the scene changed again. In addition to the extremely impactful drum beat just now, the traditional stage soundtrack of Bangzi was also included.

This not only preserves the tradition, but also is easier to be accepted by young audiences.

The most eye-catching performer on the stage was Li Mushang. He was dressed in linen cloth with both male and female swords in his hands, and his every move was no different from that of a professional teacher.

Opera is very important to basic skills. If you don't practice for a long time, you can't do it at all.

Xu Shan behind the monitor looked like he had seen a ghost: "Mr. Zhang, Li Mushang really only studied with the teacher for a day?"

Zhang Zhiqing was full of envy, looking at Li Mushang whose body was still turning constantly in the picture, this talent was really enviable.

"It's only seven days in total. On the first day we got together to discuss the big picture, and in the remaining six days, you'll see the six plays."

"This kid is really an opera genius. I must have a good talk with him after this time is over. What a good seedling, it's a waste of money to take the music route!"

The veteran opera veteran sighed sadly and vowed to let Li Mushang go on the "right path".

Xu Shan didn't reply. He actually wanted to say that Li Mushang is also a monstrous existence in the music world, refreshing people's new understanding of genius time and time again, but this is not the time for small talk, so he didn't open his mouth.

When the actor who played Bai Suzhen sang the last line, Li Mushang, who was kneeling on the stage, slowly raised his head, separated his swords and stabbed quickly in the direction of the camera teacher.

The cameraman was very frightened to be honest at this time, although he knew that Li Mushang was holding a prop sword, which was not lethal, but the aura was still frightening.

He instinctively wanted to retreat, but Xu Shan's reminder came from the headset: "Don't retreat and lose all previous efforts, go up and go up."